Showing posts with label science fiction. Show all posts
Showing posts with label science fiction. Show all posts

Monday, August 17, 2026

RECENTLY VIEWED: THE END OF OAK STREET

Sometimes it seems like the same movie is made over and over again. I had the pleasure to see The End Of Oak Street in the movie theater, and I was glad I did. The movie is so much different than anything I have seen before. It is definitely no Jurassic Park! The End of Oak Street is a 2026 American science fiction survival film written, co-produced, and directed by David Robert Mitchell. It stars Anne Hathaway, Ewan McGregor, Maisy Stella and Christian Convery as a family whose suburban neighborhood has been transported from 1982 into the age of dinosaurs. The End of Oak Street premiered at the Steven J. Ross Theater on August 9, 2026, and was theatrically released in the United States on August 14 by Warner Bros. Pictures. The film received positive reviews from critics and has grossed $47 million worldwide against a production budget of $80–92 million.

I'd love to give the plot away, but I don't want to spoil it for viewers. The movie takes place in 1982 so it is a period piece set against the backdrop of carnage at the hands of dinosaurs. The movie is darker than I thought. I literally jumped at least five spots. I haven't jumped at a scene in Jurassic Park/World in years!

In March 2023, an untitled film directed, written and co-produced by David Robert Mitchell was in development at Warner Bros. Pictures, with J. J. Abrams and Hannah Minghella producing for Bad Robot and with Matt Jackson and Tommy Harper producing for Jackson Pictures.Anne Hathaway was cast in the lead role in 2023. By February 2024, it was revealed that Ewan McGregor had been cast,with Maisy Stella and Christian Convery joining in March. In late March, the title was revealed to be Flowervale Street. In April, Jordan Alexa Davis, P. J. Byrne and Chris Coy joined the cast.


The cast is great Anne Hathaway and Ewen McGregor are a believable married couple. What is interesting is the movie is not just about dinosaurs. There is a family dinamics there that is explored. In addition to dinosaurs there are other issues like divorce, bullying, and drifting apart that are wonderfully explored. The movie's storytelling is just about perfect, but there is a minor gripe I have about the ending that I will not talk about here. Just do yourself a favor, and see this action packed thriller of a movie. You will not be disappointed...

MY RATING: 9 OUT OF 10



Tuesday, August 11, 2026

RECENTLY VIEWED: THE LAST HOUSE

Some movies entertain you for two hours and then disappear from your thoughts. Others linger long after the credits roll. Netflix's The Last House is one of those films. At first glance, it looks like a science fiction thriller about a family trapped inside their own home. But underneath the mystery and suspense is a story about fear, resilience, and what happens when a family is forced to face itself. 

The premise is simple yet terrifying. A family wakes up to discover they can no longer leave their house. Doors won't open. Windows offer no escape. Resources begin to dwindle, and the outside world becomes an unknown threat. What starts as confusion slowly transforms into a desperate fight for survival.

As I watched, I found myself asking a question that the movie quietly places before its audience: What would I do?

We all like to believe we'd stay calm in a crisis. We'd make smart decisions, protect our loved ones, and find a way through. But The Last House challenges that confidence. The longer the family remains trapped, the more their fears, frustrations, and hidden emotions rise to the surface. Survival becomes about more than food and water. It becomes about trust.

Greta Lee and Wagner Moura deliver performances that ground the film's unusual premise in human emotion. Their characters are not superheroes. They are parents trying to hold their family together while navigating uncertainty and fear. Their struggles feel authentic because they mirror challenges many families face in everyday life, just under far less extreme circumstances. 

What struck me most was the symbolism of the house itself.

A house is supposed to be a place of safety. It shelters us from storms, danger, and the outside world. In The Last House, that symbol is turned upside down. The very place designed to provide comfort becomes a prison. The walls that once protected now confine. It serves as a reminder that security is often more fragile than we realize. 

The film also explores how people respond differently under pressure. Some become leaders. Others withdraw. Some cling to hope, while others surrender to despair. Watching the family's emotional journey felt just as compelling as the mystery surrounding their confinement.

While viewers may debate the film's twists and ending, the central message remains powerful: when everything familiar is taken away, our greatest resource is each other. 

The Last House
may be marketed as a sci-fi thriller, but at its heart, it is a story about human connection. The suspense keeps you watching, but the emotional questions stay with you afterward. And perhaps that's why the movie resonates. It reminds us that sometimes the greatest challenge is not escaping the house. It's learning how to survive together inside it. I enjoyed the movie as a whole, but the ending was kind of abrupt and left me wanting more questions answered. For a Netflix movie though this was pretty watchable though...

MY RATING: 6.5 out of 10



Wednesday, March 28, 2018

WESTWORLD: A MODERN CLASSIC


Not many new television series thrill me. The majority of them are either idiotic reality shows or boring unfunny comedies. I was skeptical when I first watched HBO's "Westworld", but I was pleasantly surprised at what a great television series this is. Westworld is an American science fiction western thriller television series created by Jonathan Nolan and Lisa Joy for HBO. It is based on the 1973 film of the same name, which was written and directed by American novelist Michael Crichton, and to a lesser extent on the 1976 sequel Futureworld. It is the second TV series based on the two films, the first being the short-lived 1980 series Beyond Westworld. Nolan and Joy serve as executive producers along with J. J. Abrams, Jerry Weintraub, and Bryan Burk, with Nolan directing the pilot. The first season premiered on October 2, 2016, concluded on December 4, 2016, and consisted of ten episodes. In November 2016, HBO renewed the show for a ten-episode second season.

The story takes place in the fictional Westworld, a technologically advanced Wild West-themed amusement park populated by android hosts. Westworld caters to high-paying guests, who may indulge in whatever they wish within the park, without fear of retaliation from the hosts.

The series' debut on HBO garnered the network's highest viewership ratings for a premiere since the first episode of True Detective in 2014 and Westworld ranks as the most-watched first season of an HBO original series ever. Westworld has received largely positive reviews from critics, with particular praise for the visuals, story, and performances.


Anthony Hopkins and Evan Rachel Wood were the first cast members formally announced, taking on the roles of Dr. Robert Ford and Dolores Abernathy, respectively. Ed Harris, Jeffrey Wright, Rodrigo Santoro, Shannon Woodward, Ingrid Bolsø Berdal, Angela Sarafyan, and Simon Quarterman were all announced as cast members in August 2014. James Marsden and Eddie Rouse were also added to the cast. It's the cast that really makes this series. I am totally enthralled with the roles that Anthony Hopkins (original creator of the park) and Ed Harris (mysterious man in black). I had never really took notice of actress Evan Rachel Wood either, but she is great in her role as one of the robots who grows a conscious.


The shows just finished it's 1st season, and even before the 2nd season debuts, I know it is premature in calling a series as a future classic, but Westworld really has everything it takes to be a classic. It's one of those shows that take a life of its own, much like the cowboy robots the show depicts. I would not miss this future classic..


Sunday, October 2, 2011

RECENTLY VIEWED: THE TIME MACHINE

As a young boy first getting interested in older movies, I always enjoyed the film The Time Machine. The Morlocks always scared the heck out of me - and years later they still do. The Time Machine also was one of the first movies I bought on DVD in the late 1990s. Even though I have it in my collection, I watched the film again when Turner Classic Movies just recently aired it.


On January 5, 1900, four friends arrive for a dinner in a town in the south of England, but their host, H. George Wells (Rod Taylor), is absent. As requested, they begin without him, but then George staggers in, exhausted and disheveled. He begins to recount his adventures since they last met on New Year's Eve, 1899.

A week earlier, George discusses time as "the fourth dimension" with friends, among them David Filby (Alan Young) and Dr Philip Hillyer (Sebastian Cabot). He shows them a tiny machine that he claims can travel in time, stating that a larger version can carry a man "into the past or the future". When activated, the device blurs, then disappears. Most of his friends dismiss it as a trick; Filby, on the other hand, warns George that if it is not a trick, it is not for them "to tempt the laws of Providence." They agree to meet again next Friday.


George heads to his laboratory and sits in his full-scale model. He pushes the lever forward and watches time pass at an accelerated rate. To his amusement, he observes the changing of women's fashions on a mannequin in the window of a shop across the street. He stops at September 13, 1917 when his house is boarded up. He breaks some boards away and walks inside, where he mistakes a man in uniform for David. It turns out to be David's son James, who informs George that his father had "died in the war", and that they have been at war with Germany since 1914. He tells him that an Inventor lived across the road who disappeared around the turn of the century, and that his father refused to liquidate it, feeling sure the inventor would return some day.

George then travels to June 19, 1940, into the midst of "a new war", which he briefly stops in as his machine is buffeted from side to side, in which course his house is hit and destroyed while he is travelling. George's next stop is August 18, 1966, in a metropolis featuring skyscrapers and an elevated monorail. There is a plaque to his house at the site. However, he is puzzled to see people hurrying into a fallout shelter amid the blare of air raid sirens. An older, grey-haired James Filby tells him to get into the shelter, but seems to remember him, before warning him that "the mushrooms will be sprouting." James spots an atomic satellite zeroing in and flees into the shelter. An explosion turns the sky red and lava floods down the street, after the nuclear explosion causes a volcano to erupt (nature is reacting to man's abuse of technology). Modern civilization is destroyed in a nuclear holocaust. George restarts the machine just in time to avoid being incinerated, but the lava covers the machine, then cools and hardens, forcing George to travel far into the future until it erodes away.

He stops the machine on October 12, 802,701, next to a low building with a large sphinx on top. George explores the seemingly idyllic pastoral paradise and finds a great hall. He feels alone and wonders whether humanity still exists, until he hears voices, and spots young adults by a river. A woman is drowning, but the others are indifferent. George rescues her, but is surprised by her lack of gratitude or other emotion. She calls herself Weena (Yvette Mimieux) and her people the Eloi.


As night falls, and the Eloi head into a large building where there is food unlike that in his time, George is surprised to find out that the Eloi have no government, no laws, and no civilization to speak of. Curious, he asks to see their books, but when he finds the books all covered in dust and so rotted by mold that they crumble at his touch, he becomes outraged. He returns to where he had left his time machine, but it has been dragged into the sphinx-building, behind locked metal doors. Weena follows George and insists they go back, for fear of "Morlocks" at night. A bizarre creature covered with long coarse white hair jumps out of the bushes, seizes Weena to prevent her from crying out, and tries to drag her off, but George rescues Weena and wards the beast off with fire. Dazed and shaken, Weena informs him that the hideous creature was one of the Morlocks.

The next day, Weena shows George what appear to be domed well-like air-shafts in the ground. She then takes him to an ancient museum, where the "talking rings" (flat shiny metal rings that can play a recorded message when they are stood vertically on edge and spun like a top) tell of a centuries-long nuclear war/holocaust. It ended after 326 years; by then the atmosphere had become too polluted for humanity to easily survive. One group of survivors remained underground in the shelters and evolved into the Morlocks, while the other group, which became the Eloi, returned to the surface. George starts climbing down a shaft, but turns back when a siren begins blaring (it is the same air-raid sirens heard in the far past during the nuclear war) from atop the sphinx-building. Weena and the rest of the Eloi walk with a slow emotionless trance-like stride across the land like herded livestock (George remarks that the Eloi are "nothing but fatted cattle to the Morlocks"), and complacently file through the now-open doors of the building, conditioned to walk into the doors, drawn in by the siren. When the siren stops, the doors close, trapping Weena and others inside. The Eloi tell George that the sirens mean "all clear", but they have no idea what it means (it originally meant shelter from a nuclear raid; but now used to lure the Eloi to the Morlocks).

To rescue Weena, George climbs down a shaft and enters the subterranean caverns. In one chamber, he finds human bones and realizes that the Morlocks eat the Eloi. Discovering that the Morlocks are sensitive to light, George uses matches to keep them at bay, eventually fashioning a makeshift torch from a thick wooden stick and some tufts of shedded Morlock hair. A Morlock knocks it away, and a Morlock starts overpowering George, but one of the Eloi summons up the courage to beat the Morlock to death, thus showing that the Eloi are not yet entirely docile. They come to their senses and begin the reawakening that George spoke about to Weena the night before in front of the sphinx. George tells the Eloi to start setting fire to material in the cave, driving off the Morlocks, then leads the Eloi up the shafts to safety. Under his direction, they drop dry dead tree branches into the shafts to feed the fire. There is a series of explosions as each of the domed wells spurts fire one by one and sinks into the ground, and then the entire area caves in, crushing and suffocating most of the Morlocks below.


The next morning, George finds the sphinx-building in charred ruins and the doors to the building open again, with his time machine sitting just inside the entrance. He goes to retrieve his machine, but the doors close behind him and he is attacked by the remaining Morlocks. He knocks one against the wall, killing it. In the faint light of the still-smouldering fires, George manages to activate the machine and escape, first a little farther into the future, accidentally, which he realises when he sees the dead Morlock becoming a skeleton, then back to January 5, 1900.

George's friends scoff at his story and leave; only Filby believes him. He shows a flower from the future, which Filby says could not have bloomed in the winter. Filby turns back and hears the machine being activated, but by the time he reaches the laboratory, George is already leaving on his time machine. Filby tries to break the door down but is too late to prevent his friend from escaping back into the future. He realises George moved the machine inside, so he can appear outside the Sphinx where Weena will be. The housekeeper, Mrs. Watchett (Doris Lloyd), notes that George took three books with him, probably to help the Eloi rebuild their civilization. Filby asks Mrs. Watchett which three books she would have taken to restart a civilization, and then he leaves with the hope (which is maintained by his son, as previously seen) that George may yet return, as "he has all the time in the world."


Even though the computer graphics of the 1960 did not amount to much. The film is visually interesting. A remake was made in 2002 which is very watchable, but it misses something this 1960 film had. The Time Machine is a great movie to watch on a lazy Sunday afternoon. I remember doing it, probably 20 years ago - watching it today on another lazy Sunday afternoon brings back great memories...

my rating: 9 out of 10

Monday, August 15, 2011

MOVIE REVIEW: THE BOYS FROM BRAZIL

High school was not the most memorable time in my life. However, one thing I will always remember is watching a different movie in honors biology. The teacher showed us "The Boys From Brazil". We did not watch it just for the fun of it, but we watched it because of its story about genetics. It was a pretty good movie that I enjoy to this day.

"The Boys from Brazil" is a 1978 British/American science fiction/thriller film directed by Franklin J. Schaffner. It stars Gregory Peck and Laurence Olivier, with James Mason, Lilli Palmer, Uta Hagen and Steve Guttenberg. The screenplay by Heywood Gould is based on the novel of the same name by Ira Levin. The film was produced by Martin Richards and Stanley O'Toole with Robert Fryer as executive producer. The music score was by Jerry Goldsmith and the cinematography by Henri Decaë. It was produced through Lew Grade's ITC Entertainment and distributed by 20th Century Fox. It was nominated for three Academy Awards.

When well-intentioned young Barry Kohler (Steve Guttenberg) stumbles upon a secret sect of Third Reich war criminals holding clandestine meetings in Paraguay, he alerts Ezra Lieberman by phone. Lieberman dismisses Kohler's claims that Dr. Mengele is alive and present at the meeting as already-known facts, and is highly skeptical otherwise. Kohler attempts to record a meeting with radio equipment but is discovered and killed.

Aware that something is amiss, Lieberman follows Kohler's leads and begins traveling throughout Europe and North America to investigate the suspicious deaths of a number of middle-aged civil servants. He meets several widows and is amazed to find an uncanny resemblance in their adopted, black-haired, blue-eyed sons. It is also made clear throughout the film that at the time of their deaths all the civil servants were aged around 65 and had a cold, domineering and abusive demeanor towards their adopted children, whereas their wives were aged around 42 and over-spoiled them.

Lieberman gains insight from an incarcerated Nazi guard (Uta Hagen) who worked with the adoption agency, and with an expert on cloning (Bruno Ganz) who helps him discover the truth behind the whole plan: Mengele secluded several surrogate mothers in a Brazilian clinic and instilled Hitler's DNA into their ova, thereby giving birth to 94 perfect clones of Hitler himself. Lieberman's investigations unnerve Mengele's superiors, including his principal contact, Seibert (James Mason), who demands that he abort his scheme. But the doctor has spent twenty years pursuing his plans, ever since he first acquired a fragment of rib skin and a half-litre blood sample from Hitler on May 1943 to use as DNA in a plan to recreate Hitler's body and soul and to fulfill the aims of the Third Reich.

Mengele's hiding place is burned and servants shot, but Seibert's men do not find the doctor. It turns out that Mengele intends to carry on the rest of the plan himself. He travels to rural Lancaster County, Pennsylvania, where one of the Hitler clones lives on a farm. There he murders the boy's father (John Dehner), a Doberman dog breeder, and lies in wait for Lieberman, who is on his way.


The instant Lieberman sets eyes on Mengele, he attacks him in fury. Mengele soon gains the upper hand and holds him at gunpoint. He taunts Lieberman by explaining his plan to return Hitler to the world. With one desperate lunge, Lieberman reaches the closet where the Dobermans are held and turns them loose. The dogs corner Mengele. At that point, young Bobby Wheelock (Jeremy Black), now revealed to be one of the Hitler clones, arrives home from school. It is Mengele's first look in person at one of his "boys."

Bobby can tell from the carnage that something is amiss. Mengele tells him how he admires him and how he is cloned from Hitler, but Bobby is suspicious since the dogs are trained to attack anybody with a gun. Lieberman tells him that Mengele has killed his father and to notify the police. When he sees the body in the basement, Bobby sets the vicious dogs on Mengele, relishing his bloody death. Bobby proceeds to save Lieberman, though only after he forces Lieberman to promise not to tell the police.

Lieberman is encouraged by an American Nazi-hunter, Bennett (John Rubinstein) to expose the scheme. He is asked to turn over a list identifying the names and whereabouts of the other "boys from Brazil" from around the world, so that they can be systematically killed before growing up. Lieberman objects on the grounds that they are mere children. He burns the list.

In the final scene Bobby is shown in his darkroom, absorbed and excited by photographs he has taken of Mengele's body, after it has been savaged by the dogs.


The film may take awhile to get in to at the beginning, but it is engrossing and interesting. The stars of the film Laurence Olivier, Gregory Peck, and a young Steve Guttenberg are excellent in the film, and I believe Olivier deserved an Oscar for this movie. (He was only nominated). Again, I do not remember much from freshman honors biology, but luckily I remember this film.

my rating: 9 out of 10

Friday, June 17, 2011

BAD CINEMA: VILLAGE OF THE GIANTS

Last night not much was on television, so my go-to channel is always Turner Classic Movies. They had a movie I had never seen before, and it was so awful I could not turn away. It was amazingly bad. The movie was called Village Of The Giants.

Village of the Giants is a 1965 science-fiction/comedy movie with many elements of the beach party film genre. It was produced, directed and written by Bert I. Gordon, and based loosely on H.G. Wells's book The Food of the Gods. The story revolves mostly around a chemical substance called "Goo", which causes giant growth in living things, and what happens after a gang of rebellious youngsters get their hands on it. The cast was mostly teens, or young actors playing teens, and The Beau Brummels and Freddy Cannon make musical guest appearances.

The movie was a low-budget exploitation film and not a huge hit (released mostly to drive-ins as part of a double bill), but had some notable use of special effects and undoubted sex appeal, and went on to become a cult classic. The movie proved far more successful years later, when released on home video.

The movie's instrumental theme song, by composer and arranger Jack Nitzsche, was originally released as "The Last Race" on Reprise Records, months before the movie appeared.

The Beau Brummels, singers Freddy Cannon and Mike Clifford all make appearances. Cannon enjoyed a string of hits during the Sixties (including "Palisades Park" and "Tallahassee Lassie"), and performs "Little Bitty Corrine" in his signature style (wearing a cardigan sweater in the summertime!), while Mike Clifford (veteran of The Ed Sullivan Show, and later an actor) croons the movie's obligatory slow song, "Marianne". (Clifford is also credited with another song, "Nothing can Stand in my Way", but this does not appear in the film). There was no official soundtrack release for this movie.


Debi Storm completed her role as the Sheriff's daughter in just three days. Vicki London, who played Georgette, is absent from the screen for most of the giant scenes in the movie. Robert Random and Joy Harmon each also appeared in episodes of Gidget, which debuted in the fall of 1965. (Their height remained normal.) Other notable cast members include Beau Bridges (big brother of Jeff Bridges, son of "Seahunt" and "Airplane" Lloyd Bridges and an A-list actor in his own right), "Ronny" Howard, Academy Award winning director, actor and producer, Johnny Crawford (Chuck Connors son in "The Rifleman)and Toni Basil, choreographer (The Lockers), dancer, actress and one hit wonder ("Ricky").


The cat appearing in this film was named Orangey (later renamed Minerva), and Village of the Giants was the second time he played the role of a cat larger than a human, the first being Scott Carey's (actor Grant Williams) pet in The Incredible Shrinking Man (1957). His most famous roles were as "Rhubarb" in the film Rhubarb (1951) and the cat in Breakfast at Tiffany's (1961).

In January 1994, Village of the Giants was featured as an episode of Mystery Science Theater 3000 (episode 523). The episode was dedicated in memoriam to the recently deceased Frank Zappa.

I can't believe I watched the whole movie, but I did. I actually recommend this movie to anyone who wants to say they saw one of the worst movies of all time...

MY BAD RATING: 5 OUT OF 10

Sunday, February 20, 2011

FIVE BEST TWILIGHT ZONE EPISODES

The Twilight Zone was such a groundbreaking series that it influenced our popular culture to a level many of us don’t even realize. From Rod Serling’s silky and smoke-filled introductions, to the inevitable twist ending, the Twilight Zone’s black and white years were doubtless its best. While many of the twists have become so well known in the ensuing years as to lost much of their sting, if you can imagine watching these broadcasts in the 60s on an old black and white set, you might just get a feel for how revolutionary it was. Here, in my humble opinion, are five of the best episodes of this series...

5. "Living Doll" - Even with a menacing Telly Savalas in the cast, make no mistake, the star is Talky Tina. The atmosphere is tense with parental conflict, and then little Christie receives a doll playmate from mom, and things get downright edgy. Too much money, claims Savalas' character, Erich. Talky Tina is a doll with an agenda, though, as she immediately understands that Erich is self-absorbed and abusive. The denouement is the last scene, in which Tina somehow is deftly positioned (or positions herself) at the top of the stairs in direct path of Erich as he investigates a noise in the middle of the night. Stepping on Tina, he loses his balance and falls down the stairs to his death. (airdate: November 11, 1963)
4. "The Monster Are Due On Maple Street" - Another prime example of tapping into Cold War paranoia, about a street in a small town that turns on its own when the power goes out, and talk of an alien invasion starts to surface. This story became so iconic, that it was used in classrooms as a perfect example of insular paranoia and auto-cannibalizing mistrust. The neighborhood dissolves under its own hatred and inability to trust people they’ve known their entire lives, and an angry mob forms, swiftly turning to murder and rioting. So where’s the twist in this story of small town hatred? The power fluctuations and general spookiness were caused by aliens, who plan to spread paranoia in order to take over the planet “one Maple street at a time”. The episode stars great character actors like Claude Akins and Jack Weston. (airdate: March 4, 1960)
3. "The Masks" - See this episode for one of the final roles in the long career of Robert Keith (father of Brian Keith). A dying millionaire (Keith) meets with his family on his death bed — and on the eve of Mardis Gras he forces them to done masks while they discuss his will. His daughter, her husband and their two children are all horrible people, and he makes each of them put on masks caricaturing their personality: a sniveling coward to his daughter Emily, a miserable miser to her husband Wilfred, a twisted buffoon to the grandson Wilfred Jr., and a self-obsessed narcissist to the granddaughter Paula. As the ailing Jason dons a skull mask, he charges them all to leave the masks on until midnight, or receive nothing of the substantial will. Suffering under the uncomfortable masks, they all plea to take them off as the night progresses, as their patriarch rails against their shortcomings, eventually exclaiming “without your masks, you’re caricatures!”, before dying. The four pull of the uncomfortable masks in relief, only to find their faces are now permanently stuck in that shape. (airdate: March 20, 1964)
2. "Nightmare At 20,000 Feet" - Long before he was helming the Enterprise, William Shatner was a legitimate actor. Not yet turned to King of ham-acting, he had two leads in Twilight Zone pieces. Shatner was great as the man recovering from a mental breakdown, insisting he sees a gremlin on the wings of an airplane, which no-one else notices. It’s a segment that’s been parodied widely, by everyone from The Simpsons to SNL. It’s also hilarious to watch it and compare flying in the 60s to now — everyone wearing suits, smoking cigarettes, and in seats with ample legroom. Ah, a golden age! (airdate: October 20,1963)
1. "Time Enough At Last" - This episode is penned by Rod Serling and stars Twilight Zone regular Burgess Meredith. As with many other Twilight Zone episodes, the specter of nuclear holocaust-based fear hangs heavily over the proceedings with Mr. Meredith surviving the blast in a bank vault. He ultimately breaks his reading glasses, though, before he has a chance to settle down with his long sought-after dream, the interruption-less task of scouring beloved volumes of literature, found fortuitously among the rubble that was the nearby library. (airdate: November 20, 1959)

Saturday, November 20, 2010

MOVIE TRAILER: METROPOLIS

The 1927 expressionistic masterpiece Metropolis has been re-released in a new 147 minute version, called “The Complete Metropolis”. The film premiered in February 2010at the Berlin Film at Friederichstrasse Palast, accompanied by a 60-piece orchestra playing the original 1927 score by Gottfried Huppertz. The response was overwhelming from both the German press and public. It has now been announced that there will be a North American release of the new restoration, including Blu-ray and DVD versions. A total of 35 minutes of lost footage has been added, as well as the original Huppertz score. This movie is a timeless classic, far ahead of its time...