Showing posts with label Jeri Southern. Show all posts
Showing posts with label Jeri Southern. Show all posts

Sunday, January 15, 2023

SINGER SPOTLIGHT: JERI SOUTHERN

Jeri Southern was the poster girl for a cool jazz voice. Born in 1926 as Genevieve Lillian Hering, Jeri Southern originally trained to be an opera singer and a classical pianist in her home state of Nebraska. But after she graduated high school in 1943, Southern (whose original name was Genevieve Hering) discovered jazz. She spent the next few years trying to emulate her new favorite singers-Ella Fitzgerald, Nat King Cole, and Sarah Vaughan. She had to completely transform her coloratura soprano voice into the deep, husky voice that we know of today.

She soon moved to Chicago to pursue a career in entertainment. Her intention was to become a jazz pianist, but an agent told her she'd make more money if she sang too, and if she changed her name. By 1949, the newly minted Jeri Southern found a steady gig at a Chicago club called the Hi-Note, performing in the intermission between headline acts. Southern's intimate and sultry way of performing jazz standards began to attract the attention of the club's famous clientele like Dizzy Gillespie, Miles Davis, and Peggy Lee. In fact, Lee was so impressed by Southern that she helped her secure a recording contract with Decca in 1951.

Her first single for Decca was the tune "You Better Go Now," by Bickley Reichner and Robert Graham. She was only 25 years old, although already sounding incredibly polished and self-assured. She even accompanied herself on the piano. Southern quickly became a critical darling, praised for her soft, intimate way of selling a torch song, and for her attention on the song's words. She became known for performing deep cuts from the Great American Songbook. These don't just include songs by unknown songwriters, but also rarely performed songs by popular songwriters, including Richard Rodgers and Jerome Kern.


She preferred performing slow ballads with moving stories. She was the first artist to perform the Victor Young and Edward Heyman standard "When I Fall In Love," later made famous by Nat King Cole. People noted that when they saw her live, they assumed she was unhappy, just because of her style and choice of song. But since her style tended towards the melancholy, she had a way of turning even the cheeriest tunes into torch songs.

Although Jeri Southern performed with an orchestra on many of her studio albums, she was arguably best when she herself was sitting at the piano. Southern was shy, but felt most at ease when she could accompany herself. Jeri Southern was also a songwriter. She wrote about half a dozen songs that she recorded over her career, most in collaboration with her second husband Ray Hutchinson, including "Autumn In My Heart" and "I Don't Know Where To Turn."

In 1958, Southern made the move from Decca records to Roulette Records, where she recorded a handful of albums. By the early 1960s, she made a brief stint on Capitol records before retiring from show business completely, saying she was growing tired of the business. One of her final albums was a live album recorded at the Crescendo Club in 1959 and 1960, showcasing Southern at her best: performing live, and accompanying herself at the piano.

She was always shy, and suffered from performance anxiety. She avoided the spotlight for the rest of her life, deciding instead to teach voice, write and arrange songs, and even publish a book on piano technique. When she retired, she said that she had performed all the songs she wanted to perform. She had planned to make a comeback in 1991, but sadly died that year before it could happen...



Wednesday, December 23, 2020

HISTORY OF A SONG: HE WAS TOO GOOD TO ME


My favorite song writing team was the team of Richard Rodgers and Lorenz Hart. From 1919 to 1943 they wrote some of the most beautiful songs that America has ever had the pleasure of listening to. Even their forgotten melodies are an example of near perfect music. Their songs are always intelligent, thought provoking, and memorable. One of their forgotten songs that became a standard was the song "He Was Too Good To Me".

"He Was Too Good for Me" was too good to be forgotten after it was cut from the show it was written for. It is one of those songs that became a standard without the aid of exposure in a show or movie. Intended for Lee Morse in Simple Simon, "He Was Too Good for Me" was dropped before the New York opening of the show. There was then talk of using it in the ill-fated Nine-Fifteen Revue (also from 1930) but again it was cut. Rodgers and Hart must have had faith in it because they published it independently, and after being found and recorded by artists such as Helen Merrill, Jeri Southern, Nina Simone, Doris Day, Carmen McRae, and others, it became clear it was headed to become a songbook standard. My favorite version is by the versatile Jeri Southern.



Lyrics

There goes my young intended
The thing has ended
Regrets are vain
I'll never find another half so sweet
And we'll never meet again
I got impatient
Told him goodbye
Sad eyes out in the rain
He was too good to me
How can I get along now
So close he stood to me
Everything seems all wrong now
He would have brought me the sun
Making me smile, that was his fun
When I was mean to him
He'd never say go away now
I was a Queen to him
Who's gonna make me gay now
It's only natural that I'm blue
He was too good to be true

Songwriters: Lorenz Hart / Richard Rodgers
He Was Too Good to Me lyrics © Concord Music Publishing LLC