RIP: CARL REINER

Carl Reiner, the writer, producer, director and actor who was part of Sid Caesar’s legendary team and went on to create “The Dick Van Dyke Show” and direct several hit films, has died. He was 98.

He died of natural causes on Monday night at his home in Beverly Hills, his assistant Judy Nagy confirmed to Variety.

Reiner, the father of filmmaker and activist Rob Reiner, was the winner of nine Emmy awards, including five for “The Dick Van Dyke Show.” His most popular films as a director included “Oh God,” starring George Burns, in 1977; “The Jerk,” with Steve Martin, in 1979; and “All of Me,” with Martin and Lily Tomlin, in 1984.

In his later years, Reiner was an elder statesman of comedy, revered and respected for his versatility as a performer and multi-hyphenate. He was also adept at social media. He maintained a lively presence on Twitter up until the last day of his life.

Reiner remained in the public eye well into his 80s and 90s with roles in the popular “Ocean’s Eleven” trio of films and on TV with recurring roles on sitcoms “Two and a Half Men” and “Hot in Cleveland.” He also did voice work for shows including “Family Guy,” “American Dad,” “King of the Hill,” and “Bob’s Burgers.”

In 2017, Carl Reiner, his longtime friend and frequent comedy partner Mel Brooks, Norman Lear, Kirk Douglas and other nonagenarian Hollywood legends were featured in the HBO documentary “If You’re Not in the Obit, Eat Breakfast,” examining the secrets to longevity in a fickle industry.

Reiner first came to prominence as a regular cast member of Sid Caesar’s “Your Show of Shows,” for which he won two Emmys in 1956 and 1957 in the supporting category. He met Brooks during his time with Caesar. The two went on to have a long-running friendship and comedy partnership through the recurring “2000 Year Old Man” sketches.

Before creating CBS hit “The Dick Van Dyke Show,” on which he sometimes appeared, Reiner and “Show of Shows” writer Mel Brooks worked up an elongated skit in which Reiner played straight man-interviewer to Brooks’ “2000 Year Old Man”; a 1961 recording of the skit was an immediate hit and spawned several sequels, the last of which, 1998’s “The 2000 Year Old Man in the Year 2000,” won the pair a Grammy.

In 1961 Reiner drew on his experiences with Caesar to create and produced “The Dick Van Dyke Show,” a ratings cornerstone for CBS for the next five years. Reiner made guest appearances as the irascible variety show host Alan Brady. The show won Emmys for writing its first three years and for producing its last two. In 1967, Reiner picked up another Emmy for his writing in a reunion variety show with Caesar, Coca and Morris.

Though the “Enter Laughing” movie was modestly received, Reiner continued to direct steadily over the next few decades. “Where’s Poppa?,” an offbeat comedy he directed in 1970, became a cult favorite. Similarly, two other Martin vehicles, the gumshoe spoof “Dead Men Don’t Wear Plaid” and “The Man With Two Brains,” found bigger audiences after their release in theaters.

While the last film he directed was the 1997 romantic comedy “That Old Feeling,” starring Bette Midler and Dennis Farina, Reiner was an active presence in guest roles on television and in supporting roles in films during the 1990s and 2000s, even as he neared and then surpassed his 90th birthday.

He guested on “Frasier” in 1993; reprised the role of Alan Brady on an episode of “Mad About You” in 1995 and won an Emmy for it; and guested on “Ally McBeal,” “Boston Legal” and “House.”

Big screen appearances included 1990’s “The Spirit of ’76,” directed by his son Lucas; “Slums of Beverly Hills” (1998); and all three films in the “Ocean’s Eleven” series...

RIP: ROSE MARIE

Rose Marie, as she was known, had quite a career as an entertainer — it spanned nine decades. On Thursday she died in Van Nuys, Calif. She was 94.

Shortly after winning a talent contest at the age of 3, Rose Marie Mazzetta was on her way to becoming a child star. She began her professional career as Baby Rose Marie and performed under that name until she was a teenager.In 1929, the five-year-old singer made a Vitaphone sound short titled Baby Rose Marie the Child Wonder. Between 1930 and 1938, she made 17 recordings, three of which were unissued. Her first issued record, recorded on March 10, 1932, featured accompaniment by Fletcher Henderson's band, one of the leading African African jazz orchestras of the day. According to Hendersonia, the bio-discography by Walter C. Allen, Henderson and the band were in the Victor studios recording the four songs they were intending to produce that day and were asked to accompany Baby Rose Marie, reading from a stock arrangement.

Her recording of "Say That You Were Teasing Me" (backed with "Take a Picture of the Moon", Victor 22960) also featured Henderson's orchestra and was a national hit in 1932. According to Joel Whitburn, Rose Marie was the last surviving entertainer to have charted a hit before World War II.

She may be best remembered for playing writer Sally Rogers on the 1960s sitcom The Dick Van Dyke Show and she was nominated for three Emmy Awards. The show was nominated for 25 and won 15.

There's a good chance even younger generations have heard of Rose Marie. That's because she never stopped working.

Last month, the documentary Wait For Your Laugh was released. It chronicled her long career.

She was a child radio star and singer, appeared on Broadway in the Phil Silvers musical Top Banana and subsequent 1954 film, was a nightclub entertainer and acted in many television shows.

After five seasons (1961–66) as Sally Rogers on The Dick Van Dyke Show, Rose Marie co-starred in two seasons (1969–71) of CBS's The Doris Day Show as Doris Martin's friend and coworker, Myrna Gibbons. She also appeared in two episodes of the NBC series The Monkees in the mid-1960s.

Rose Marie's memoir called Hold the Roses was published in 2003.

Her black hair bow became a signature look on The Dick Van Dyke Show, and when making public appearances, she always wore it.

Mazzatta was so recognized for that look that the bow ended up at the Smithsonian's National Museum of American History in 2008.

She has never publicly revealed why the bow was so important to her — even when asked by Smithsonian.com: "It's a very private personal reason," she says. "I said I would only give up (the bow) if the Smithsonian wants it."