Wednesday, July 12, 2017

DIED ON THIS DAY: LON CHANEY JR

Lon Chaney Jr. died on this day - July 12th some 45 years ago. Chaney was only 67. He was one of the most emblematic horror film stars of the 1940s. Though given the name "Creighton Chaney" by his parents, he took the name "Lon Chaney, Jr." at the behest of a producer who wished to capitalize on the reputation of his father, who had starred in such silent classics as "The Hunchback of Notre Dame" and "Phantom of the Opera." 

After playing a number of small, forgettable roles through the 1930s, the younger Chaney's first role of note was 'Lenny Small' in the 1939 film adaptation of John Steinbeck's "Of Mice and Men." This role made great use of Chaney's size and empathetic manner, and would remain his favorite. He followed this with an even greater success, playing the title character in 1941's "The Wolf Man." His performance, which echoed his own life as a prodigal son figure returning home only to find tragedy, came as his father's studio, Universal Pictures, was struggling to reestablish itself as the premier studio for horror films. Universal would cast Chaney in a string of sequels to both "The Wolf Man" and it's classic films of the 1930s. 


All in all, Chaney would end up playing the Wolf Man five times, the barely mobile mummy Kharis three times, the Frankenstein Monster once (and again, briefly, in perhaps the best of Universal's long run of sequels, 1948's "Abbott and Costello Meet Frankenstein" when Glenn Strange was incapacitated), and Dracula once. He would also star in Universal's "Inner Sanctum" series and a number of lesser thrillers through the 1940s. Though the films were always entertaining, and Chaney almost always made a great effort to imbue his performances with quality, the formulaic nature of these productions concealed his ability, and he became typecast as a "monster."

 Chaney's last roles of note were as a supporting player in both 1952's "High Noon" (starring Gary Cooper) and 1958's "The Defiant Ones" with Tony Curtis and Sidney Poitier. More often, he would play in a number of low-budget films, mostly westerns and horror films, often reprising his roles from the glory days at Universal. Always a heavy drinker, he would die from various alcohol-related ailments after playing his last role, fittingly enough a non-speaking part in the 1971 farce "Dracula vs. Frankenstein.". His body was dedicated to medical science...


Monday, July 3, 2017

OLIVIA DEHAVILLAND AND A NEW LAWSUIT


Olivia de Havilland, who won two Oscars during Hollywood’s golden age, filed a lawsuit on Friday against FX Networks and Ryan Murphy Productions over her gossipy portrayal in the television show “Feud: Bette and Joan.”

“FX defendants misappropriated Olivia de Havilland’s name, likeness and identity without her permission and used them falsely in order to exploit their own commercial interests,” the lawsuit says. Ms. de Havilland, 101, is seeking damages for “emotional harm” and “harm to her reputation,” and is also pushing for an injunction against the use of her name and likeness.

“Feud: Bette and Joan” portrays the decades-long rivalry between Joan Crawford and Bette Davis, and is part of Mr. Murphy’s larger FX anthology series depicting feuds throughout history. Ms. de Havilland and Davis were close friends and starred in four films together, including “Hush … Hush, Sweet Charlotte.” In the series, Ms. de Havilland, played by Catherine Zeta-Jones, is an important character, appearing in six episodes as a confidante to Davis and an active participant in the Davis-Crawford drama.

The lawsuit rejects both the quotes attributed to Ms. de Havilland and the overall tone of the portrayal. “Olivia de Havilland has made efforts, spent time and money, protecting her well-defined public image as one who does not engage in gossip and other unkind, ill-mannered behavior,” the lawsuit reads.

Mr. Murphy, the creator of “Feud,” told the The Hollywood Reporter in April that he did not contact de Havilland about her portrayal in the series.

“I didn’t write Olivia because I didn’t want to be disrespectful and ask her, ‘Did this happen? Did that happen? What was your take on that?’” he said.



SOURCE

Friday, June 30, 2017

RIP: MIRIAM MARX


Just got word from the grapevine that Groucho’s daughter Miriam Marx Allen passed away on June 29th, 2017 at the age 90. She was one of the last links to the Marx Brothers’ glory days. When Miriam was born in 1927 The Coconuts was on Broadway, and the family was still based in New York. When the team retired from films (the first time) after The Big Store she was only 14.

Like her mom Ruth Johnson, who’d also performed with the family act, Miriam sadly developed an alcohol problem, and had a troubled relationship with her famous father. Her book  "Love Groucho: Letters from Groucho Marx to His Daughter Miriam", was first published in 1992.

Miriam’s older brother Arthur, author and playwright, passed away in 2011. She is survived by her half-sister Melinda, 20 years her junior, another link with the storied Marxian past...


Thursday, June 29, 2017

RECENTLY VIEWED: FEUD


One of the best things I have seen on television in a long time has been the new show Feud. Feud is an American anthology television series for FX created by Ryan Murphy, Jaffe Cohen, and Michael Zam, presented as the dramatization of the actual events that took place in history. It premiered on March 5, 2017.The first season, which consists of eight episodes, is subtitled Bette and Joan and chronicles the rivalry between Bette Davis and Joan Crawford during and after the production of their 1962 film What Ever Happened to Baby Jane?

The whole cast is amazing. Susan Sarandon is perfectly cast as Bette Davis. Sarandon, with those bedroom eyes like Bette makes you forget that she is Sarandon and not Bette Davis. Jessica Lange is great as Joan Crawford and captures her personality, but nothing against Lange, but she is not nearly as beautiful or physically the same as Crawford. The supporting cast is strong as well including a great Kathy Bates as Joan Blondell.


The series was in development - with Jessica Lange and Susan Sarandon on board - for seven years before finally being given the green light. Creator Ryan Murphy interviewed Bette Davis months before her death in 1989. The agreed-upon 20-minute interview lasted four hours, and inspired his characterization of Davis. When he asked her about Joan Crawford, she would talk about how much she hated her, before saying "She was a professional. And I admired that."

Olivia de Havilland, played in the series by Catherine Zeta-Jones was 100 years old when the program aired. Asked for her opinion, de Havilland responded "Having not seen the show, I cannot make a valid comment about it...However, in principle, I am opposed to any representation of personages who are no longer alive to judge the accuracy of any incident depicted as involving themselves." Catherine Zeta-Jones claimed that while she did not contact 100 year old Olivia de Havilland to advise on her portrayal, she did consult her (also 100 year old) father-in-law Kirk Douglas for advice. She claimed that Douglas described de Havilland as "Aaah Olivia," Bette Davis: "Aww, she was a broad. She told it as it was," and Joan Crawford: "She was out of her f***ing mind!"


Not to give too much away of the excellent series, the last episode is especially sad and touching. Both women, Bette Davis and Joan Crawford were discarded from Hollywood when they became too old. Crawford had to resort to B-horror movies and Davis made a number of television appearances that were beneath her. While Bette Davis was alone at the end due to pushing away her daughter, grandchildren, and other Hollywood friends - Crawford is far more tragic of a figure. She squandered her money and was living along and modestly in an apartment. 

Whether both women were drunks or child abusers are beyond the fact that they deserved better by Hollywood. The series really does a great job going into all of this. To this day, Hollywood is a business for the youth and aging female stars are still forgotten by the business. Susan Sarandon and Jessica Lange prove that older actresses can still turn out great roles, and Bette Davis and Joan Crawford are great old actresses that should be better remembered for their great roles that they created on film...

MY RATING: 10 OUT OF 10


Tuesday, June 20, 2017

RIP: HARRY PRIME

Harry Charles Prime (Preine) died suddenly in his home in Chalfont Thursday, June 15, 2017. He was 97 years young.

Harry was born March 5, 1920 in the East Falls Section of Philadelphia. He was a graduate of St. Bridget's Elementary and Roman Catholic High School.

In the fall of 1944, he entered and won a singing contest at the 400 Club in Washington, D.C. and was offered a week engagement at the Club. From there Prime proceeded to perform with big bands such as Randy Brooks, Tommy Dorsey, Jack Fina and Ralph Flanagan throughout the 1940's and 50's. Prime's recording of the song "Until" with Tommy Dorsey sold a million records.

In 1945, the Nations Disc Jockeys voted the Ralph Flanagan Band as the #1 band in the country and Prime was voted 20th best singer ahead of Dennis Day, Eddie Fisher and Dean Martin.

In the years following his tenure with the big bands, Prime never strayed far from the music business and worked as a disc jockey and radio host in various cities including WCAU in Philadelphia and WNPV in Lansdale.

Most recently, he relished singing at the Roasted Pepper in Chalfont and the Epicure Café in Philadelphia in front of his close friends and fans. Prime's passions were sports including baseball, golf and boxing and of course, music.

Yet with all his musical accomplishments, Prime's greatest joy has been his family. With his late wife Marie, he raised four children, Kevin Prime; Greg Prime (Romy); Ric Prime (Vince Versace); Kim Kantner (Larry), and his grandchildren, Brayden, Caelan, Austin, Mackenzie, Alexis, Taylor and Riley. Harry's children from a previous marriage are John, Harry and Bethenia.

Another icon of the big band era gone...