Thursday, January 14, 2016

RIP: ALAN RICKMAN

This has been a tough year so far on deaths. We lost another great talent with the death of Alan Rickman.  British actor Alan Rickman has died at age 69; he had reportedly been suffering from cancer.

British actor Alan Rickman, a veteran of dozens of films, has died at age 69. Recently, Rickman was most well-known for portraying the complicated villain Severus Snape in the films based on J.K. Rowling's Harry Potter books.

Rickman appeared in an array of blockbuster films during his prolific career, from 1988's Die Hard with Bruce Willis to 2003's Love Actually and the Harry Potter films.

Blessed with a rich and deep voice, the actor brought intelligence and humanity to a wide spectrum of roles, judiciously deploying what seemed to be a bottomless supply of frowns and smirks that endeared him to his fans.

While his voice became something of a trademark, Rickman once said that he endured much criticism for it in drama school. One voice teacher, as he recalled in 2007, told Rickman that he sounded as if his voice was "coming out of the back end of a drain pipe."

Explaining his own opinion of his voice, Rickman said, "Well, it's what I'm stuck with, so it's not like I can go and get another one. And also, I don't hear what anybody else hears. So it's always a bit of a shock, you know. And it never goes away."


While he might be famous for playing villains, Rickman once told NPR that those roles are "a very small part of whatever I've done. It's like two or three parts, and they just happened to have big publicity budgets."

Rickman also directed films and theatrical works, and he acted in plays from Shakespeare's Antony and Cleopatra to Noel Coward's Private Lives.

Three films from the 1990s help describe Rickman's range.

In 1991, he turned in a memorable performance as the Sheriff of Nottingham in Robin Hood: Prince of Thieves — a film whose legacy these days isn't helped by Kevin Costner's hair, but which was the second-most popular film in theaters that year.

In 1995, he appeared in the director Ang Lee's Sense and Sensibility, playing Colonel Brandon opposite Kate Winslet's Marianne Dashwood.

And in 1999, he showed his willingness to camp it up onscreen, when he starred with Sigourney Weaver and Tim Allen in Galaxy Quest, a film that might best be described as a sci-fi romp. My personal favorite movie that starred the gifted actor was 2007's Sweeney Todd: The Demon Barber of Fleet Street...




Monday, January 11, 2016

MUSIC BREAK: BUDDY CLARK - ONE SUNDAY AFTERNOON

KING KONG REVISITED


I was born over 40 years after the classic RKO movie King Kong came out, and as a young boy growing up, it scared me as if I was seeing a brand new film on the screen. If you ask any film maker today they will all concur that King Kong was light years ahead of other movies, especially for 1933. The film is as fresh today as it was in 1933, but I do not think it could have been made today. Sure the big budget sequel that director Peter Jackson made in 2005 was great, but the original movie did not have the lavish budget and special effects technology that the remade had. What it did have was black & white, which really gave the movie and eerie look to it with the use of shadows. It also had one of the best actresses ever to grace the silver screen – Fay Wray. Without Wray, King Kong would merely be an angry monkey.

The story is also legendary. The story of King Kong parallels that of Beauty and the Beast where a gruff, monstrous entity risks his life for the woman he loves. Of course, in the 1976 version and the 2005 version, the relationship between Anne Darrow and Kong is much more drawn out, but in the 1933 version, Kong's just a normal ape who falls in love with a girl who was originally supposed to be sacrificed to him. Anne Darrow, portrayed by Fay Wray comes off as a screaming bimbo who doesn't really do anything to make Kong like her. Every time he comes around and picks her up, all she does is scream bloody murder. It's no wonder why some considered Wray a "scream queen". But then again, she is a pretty individual and we don't want to see her in any kind of peril. She's just your typical damsel in distress, something drastically changed about her character in later adaptations. The other characters are fine too, and Anne's love interest is a likely goofball who doesn't seem to admire her at first but comes to admire her as the film unfolds.
                                       

Kong is just an incredibly sight. Every time I see him, a get a good snicker out of him. He's just a normal, wild ape who acts out of instinct and at times doesn't know what to do with himself. But the scene where he's strapped down for all the citizens of New York to see and he gives off that cheesy grin, I just get a funny feeling inside. Maybe Kong is more human than we originally thought. He's willing to do anything to protect Anne and when he climbs the Empire State Building, he's attempting to fight off the planes solely to protect her from any harm. It goes to show that any animal, even animals of extreme height and weigh have emotions and in their own ways, motivations. This of course was elaborated on in the various remakes, but I think the original gets the point across more. Kong may seem like a threat to the citizens of New York, but deep down, he's just a creature with love in his heart and a determination to protect the one he loves, even if the humans don't see it. Why else would he break the jaw of the T-Rex. Why else would he take down a bloodthirsty pterodactyl. All these elements make his death at the end much more compelling.

From the start of the picture, its clever screenplay by James Ashmore Creelman and Ruth Rose (based on a story by Merian C. Cooper and Edgar Wallace) suggested the coming terror. The film was shot during the spring and summer of 1932 in the confines of the studio. Due to their limited budget for sets, Cooper and Schoedsack used the jungle locale from the latter's previous film The Most Dangerous Game (1932) - an adventure film that also starred Fay Wray. When released, it broke all previous box-office records. Its massive, money-making success helped to save RKO Studios from bankruptcy.


Even though King Kong is one of my favorite movies of the 1930s, the movie is not perfect. There are some errors if one looks closely enough. In close-ups of his face, King Kong has more teeth than he does when his whole body is shown. The apparent size of Kong changes from 18 feet to 24 feet. This was a conscious decision of director Merian C. Cooper, who felt that Kong's size wasn't impressive enough in New York. The publicity materials would later state Kong's height was 60 feet, almost 3 times the average height as he is actually depicted in the film. In the wide shot of Kong climbing the Empire State Building, he is climbing the western face of the structure. The financial district is visible to the south in the background. The shot of him atop the tower shows the Chrysler Building directly behind him. That building being to the ESB's north east, that puts Kong on the southern face of the building. When he falls, in the closer shot, he falls back to the south east. Back in the wide shot, he falls off the western side.

The list could go on and on of errors, but what this movie manages to do – flaws and all was to captivate audiences in 1933 which were weary from the horrors of the Great Depression. In a weird way it made them forget their own problems and think it could be worse, they could be chased by a giant ape. To audiences in 2015, it continues to amaze and scare and entertain. The film makes probably had no idea some 80 years later people would still be writing and talking about this amazing film of the 1930s...


Friday, January 8, 2016

RIP: KITTY KALLEN

Kitty Kallen, her voice sweet and clear, welcomed the troops home from World War II, singing: “Kiss me once, then kiss me twice, then kiss me once again. It’s been a long, long time.” She turned out hits like “Bésame Mucho,” “I’m Beginning to See the Light,” “In the Chapel in the Moonlight” and “Little Things Mean a Lot” — many reaching the Top 10.

And after singing with many of her era’s top bandleaders — Artie Shaw, Harry James, Jimmy Dorsey, Jack Teagarden — she outlasted their era. Her last hit, “My Coloring Book,” was in 1962.

Ms. Kallen died on Thursday at her home in Cuernavaca, Mexico. She was 94. Her son, Jonathan Granoff, who confirmed her death, said she had been living year-round in Mexico, where she had long had a vacation home while spending most of her adult life in Englewood, N.J.

Ms. Kallen arrived on the scene as a teenager in the late 1930s. She fit the classic image of that musical era: a gorgeous girl with a big smile, a perfect figure in a strapless gown, a string of pearls, a flower in her hair, swaying to the sound of a muted horn.

Sweet but not too sweet, her voice conveyed romance without irony at a time when there was still mystery between the sexes and no embarrassment in being moved by a song about lovers’ dreams or the magic of a kiss.


She had no formal training in music, but her pitch was flawless, her phrasing disciplined and her diction crisp in a natural, unforced way. Every word she sang was clear.

Though she was born and raised in Philadelphia, Ms. Kallen, unlike her siblings, had no local accent in her singing or her speaking, Mr. Granoff said, adding, “How she did that I have no idea.”

She was born Katie Kallen on May 25, 1921, in South Philadelphia to Sam Kallen, a barber, and the former Fanny Kaplan. The family name was misspelled Kellam on her birth certificate, her son said. Her mother died when she was 8, and her father remarried. She had three brothers, two sisters and a stepbrother from her stepmother’s previous marriage.

Ms. Kallen began singing as a child on “The Children’s Hour,” a radio show sponsored by Horn & Hardart, which owned the Automat restaurants in New York and Philadelphia. She soon had her own radio show in Philadelphia, and by age 15 she was singing with big bands — “bringing home the bacon for her family,” her son said.

Her first marriage, to Clint Garvin, a clarinetist in Teagarden’s band, was annulled. In 1947, at the Copacabana in New York, Frank Sinatra’s first wife, Nancy, introduced Ms. Kallen to Budd Granoff, a press agent who represented Sinatra, Jimmy Durante, Dean Martin, Jerry Lewis, Doris Day and many other entertainers. Mr. Granoff was instantly smitten and told a companion that he had just met the girl he would marry.

They did marry, in 1948, and Mr. Granoff soon gave up his other clients to manage Ms. Kallen’s career full time. The couple and Jonathan, their only child, lived most of the time in Englewood, except for a few years in the Los Angeles area, when Mr. Granoff worked in television. Jonathan Granoff said he was 12 or so before he realized that not everyone’s mother sang on “The Ed Sullivan Show” or had strange, loud, funny friends like Carl Reiner, Mel Brooks and Zero Mostel.

In 1955, Ms. Kallen’s throat began to seize up, and she could not sing before a live audience. But she could still record, which convinced her that the problem was psychological, not physical. She went on to spend five “lost” years “in the clutches of psychoanalysts,” she told The American Weekly in 1960. One therapist urged divorce (she refused) and dragged her back through painful childhood memories of her mother’s death and of being called homely and nicknamed Monkey.

Another therapist, she said, thought everything was based on sex and had an office full of “strange contraptions.” Expected to undress for psychotherapy sessions, she quit. Yet another talked mostly about himself but also counseled divorce, she said. A fourth hypnotized her.


Finally, in 1959, she began to recover — no thanks, she said, to her therapists. The turning point came when her son, then 11, found her weeping over her mother-in-law’s death and tried to comfort her by saying that everything was in God’s hands. It was what she needed to hear, she said. Those words inspired a new degree of religious faith and enabled her to return to work. She retired in the mid-1960s.

At some point after retirement, her son said, several women in different parts of the country tried to pass themselves off as Kitty Kallen, showing up to sing at retirement homes and other places. His father, he said, would call them and say: “Stop it. You’re crazy,” but they were incorrigible.

In 1978, Ms. Kallen and her family were startled to hear reports of her death. One of her impersonators had checked into a hospital in a Los Angeles suburb and died there. The hospital announced Kitty Kallen’s death, and the news spread.

Frank Sinatra called to offer his condolences, Mr. Granoff recalled. His father said: “She’s here. She’s just sleeping.” But Sinatra would not desist until his father finally put Ms. Kallen on the phone.

Budd Granoff died in 1996. Besides her son, now president of the Global Security Institute, Ms. Kallen is survived by her companion, Sonny Shiell, and three grandsons.



Monday, January 4, 2016

CELEBRITY ADS: JUDY GARLAND

This advertisement is new to me. I never knew that Judy Garland advertised for make-up giant Max Factor. This magazine advertisement Garland did in connection to her newest musical The Harvey Girls which was premiering in 1946...


Friday, January 1, 2016

RIP: NATALIE COLE

Natalie Cole, the American singer who overcame battles with substance abuse and the long shadow of her famous father to earn worldwide success of her own, has died. She was 65.

Cole died Thursday night at Cedar Sinai Hospital in Los Angeles "due to complications from ongoing health issues," according to a statement from her family.

"It is with heavy hearts that we bring to you all the news of our Mother and sister's passing. Natalie fought a fierce, courageous battle, dying how she lived ... with dignity, strength and honor," her sisters, Timolin and Casey Cole, and son, Robert Yancy, said in the statement. "Our beloved Mother and sister will be greatly missed and remain unforgettable in our hearts forever."

The daughter of Nat "King" Cole built a chart-topping career with hits such as "This Will Be," "Inseparable" and "Our Love." She fought health problems for years and received a kidney transplant in 2009 after developing hepatitis, which she blamed on past intravenous drug use.

Cole won nine Grammy Awards, including Album of the Year and Record of the Year in 1992 for "Unforgettable ... With Love," a virtual duet made with the recordings of her late father.

"We've lost a wonderful, highly cherished artist and our heartfelt condolences go out to Natalie's family, friends, her many collaborators, as well as to all who have been entertained by her exceptional talent," said Neil Portnow, President and CEO of The Recording Academy.

Nat "King" Cole died of lung cancer in 1965 at age 45. Natalie was 15 at the time of her father's death. He was already a star in the music industry, and rose to even greater heights in the 1950s and 1960s, when Natalie was born to the R&B legend and Maria Ellington Cole, a onetime vocalist, who died in 2012 at the age of 89.

Inspired by her father's musical gift, Cole began her own career as an R&B singer but later gravitated toward smooth pop and jazz genres.

Her first album, 1975's "Inseparable," won two Grammys — one for best new artist and one for best female R&B vocal performance for the hit "This Will Be (An Everlasting Love)."


PHOTOS OF THE DAY: A NEW YEAR WITH CLASSIC HOLLYWOOD

Hard to believe it is another year! It does not seem right that it is 2016! One thing that does not change with each year is our love of classic movies. Here are some pictures of the classic stars celebrating the New Year...

Dorothy Lamour

Bette Davis

Clark Gable, Van Heflin, Gary Cooper, and Jimmy Stewart

Lucille Ball and Desi Arnaz

Betty Hutton

Shirley Temple