RECENTLY VIEWED: FEUD

One of the best things I have seen on television in a long time has been the new show Feud. Feud is an American anthology television series for FX created by Ryan Murphy, Jaffe Cohen, and Michael Zam, presented as the dramatization of the actual events that took place in history. It premiered on March 5, 2017.The first season, which consists of eight episodes, is subtitled Bette and Joan and chronicles the rivalry between Bette Davis and Joan Crawford during and after the production of their 1962 film What Ever Happened to Baby Jane?

The whole cast is amazing. Susan Sarandon is perfectly cast as Bette Davis. Sarandon, with those bedroom eyes like Bette makes you forget that she is Sarandon and not Bette Davis. Jessica Lange is great as Joan Crawford and captures her personality, but nothing against Lange, but she is not nearly as beautiful or physically the same as Crawford. The supporting cast is strong as well including a great Kathy Bates as Joan Blondell.

The series was in development - with Jessica Lange and Susan Sarandon on board - for seven years before finally being given the green light. Creator Ryan Murphy interviewed Bette Davis months before her death in 1989. The agreed-upon 20-minute interview lasted four hours, and inspired his characterization of Davis. When he asked her about Joan Crawford, she would talk about how much she hated her, before saying "She was a professional. And I admired that."

Olivia de Havilland, played in the series by Catherine Zeta-Jones was 100 years old when the program aired. Asked for her opinion, de Havilland responded "Having not seen the show, I cannot make a valid comment about it...However, in principle, I am opposed to any representation of personages who are no longer alive to judge the accuracy of any incident depicted as involving themselves." Catherine Zeta-Jones claimed that while she did not contact 100 year old Olivia de Havilland to advise on her portrayal, she did consult her (also 100 year old) father-in-law Kirk Douglas for advice. She claimed that Douglas described de Havilland as "Aaah Olivia," Bette Davis: "Aww, she was a broad. She told it as it was," and Joan Crawford: "She was out of her f***ing mind!"

Not to give too much away of the excellent series, the last episode is especially sad and touching. Both women, Bette Davis and Joan Crawford were discarded from Hollywood when they became too old. Crawford had to resort to B-horror movies and Davis made a number of television appearances that were beneath her. While Bette Davis was alone at the end due to pushing away her daughter, grandchildren, and other Hollywood friends - Crawford is far more tragic of a figure. She squandered her money and was living along and modestly in an apartment. 

Whether both women were drunks or child abusers are beyond the fact that they deserved better by Hollywood. The series really does a great job going into all of this. To this day, Hollywood is a business for the youth and aging female stars are still forgotten by the business. Susan Sarandon and Jessica Lange prove that older actresses can still turn out great roles, and Bette Davis and Joan Crawford are great old actresses that should be better remembered for their great roles that they created on film...

MY RATING: 10 OUT OF 10

NEW DOCUMENTARY ON TCM

NEW YORK – Turner Classic Movies, that bastion of old films, is making its most dramatic foray yet into original programming.

TCM will broadcast a seven-part documentary series, "Moguls & Movie Stars: A History of Hollywood," beginning Monday. The series, narrated by Christopher Plummer, will run for seven weeks and cover Hollywood's history from 1890-1970.

For the movie-obsessed TCM, the series is an ambitious anomaly. The cable channel is also sponsoring a touring exhibit of Hollywood memorabilia that will travel through Atlanta, New York, Denver, San Francisco and Los Angeles.

"We haven't done anything this big before," says Robert Osborne, host and face of the 16-year-old, commercial-free Turner Classic. "I think it's very appropriate because we are all about movies."

The project was the brainchild of executive producer Bill Haber, who turned to documentary filmmaker Jon Wilkman to write and direct it. He spent 2 1/2 years on the film, which he says is about "how Hollywood became Hollywood."

"There have been other histories, which are sort of highlights, scenes from the great films," says Wilkman. "The underlying theme of this series is essentially Hollywood power: Who had it, how did they get it, what did they do with it, and how did they lose it."

While the series covers the history of the movie business through evolving technology, artistic progress and commercial drive, the dominant feeling one gets is that the engine of Hollywood was its ambitious moguls: Men, mostly immigrants, who built an empire of celluloid.



At the end of the second episode, "The Birth of Hollywood," Plummer intones: "In hardly more than 20 years, the American motion picture business had evolved from a cheap novelty to the country's fifth largest industry, after agriculture, transportation, oil and steel. And it seemed to happen in less than the flicker of a frame of film."

It's very much a rags-to-riches story, from the invention of moving images to the industry's early foothold in New York and Fort Greene, N.J., and finally to its California home. Especially vibrant are the early moguls: Louis B. Mayer, Carl Laemmle, Samuel Goldwyn, William Fox and others.

Where possible, Wilkman turns to descendants of those founders, interviewing producer Samuel Goldwyn Jr., the son of Samuel Goldwyn; Daniel Selznick, the son of David O. Selznick; actor Bob Balaban, whose father, Elmer Balaban, was an early movie theater owner; and, who Wilkman calls his "great find," Carla Laemmle, the 101-year-old actress and daughter to Carl Laemmle.

"We wanted as direct a connection to the people, the main characters, the environment that we're looking at," says Wilkman, who compares the founders of Hollywood to the characters of a Dickens novel. "In some cases, the American dream as we know it is a creation of these immigrant moviemakers."

In examining how the movie business was forged, "Moguls & Movie Stars" reflects many of the issues of today's Hollywood, where questions brought on by the Internet and technology — digital distribution, 3-D filmmaking — are causing many to reconsider basic questions of moviemaking.



"In many ways, today we are back in 1890," says Wilkman. "This whole world of the movies is being rethought and rebuilt: How are movies made? Who makes them? How are they distributed? What's the subject matter?"

Osborne is quick to caution that the series doesn't represent a change in programming philosophy for Turner Classic.

"I don't think we're a channel that should do a lot of original programming just for its own sake because I think people come to us because they really want to see movies," says Osborne, who adds "Moguls & Movie Stars" is a worthy exception.

Aring along with the series will be panel discussions with Osborne, Wilkman and others. Films discussed in the series will also be broadcast after each episode. The conversation — as it always does at Turner Classic — will lead back to the movies...