THE HUMOR OF YOUNG FRANKENSTEIN

Mel Brook's humor has always stood out for its ability to engage with the world by revealing its ugly side. His jokes have famously turned the negative aspects of society upside down to satirically disarm them by exposing their faults and hypocrisy. Films like The Producers and Blazing Saddles are prime examples since they cover sensitive topics like prejudice and racism in a well-received way. Aside from this, however, Brook's comedy also has a penchant for the crass and risqué, which is common among some directors, and Young Frankenstein is no different. The film transforms slapstick antics like kneeing someone in the genitals into an intellectual exercise on the inner workings of the human brain while also using sexual innuendos and wordplay to explore a discourse focused on the nuances of relationships between men and women, regardless of whether they're organic or manufactured beings. As a result, bits like "Rolling Around in the Hay" and "The Mysteries of Life" are memorable and remain relevant today. However, the "Frau Blücher" bit has never been given the same regard.

In many ways, the funny exchanges between Dr. Frederick Frankenstein (Gene Wilder) and Frau Blücher (Cloris Leachman), while comical and unforgettable in their own right, can be viewed as a throwaway bit compared to the others. This is because it doesn't stand out as much among all the other hilarious scenes within the film. After all, juxtaposed against the "Sedagive" routine, Wilder's shrieking "Quiet Dignity" or the "Abby Normal" scene, a little bit of thunder and a horse neighing after hearing the housekeeper's name doesn't have the same comedic impact. However, considering who Frau Blücher is concerning the family, the character's famous scene, including her offering the good doctor a refreshment before bed, might be Young Frankenstein's most underrated and subtlest joke. One that contains a bit of unnoticed raunchiness that highlights Mel Brook's timeless comedic genius -- even almost 50 years later.

ON THE SET OF YOUNG FRANKENSTEIN

The "Young Frankenstein" cast re-created a scene for staff photographer Marianna Diamos. Director Mel Brooks, right, looks on as, from left, Teri Garr, Gene Wilder and Marty Feldman work on the monster, Peter Boyle.

Writer Wayne Warga reported in the April 14, 1974, Los Angeles Times:

The castle looms dark and foreboding, a dead tree in a courtyard leading to outside doors with huge knockers. The kind of place where people must come to die. Frankenstein's place. And this time the devout wish is that we'll all die laughing. It's Mel Brooks' version of Frankenstein's place.

It's impossible to tell how many versions of this classic tale have been made around the world, but certainly this must be the first one in which the monster has a zipper in his neck.

The $350,000 castle, on Stage 4 at 20th Century-Fox, is an inspiration of the macabre, while the goings-on of its inhabitants are inspiringly silly.

Brooks is shooting the film in black and white and is using cinematic techniques prominent in the late 1920s and the early 1930s. "It's not satire, it's a salute," he says. "It says, 'Mel Brooks Presents Young Frankenstein' so the audience will, of course, know the comedy will go an inch or two further than one usually expects. But you can't keep winking because it diminishes the melodrama. The melodrama has to be there."

Brooks at work is intense, serious and determined — in startling contrast to the inspired silliness of his films. Gene Wilder plays Frankenstein and, along with Brooks, is the co-author of the screenplay.

"Gene walked in one day and said he wanted to do a picture called 'Young Frankenstein,' Brooks recalls. "I told him he was crazy. A week later we were writing it." …

"Young Frankenstein" became a smash hit. It’s now highly ranked on many best comedy film lists.

SOURCE

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MY FIVE FAVORITE FILMS OF THE 1970S

Picking my five favorite films of the 1970s was harder for me than I thought. I never realized how many high quality movies were made in that disco decade. One thing I do know is my favorite film of all time was made in that decade. Here are my five favorite movies of the 1970s, and I have to pick at least five honorable mentions…

5. THE JERK (1979)
This uproarious comedy made Steve Martin a star. Directed by Carl Reiner, the film was written by Steve Martin, Carl Gottlieb and Michael Elias. This was Steve Martin's first starring role in a feature film. The film also features Bernadette Peters, M. Emmet Walsh and Jackie Mason. In the film Martin plays Navin Johnson. He was abandoned as a child and raised by a sympathetic black family. Now grown Navin does not realize that he is white and not black. He longs to find his way in the world so he sets off to find his “special purpose”. Look for Carl Reiner in a small role playing “Carl Reiner the actor” The movie is simple and Martin’s character is idiotic, but I find myself laughing my way through the movie each time I see it.


4. STAR WARS (1977)
The first film in the series was originally released on May 25, 1977, under the title Star Wars, by 20th Century Fox, and became a worldwide pop culture phenomenon, followed by two sequels, released at three-year intervals. In my opinion, the second movie of the franchise, The Empire Strikes Back, was the best movie in the serious. However, this first movie set the stage for one of the most popular movie series in cinema history. The events depicted in Star Wars media take place in a fictional galaxy. Many species of alien creatures (often humanoid) are depicted. Robotic droids are also commonplace and are generally built to serve their owners. Space travel is common, and many planets in the galaxy are members of a Galactic Republic, later reorganized as the Galactic Empire. I am not a science fiction fan, but this series was one of the biggest things during my childhood. I long for those days.

3. YOUNG FRANKENSTEIN (1974)
The comedy scene in the 1970s belonged to Mel Brooks. Hollywood never truly saw the type of movies Brooks directed until he came along. The film stars Gene Wilder as the descendent of Dr. Frankenstein who uncovers his family scientific secrets. Peter Boyle is very underrated as the Monster. The cast is made in cinema heaven and included: Marty Feldman (perfect as Igor), Teri Garr, Madeline Kahn, Cloris Leachman, and Gene Hackman (in a scene stealing cameo). The film is an affectionate parody of the classical horror film genre, in particular the various film adaptations of Mary Shelley's novel Frankenstein produced by Universal in the 1930s. Most of the lab equipment used as props were created by Kenneth Strickfaden for the 1931 film Frankenstein. To further reflect the atmosphere of the earlier films, Brooks shot the picture entirely in black-and-white, a rarity in the 1970s, and employed 1930s-style opening credits and scene transitions such as iris outs, wipes, and fades to black. The film also features a notable period score by Brooks' longtime composer John Morris. Young Frankenstein is easily one of my favorite comedies of all time.


2. THE GODFATHER PART II (1974)
This film sequel is one of those rare sequels, where the second movie surpasses the original film in popularity and quality. The movie is a 1974 American crime epic that Francis Ford Coppola produced, directed, and co-wrote with Mario Puzo, starring Al Pacino, Robert Duvall, Diane Keaton, and Robert De Niro. Partially based on Puzo's 1969 novel, The Godfather, the film is in part both a sequel and a prequel to The Godfather, presenting two parallel dramas. The main storyline, following the events of the first film, centers on Michael Corleone (Pacino), the new Don of the Corleone crime family, trying to hold his business ventures together from 1958 to 1959; the other is a series of flashbacks following his father, Vito Corleone (De Niro), from his childhood in Sicily in 1901 to his founding of the Corleone family in New York City. Nominated for 11 Academy Awards and the first sequel to win for Best Picture, its six Oscars included Best Director for Coppola, Best Supporting Actor for De Niro and Best Adapted Screenplay for Coppola and Puzo. Pacino won the BAFTA Award for Best Actor and received a nomination for the Academy Award for Best Actor. It deserved every award it received.

1. JAWS (1975)
I personally have to name Jaws as my favorite movie of the 1970s. It is also my favorite movie of all-time. Many people are surprised that this would be an all time favorite movie, but I have converted a few non believers to appreciate and realize what a great movie this is. Jaws is a 1975 American horror/thriller film directed by Steven Spielberg and based on Peter Benchley's novel of the same name. The prototypical summer blockbuster, its release is regarded as a watershed moment in motion picture history. In the story, a giant man-eating great white shark attacks beachgoers on Amity Island, a fictional summer resort town, prompting the local police chief to hunt it with the help of a marine biologist and a professional shark hunter. The film stars Roy Scheider as police chief Martin Brody, Richard Dreyfuss as oceanographer Matt Hooper, Robert Shaw as shark hunter Quint, Murray Hamilton as the mayor of Amity Island, and Lorraine Gary as Brody's wife, Ellen. The screenplay is credited to both Benchley, who wrote the first drafts, and actor-writer Carl Gottlieb, who rewrote the script during principal photography. I could write a book just on this movie, even though I have seen the film at least 70 times, I still find tidbits that I miss…


Of course, I had to pick some honorable mentions – and all the films on this list deserve to be on the top list. Some truly remarkable and great films were made in the 1970s: The Godfather (1972), Blazing Saddles (1974), The Towering Inferno (1974), One Who Flew Over The Cuckoo’s Nest (1975), and Network (1976).