Showing posts with label Milton Berle. Show all posts
Showing posts with label Milton Berle. Show all posts

Wednesday, March 11, 2026

STORY BEHIND THE PHOTO: 1998 EMMY AWARDS

Here is a very rare appearance by the Mount Rushmore of television comedy. On September 13, 1998 Milton Berle, Sid Caesar, and Bob Hope appeared together on the Emmy Awards telecast. At the time Milton Berle was 90, Bob Hope was 95, and Sid Caesar was a young 76. Berle passed away first in 2002, Hope in 2003, and Sid lived until 2014...



Monday, January 27, 2025

RECENTLY VIEWED: SATURDAY NIGHT

 

Wow, I just had the opportunity to watch the excellent film Saturday Night on Netflix. What a great movie! Saturday Night is a 2024 American biographical comedy-drama film directed by Jason Reitman, about the night of the 1975 premiere of NBC's Saturday Night, later known as Saturday Night Live. The film stars an ensemble cast portraying the various Saturday Night cast and crew, led by Gabriel LaBelle as the show's creator and producer, Lorne Michaels. Rachel Sennott, Cory Michael Smith, Ella Hunt, Dylan O'Brien, Emily Fairn, Matt Wood, Lamorne Morris, Kim Matula, Finn Wolfhard, Nicholas Braun, Cooper Hoffman, Andrew Barth Feldman, Kaia Gerber, Tommy Dewey, Willem Dafoe, Matthew Rhys, and J. K. Simmons also star.

On October 11, 1975, up-and-coming producer Lorne Michaels arrives at NBC Studios in New York City to prepare for the airing of the first episode of NBC's Saturday Night.

The evening is fraught with accidents and a dysfunctional cast and crew. Michaels' boss, Dick Ebersol, warns him that David Tebet has brought executives from across the country to come and view the broadcast. Despite Tebet giving encouraging words to Michaels, Ebersol makes it known that Tebet has no faith in the show and is ready to replay a taping of an episode of The Tonight Show Starring Johnny Carson to fill in the time.


Garrett Morris, who has a background in operatic theater, ponders his place among a cast of comedic performers; John Belushi remains detached from everyone and constantly initiates fights; Jim Henson complains over how his Muppets segment is being treated by the writers; the writers themselves are at war with censor Joan Carbunkle and her demands; host George Carlin thinks the whole show is a sham; and everyone is trying to figure out what exactly the show is about. Meanwhile, Chevy Chase confronts Milton Berle when he begins to hit on his girlfriend, Jacqueline, gets told off and is warned that he will become nothing. Michaels soon receives a call from Johnny Carson himself, who gives a very unsupportive warning.


Despite Michaels warning him not to, Ebersol attempts to sell the idea of performing a sketch with a Polaroid camera for product placement purposes. Belushi becomes enraged and storms off set with the intention of quitting. As everyone looks for him, assistant Neil Levy is given a joint by Paul Shaffer and panics, locking himself in a closet. He is eventually coaxed out by the cast. To ease the stress, Michaels heads to a local bar, where he comes across comedy writer Alan Zweibel and hires him on the spot to become a writer on the show. He, along with Gilda Radner, later find Belushi ice skating and convince him to return to the show and sign his contract. Michaels is further motivated to continue with the show after having a brief chat with Henson.


Tebet arrives, demanding that the show be shut down unless Michaels shows him exactly what it entails. Andy Kaufman performs his Mighty Mouse skit, which makes everyone laugh. Michaels then tells Chase to take over Weekend Update, which he had planned to host himself. Chase does an impromptu version of Weekend Update using Zweibel's newly written material, which lands. The audience arrives and fills the venue as cast and crew finish all the sets and get into place. Tebet allows the live show to proceed on air. Michael O'Donoghue and Belushi perform the Wolverine sketch, which is well received by the audience. In the film’s final moments, Chase enters the scene and announces, "Live from New York, it's Saturday Night!"

Nicholas Braun amazed me in a dual role as Jim Henson AND Andy Kaufman. He gained fame on the HBO series "Succession". The real scene stealer for me was J.K. Simmons as Milton Berle. He not only captured how Berle acted but he looked so much like him. The whole cast did well, and while they were not the famous first season cast, they all resembled and acted like the original stars enough that you forgot for a moment this was a bio film and not a documentary. I recommend this movie for anyone who was a fan of the early Saturday Night Live, and also just a fan of a good biographical film...

MY RATING: 9 OUT OF 10




Sunday, April 28, 2024

MILTON BERLE: THE MOST OVERRATED COMEDIAN

A lot of people liked Uncle Miltie. Being born in 1974, he was pretty much before my time, but I am a student of old comedy. My two favorite comedians were Jack Benny and Jackie Gleason. There are so many overrated comedians that you could throw a custard pie and hit 10 of them, but the all-time honors go to Milton Berle. Berle was one of those comedians that you are supposed to laugh at . He looked funny, he dressed in outrageous getups (often women’s clothes, an instant comic turnoff for me), and he did anything for a laugh. He made a lot of noise, and he had a frenetic, wacky persona. In short, he behaved the way a comedian is supposed to behave. I admired his energy and courage and even his brashness—he bullied laughs out of audiences through the sheer force of his slam-bang style—but I never once cracked a smile. I don’t like clowns, and Berle was essentially a clown.

In April of 1979 Milton hosted Saturday Night Live. Milton is in the pantheon of the worst hosts the shows ever had. He sabotaged the show to be a self-serving celebration of himself, and made everyone in the cast absolutely miserable the entire week. The most amusing moment in the entire now is  Dan Aykroyd looking like he wants to punch him during the goodnights. He was widely viewed at the time and now as a very poor host, who planted his audience. The only sketch of the whole thing worth a damn is the Widettes. BUT - if you really want cringe worthy Uncle Milty, check out his workout tape. It's really a thing and extremely uncomfortable.


In 1993, Berle turned up on the MTV Movie Awards with crossdresser RuPaul. These two decided to drop the pre-written banter and go for the jugular. Things quickly turned tense, with RuPaul ad-libbing: “So you used to wear gowns, but now you’re wearing diapers” and Milton replying with, “Oh, we’re going to ad-lib? I’ll check my brain and we’ll start even.” Major yikes.

As late as the late 1990s, Berle thought he was still Mr. Television. He was appearing at an awards show and asked the audience to join him in singing his old theme song "Near You". No one knew the song or what he was talking about. Berle was television in the 1950s, and the only reason I can see why is because audiences were hungry for any entertainment on television - so Milton Berle slipped in. Even before television, Berle was a failed movie and radio performer. Not be be negative, but I never understood why people thought Milton Berle was funny. To me he was corny, unfunny, and mostly unwatchable in anything I saw him in...



Monday, July 8, 2013

RECENTLY VIEWED: IT'S A MAD MAD MAD MAD WORLD

Two words that describe the 1963 fim It's A Mad Mad Mad Mad World is epic comedy. That is exactly what this 50 year old film is and more. I caught the movie again on a lazy Sunday, and I was excited that my three year old son also got involved in some of the movie. While, I do not expect him to realize who Jimmy Dunrante or Andy Devine was, I was happy that he could still laugh at a movie that is well older than I am.

"Smiler" Grogan (Jimmy Durante), suspect in a tuna factory robbery 15 years before and on the run from the police, recklessly passes a number of vehicles on a twisting, mountainous road in Southern California's Mojave Desert before careening his car off a cliff and crashing. Five motorists from four of the passed vehicles stop to assist: dentist Melville Crump (Sid Caesar); furniture mover Lennie Pike (Jonathan Winters); "Dingy" Bell (Mickey Rooney) and "Benjy" Benjamin (Buddy Hackett), two friends on their way to Las Vegas; and entrepreneur J. Russell Finch (Milton Berle). Just before he dies, Grogan tells the men about $350,000 cash buried--"under a big 'W'"--in Santa Rosita State Park in Santa Rosita Beach near the Mexican border. Two detectives (Norman Fell, Nicholas Georgiade) arrive, and the lead detective asks the men pointed questions about their interaction with Grogan. While not-so-artfully dodging the questions, each of the five internally changes from having had compassion for Grogan to becoming greedy to retrieve the treasure. The detectives permit the five to return to their vehicles after receiving Finch's contact information. The motorists then drive away from the accident site, initially testing each other's resolve on the road, then stop to try to reason with one another on how to share the money (in the "17 different ways" conversation), but when they can't agree on any one particular distribution, they run to their vehicles to engage in an all-out race to reach the loot first. All four vehicles are eventually abandoned.

 
Meanwhile, Captain T. G. Culpeper (Spencer Tracy), of the Santa Rosita Police Department, who has been patiently working on the Grogan case for those 15 years, hopes to solve it and retire with honor. Learning of the fatal crash, he suspects that "Smiler" might have given one or more of the witnesses a clue to the stolen loot's location and has police units track their movements. Culpeper phones police (Andy Devine, Stan Freberg) in another jurisdiction about Grogan. Culpeper's switchboard operator (ZaSu Pitts) takes calls; later, Culpeper has his own disastrous phone conversation with his wife Ginger (Selma Diamond) and their daughter Billie Sue (Louise Glenn).

Everyone experiences multiple setbacks en route to the money. Melville and his wife Monica (Edie Adams) charter a shabby World War I-era biplane to Santa Rosita from an unlicensed pilot (Ben Blue) and arrive by cab to a hardware store. After telling the cabbie (Leo Gorcey) to wait outside, a store employee (Doodles Weaver) lets them in just before closing time. But the store's owner, Mr. Dinkler (Edward Everett Horton), closes it down and locks the door to the basement, into which the pair had just descended, intending to find and buy a pick and shovel. Melville wrecks the place in various failed attempts to escape before blasting a hole in the wall with dynamite.

Dingy and Benjy question an attendant (Charles Lane) and, against his objections, convince pilot Tyler Fitzgerald (Jim Backus) to shuttle them to Santa Rosita in his modern twin-engine aircraft. Fitzgerald carelessly lets them operate the controls while he mixes drinks in the back of the plane; soon Benjy's erratic steering knocks him unconscious and the pair have to fly and land the plane on their own. A group of air-traffic controllers (Carl Reiner, Eddie Ryder, Jesse White) are unable to assist them in landing, and a retired Air Force officer (Paul Ford) is brought in to help them land. Dingy and Benjy eventually land their aircraft, crashing into an airport terminal but escaping unharmed. Two other cab drivers (Eddie "Rochester" Anderson, Peter Falk), who respectively whisk Dingy and Benjy away from the airport, and Melville and Monica from the hardware store, also get in on the hunt.

 
Pike crashes his furniture truck into the car containing Finch, his wife Emmeline (Dorothy Provine), and his overbearing mother-in-law, Mrs. Marcus (Ethel Merman). Finch persuades Pike to ride off for help on a bicycle, then the three flag down British army Lt. Col. J. Algernon Hawthorne (Terry-Thomas) to get them to Santa Rosita and ignore Pike on the roadside nearby. The four stop at a service station owned by two brothers (Arnold Stang, Marvin Kaplan) who decline Finch's request to rent the station's tow truck. After many arguments, most caused by Mrs. Marcus, she and Emmeline refuse to go any farther, and Finch and Hawthorne leave them behind.

Pike tries to get motorist Otto Meyer (Phil Silvers) to take him to Santa Rosita but foolishly tells him about the scheme, prompting the greedy Meyer to race for the money himself. Pike, outraged, destroys the aforementioned service station at which Meyer has been forced to stop due to a tire blowout. After the rampage, Pike steals the station's tow truck and later picks up Mrs. Marcus and Emmeline. Mrs. Marcus calls her beach-bum son Sylvester (Dick Shawn), who lives near Santa Rosita, to look for the loot, but the Oedipally-obsessed Sylvester, who is dancing with his laconic girlfriend (Barrie Chase), races hysterically to the defense of his mother instead. Meyer experiences his own setbacks, including losing his car in a river. After flagging down a nervous motorist (Don Knotts), persuading the motorist by a conspiracy theory suggesting that he is a CIA agent hunted by Russians, Meyer steals the motorist's car. All the while, the police secretly track their activities while Culpeper bides his time.

 
Eventually, all of the interlopers arrive at the state park and begin searching for the "Big W," overseen by Captain Culpeper, secretly disgruntled and intent on keeping all of the loot for himself on being promised only a too-small pension, despite solving the Grogan case. He orders all policemen to leave the area and waits for the others to retrieve the money. Emmeline, the only one who wanted no part of the scheme, is the first to recognize what the "Big W" actually is. As the watching Culpeper steps out of the bushes and greets her, she unwittingly reveals the location to him, albeit not explicitly saying so, and suggests they split the money. Soon Pike, then the others, notice the "W" as well and frantically begin digging while Culpeper quietly mixes in with the non-diggers. After a suitcase containing the loot is dug up and opened, the group argues about the money's distribution. Culpeper then identifies himself, takes the suitcase, and suggests to the stunned ensemble that a jury might be more lenient if they turn themselves in. Initially taking Culpeper's advice, the defeated claimants climb into the two taxis and drive out of the park.

When the two taxicab groups notice Culpeper heading away from Santa Rosita with the money, they immediately reverse direction and chase him, foiling his plan to store his police vehicle with the help of Jimmy the Crook (Buster Keaton) in a seaside garage and hop a boat bound for Mexico. After a number of unsuccessful attempts to reach Culpeper by radio, Police Chief Aloysius (William Demarest) realizes what Culpeper is doing, revokes his newly-trebled pension — which Aloysius had secured by arm twisting the mayor (Lloyd Corrigan) less than a half hour before — by tearing up the envelope that the mayor yielded and the pension papers that it presumably contains, and orders Culpeper's arrest.

At the end of the chase, stranded high up the decaying fire escape ladders of an abandoned building are the eleven men in the group, each of whom is continually trying to keep the other ten men from possessing the suitcase containing the money, despite warnings from a speech-maker (Joe E. Brown) that the ladders are unsafe. While the men are trying to avoid falling off the building's disintegrating fire escape, the suitcase accidentally opens, spilling the cash into the air to flutter upon the crowd below. The ladders break away from the building and a fire engine arrives to rescue the men, who then simultaneously attempt to climb down an extended fire truck ladder. But their combined weight breaks the ladder's hydraulic system, causing it to gyrate uncontrollably, flinging or dropping them off to various locations.

The dejected men, now immobile in a prison hospital in bandages and casts, blame one another for their predicament and criticize Culpeper for seizing the money. Replying that their sentences may be lighter because he will probably take most of the blame in court, ex-Captain Culpeper adds that perhaps in 10 or 20 years, there will be something about all this he can laugh about. Benjy throws his banana peel toward a wastebasket, but it misses and lands on the floor, moments before the nagging Mrs. Marcus enters, flanked by Monica and Emmeline, scolding all of the hospitalized men for everything. Mrs. Marcus slips on the banana peel, falls flat on her back, and is hurriedly carried off on a gurney...while Culpeper and all the other injured men laugh hysterically.

 
There is a whole other story of the background of the movie, but that is another story for another day. It's a Mad, Mad, Mad, Mad World had its world premiere at the Cinerama Dome in Hollywood, California on November 7, 1963, on the Dome's own opening night. The East Coast premiere was on November 17, 1963, at the Warner Cinerama Theatre in Times Square, New York City. The day before, the film was shown in a special charity preview to benefit the Kennedy Child Study Center and the Joseph P. Kennedy, Jr. Institute. President John F. Kennedy sent his brother Bobby to the East Coast premiere instead of attending with his wife Jacqueline and would be assassinated less than a week later in Dallas.

Distinguished by the largest number of stars to appear in a film comedy, Mad World opened to acclaim from many critics and tremendous box office receipts, becoming the highest grossing American film of 1963, quickly establishing itself as one of the top 100 highest-grossing films of all time when adjusted for inflation. The film's great success inspired Kramer to direct and produce Guess Who's Coming to Dinner (also starring Tracy in his last role). So much can be written and said about this classic comedy. It is fun to watch for the cameos in the movie from Jerry Lewis playing a crazed driver who runs over Spencer Tracy's hat to Jack Benny who stops on the side of the road only to get yelled at by Ethel Merman. The movie is long but does not seem long, and it is the perfect movie to lose yourself in on a lazy afternoon...

MY RATING: 10 OUT OF 10


Wednesday, February 8, 2012

HOLLYWOOD TIDBITS: HARRY EINSTEIN

Harry Einstein (1904-1958) was an American comedian and writer, usually known by the name Harry Parke, but who was variously credited as Harry Einstein, Harold Einstein, Harry "Parkyakarkus" Einstein, Parkyakarkus and Parkyarkarkus. He became famous as the character Parkyakarkus (or Parkyarkarkus) — park your carcass; that is, sit down — who garbled Greek on Eddie Cantor's radio show and appeared in eleven films using this name from 1936 to 1945. Harry also was the father of actor Albert Brooks.


Any entertainer will say that they want to die on stage, and Harry nearly did that. Parke died from a heart attack at a Friar's Club Roast of Lucille Ball and Desi Arnaz on November 24, 1958 in Los Angeles, California. He had just finished his testimonal to a house full of laughter and Art Linkletter's remark, "How come anyone as funny as this isn't on the air?", when Parke slumped onto Milton Berle's lap at the event. Berle asked "Is there a doctor in the house?"; this remark was met with laughter, as the crowd was unaware that Berle was being serious. Emcee Art Linkletter then directed crooner Tony Martin to sing a song to divert the crowd's attention; Martin's unfortunate choice was "There's No Tomorrow." According to the Los Angeles Times account, Desi Arnaz said: "This offering meant so much to me. Now it means nothing. Please, everyone, pray to your God that he will be saved."


He was carried backstage where five specialists who were Friars Club members worked feverishly to save his life. One doctor used his pen knife to make an incision in Parke's chest for open heart massage. Another used the ends of an electric cord as a makeshift defibrillator to shock his heart back to life; only the left side responded with a feeble rhythm. The doctors continued the open heart massage while waiting for the rescue squad. Despite two hours of intense medical effort, Parke was pronounced dead at 1:20 AM local time...