Friday, August 10, 2018

EDDIE CANTOR AND THE MARCH OF DIMES

Here's a great story on how Eddie Cantor started the March of Dimes...

Comedian Eddie Cantor (1892-1964) holds a very special place in the history of the March of Dimes, for it was he who coined the phrase “March of Dimes” used to identify the Foundation today. Eddie Cantor was a multi-talented performer – vaudeville star, singer, actor, comedian, radio and television personality – whose rise to fame began in the New York City theatrical revue, the Ziegfeld Follies, in 1917. Beloved by the American public and known as “banjo eyes” for his wide-eyed visage, Eddie Cantor had a deep well of compassion to match his enormous talent, for he embraced a variety of humanitarian causes over the course of his long career in show business. One of these was the March of Dimes, and the story of how he created this name has special distinction.

Beginning in 1934, the fight against poliomyelitis (also known as infantile paralysis, or polio) was commonly associated with the annual Birthday Balls held each January 30th in honor of President Franklin D. Roosevelt's birthday. These lively fundraising parties were organized in cities throughout the United States just as the country emerged from the Great Depression and were unique in their appeal to ordinary citizens to join the campaign of finding a solution to this dreaded disease. After FDR issued his proclamation announcing the creation of the National Foundation for Infantile Paralysis on September 23, 1937, to carry on the battle against polio on a national basis, it was left to Eddie Cantor and other promoters to organize a fundraising strategy for the next Birthday Balls in California. On November 22, 1937, Cantor met with W. S. Van Dyke II and Harry Mazlish of Warner Brothers in the office of John Considine, Jr. in the studios of Metro-Goldwyn-Mayer to discuss their plans. In the meeting, Cantor recalled a successful 30-second radio appeal for relief funds after a catastrophic Mississippi River flood. Applying this idea to the National Foundation, Cantor said, “I am sure that all of the national radio programs originating in Hollywood would devote 30 seconds to this great cause!” He suggested that the money raised could be directed to the White House, pending the approval of the President. After another moment of reflection he suggested, “We could call it the March of Dimes.” This idea brought the general approval of everyone in the meeting.


Naturally, neither Cantor nor the others immediately realized the historic importance of this lively catchphrase, but they instantly understood its appeal, based as it was on a pun on the contemporary newsreel, The March of Time. They continued to prepare for the 1938 Birthday Ball and the special radio appeal for the President's birthday. The United States comptroller for the currency, J. F. T. O'Connor, wrote to the President, “I have never discussed the matter with men who were more enthusiastic about anything as they were over the aid which they were anxious to render to disabled children.” Cantor worked vigorously on the campaign and enlisted the support of Nicholas Schenk at Twentieth Century Fox as well as the most popular entertainers of the day – Jack Benny, Bing Crosby, Rudy Vallee, Deanna Durbin, Lawrence Tibbett, Jascha Heifetz, Joe Penner, Kate Smith, and Edgar Bergen and “his wooden-headed friend,” the puppet Charlie McCarthy.

The National Foundation for Infantile Paralysis was officially incorporated on January 3, 1938, and the first March of Dimes radio appeal occurred during the week preceding the Birthday Ball events scheduled for January 30. As Cantor himself stressed, “The March of Dimes will enable all persons, even the children, to show our President that they are with him in this battle against this disease. Nearly everyone can send in a dime, or several dimes. However, it takes only ten dimes to make a dollar and if a million people send only one dime, the total will be $100,000.” This optimistic pitch collided head-on with the dismal news that the appeal garnered only a trickle of dimes in the days following the first broadcast. In fact, only $17.50 had been sent in to the White House in two days. But what followed became a deluge: by January 29, over 80,000 letters with dimes and dollars flooded the White House mailroom to the extent that official correspondence to the President was literally buried in an avalanche of donations, a total of 2,680,000 dimes or $268,000. On the eve of his birthday, President Roosevelt went on the air to express his thanks.


With the first “March of Dimes,” the National Foundation for Infantile Paralysis was off to a very promising start. Eddie Cantor had not only jump-started the fundraising program of the new foundation, he demonstrated the enormous value of an appeal for the inexpensive participation by everyone, young or old, rich or poor, simply by contributing a dime. What is more, Cantor's knack of hitting on a catchy phrase that would be universally remembered was a stroke of genius. The name “March of Dimes” – the annual fundraising campaign – became recognizable to more people than the name of the foundation itself. Eddie Cantor continued to support the March of Dimes through the 1950s as communities throughout the U.S. embraced it as the single means to eliminate the scourge of polio from America. With the polio vaccines developed by Jonas Salk, MD in 1955, and Albert Sabin, MD in 1962, made possible by March of Dimes funds, the polio epidemics in the United States swiftly abated. With that success, the Foundation changed its mission to birth defects prevention in 1958, and in 1979 it officially changed its corporate name to the March of Dimes Birth Defects Foundation...


1 comment:

  1. Hi David- I loved your March of Dimes /Eddie Cantor Story above. Well-done indeed! I humbly contact you to ask your permission to reprint the story w/pics in my next Eddie Cantor Appreciation Society Newsletter (well overdue), in which I hope to complete soon. I'm presently the proud President of the ECAS and I cherish any material on Cantor that I come across. You may reach me here or email...Jackciarm@hotmail.com with your response ...thank you so much in advance-I truly hope we can use this excellent piece. You would be entitled to view the article prior to production,as it will appear in the newsletter, to assure your approval. Take care and thank you again. Sincerely, Jack Ciaramella

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