FORGOTTEN ONES: BELLE BAKER - PART TWO

Later in 1927, Belle Baker introduced the song My Yiddishe Momme to the American public. The song was made even more famous by Sophie Tucker and popularized by The Barry Sisters. The song was extremely important from a Jewish American standpoint during this time, as it represented internal conflict over Jewish assimilation into western societies.The song was viewed very positively by gentiles and eventually became so popular around the world that it was banned in Nazi Germany and that Jewish prisoners of concentration camps would often sing it.

Baker had a brief film career as silent film gave way to lavish technicolor musical talkies. She made her film debut starring in the 1929 talkie Song of Love. The film survives and has been screened at film festivals but not released on DVD. Song of Love features two songs performed by Baker written by her husband, "I'm Walking with the Moonbeams (Talking to the Stars)" and "Take Everything But You". She made two more film appearances, in Charing Cross Road (1935) and Atlantic City (1944; in which she performed "Nobody's Sweetheart").

In 1932, Baker became a regular on Jack Denny's radio program on CBS. She was a guest performer on The Eveready Hour, broadcasting's first major variety show, which featured Broadway's top headliners. Baker continued performing through the 1930s, but limited her performances to radio shows.

Baker's first marriage was in 1913, to producer and promoter Lew Leslie. The couple divorced in 1918. In 1919, she married Maurice Abrahams, a successful Russian-American songwriter/composer, who wrote such songs as "Ragtime Cowboy Joe", "He'd Have to Get Under — Get Out and Get Under (to Fix Up His Automobile)", "I'm Walking with the Moonbeams (Talking to the Stars)", and "Take Everything But You". The couple had one child, Herbert Joseph Abrahams, later known as Herbert Baker, who became a screenwriter. After Abrahams' death in 1931, Baker restricted her performing to radio. On September 21, 1937, she remarried, to Elias Sugarman, editor of the theatrical trade magazine, Billboard. The couple divorced in 1941. She made one final television appearance in This Is Your Life in 1955, just two years before her death.

Baker was a Zionist, stating in 1924: "I am a firm believer in Zionism. I believe that the Jewish people should have a home of their own. It is the one prayer our fathers have been saying through the centuries." While in England in 1935, Baker hosted a show to raise money for Jews fleeing Nazi persecution through the United Jewish Appeal.Several years before her death, she performed several songs at the opening of a Congregation Sons of Israel on Irving Place alongside the president of the American Jewish Committee, Rabbi Irving Miller.

Many of Baker's family later became involved with show business after her. Her brother, Irving Becker, married stage actress Vinnie Phillips and became a road manager for a production of Tobacco Road. Additionally, the broadway actress, Marilyn Cooper was her niece.

Baker was very well known and famous throughout her lifetime. At the height of Baker's popularity in the 1920s, a poll taken from over 3 million people found her and Sophie Tucker to be tied for the most popular Vaudeville stars.

Many of Baker's songs, such as My Yiddishe Mama, Blue Skies and All Of Me are still popular to this day. During her lifetime, she was referred to as "the Female Al Jolson and the Sarah Bernardt of Songland." Like Jolson and Bernardt, Belle Baker is sadly forgotten today in 2024...

MUSIC BREAK: BELLE BAKER - MY MAN

FORGOTTEN ONES: BELLE BAKER - PART ONE

Time has been flying by and with each decade old stars are more and more forgotten. One such big star that is largely forgotten is Belle Baker. Born in Los Angeles) was a singer and actress. Popular throughout the 1910s and 1920s, Baker introduced a number of ragtime and torch songs including Irving Berlin's "Blue Skies" and "My Yiddishe Mama". She performed in the Ziegfeld Follies and introduced a number of Irving Berlin's songs. An early adapter to radio, Baker hosted her own radio show during the 1930s. Eddie Cantor called her “Dinah Shore, Patti Page, Peggy Lee, Judy Garland all rolled into one.”

Baker was born Bella Becker in 1893 to a Russian Jewish family originally from Akmene, Lithuania on New York's Lower East Side. She was the third child of eight children born to Hyman (Chaim) Becker and Sarah Rabinowitz. Her mother was chronically ill. Born into extreme poverty, Baker was unable to attend school and was forced to work in a factory when she was 6 years old.

Baker started performing at the Lower East Side's Cannon Street Music Hall at age 11, where she was discovered by the Yiddish Theatre manager Jacob Adler. She was managed in vaudeville by Lew Leslie, who would become Baker's first husband. She made her vaudeville debut in Scranton, Pennsylvania, at the age of 15. She performed in Oscar Hammerstein I's Victoria Theatre in 1911, although her performance was panned, mainly for her song choices. By age 17, she was a headliner. One of her earliest hits was "Cohen Owes Me $97". Belle Baker on the sheet music cover of Nick Clesi's 1916 hit "I'm Sorry I Made You Cry"

Baker first introduced the song "Eli, Eli" to the American public. The song was originally written by a Jewish songwriter only known by the name Schindler for Baker's role as a child in a play. In the play, the mother is crucified and Baker sings the first line in English ("G-d, oh G-d, why has thou forsaken me?"). Gentiles at the time believed that this was a sung version of a Jewish prayer. However, Baker later clarified this, and it became one of the most popular tunes of the time. The song was later covered by John McCormack, John Steel and Dorothy Jardon.

In 1926, Baker became the lead in a play called Betsy. In this play, Baker played the oldest daughter of a Jewish family named the Kitzels. The mother (portrayed by Pauline Hoffman) wouldn't let any of her children get married until Betsy (played by Baker) got married. Legend has it that the story desperately needed a Baker song, and so she called Irving Berlin for help. Baker introduced his hit song Blue Skies in Betsy. The song was such a hit that she played it for twenty-four encores on opening night. Blue Skies would later become immortalized by Al Jolson's performance of it in the first ever talkie movie, The Jazz Singer.

TO BE CONTINUED...

BING CROSBY - THE HOLLYWOOD YEARS: PART 5

AN HONOR FOR JAMES EARL JONES

The historic Cort Theatre has been renamed the James Earl Jones Theatre, honoring the legendary actor’s 64-year Broadway career. Jones made his Broadway debut in 1958 and remains celebrated in theater, film, and television. The $47 million renovation marks a significant tribute to his legendary talent as an actor...

MY FAVORITES: THREE BEST POLITCAL MOVIES

 I won't coment on who is running for president today or who I am going to support. If I wanted to be political, I would start another blog. Here is a look at what I think are the three best classic Hollywood poltical movies...

1. Mr. Smith Goes To Washington (1939)

Have you watched it lately? You should. (And by “you,” we mean every sentient being on Capitol Hill.) Frank Capra’s classic is still the granddaddy of America’s small-d democratic, participatory ideals. And James Stewart’s portrayal of a small-town nobody and his quixotic battle against self-dealing politicians still claims pride of place as Hollywood’s most stirring, convincing and timeless reminder that the Constitution is a sacred trust that all American citizens — and their representatives — have responsibility for bearing.

2. All the President’s Men (1976)

For many viewers — especially the untold number who became reporters after being inspired by it — this flawlessly crafted Watergate procedural is a journalism movie. But in the process of untangling the skein of lies, malfeasance and coverups that defined the scandal, Washington Post reporters Bob Woodward (Robert Redford) and Carl Bernstein (Dustin Hoffman) wind up exposing the seamy underside of partisan realpolitik, and underline the crucial role of a free press in holding leaders accountable. Bonus points for featuring Jason Robards as history’s best big-screen Ben Bradlee.

3. The Manchurian Candidate (1962)

The 1960s and ’70s produced their share of great paranoid thrillers, but this one proved shockingly prescient, not only regarding the era of assassinations that immediately followed its release, but of today, when foreign influence on our elections poses a credible and escalating threat. Masterfully directed by John Frankenheimer and featuring Frank Sinatra’s finest acting performance, this hallucinatory masterpiece still manages to be darkly funny and queasily discomfiting in equal measure. (Which unfortunately can’t be said of Jonathan Demme’s forgettable 2004 remake.)

Whether your political leanings, you can not complain about our politicans if you don't vote. Go out there and VOTE!

MEMORIES OF SOME LIKE IT HOT

When Tony Curtis and Jack Lemmon first put on the female makeup and costumes for "Some Like It Hot" (1959), , they walked around the Goldwyn Studios lot to see if they could "pass" as women. Then they tried using mirrors in public ladies rooms to fix their makeup, and when none of the women using it complained, they knew they could be convincing as women. There is a scene on the train recreating this moment.

Lemmon got along with Marilyn Monroe and forgave her eccentricities. He believed Marilyn simply couldn't go in front of the camera until she was absolutely ready. "She knew she was limited and goddamned well knew what was right for Marilyn," he said. "She wasn't about to do anything else." He also said that although she may not have been the greatest actor or singer or comedienne, she used more of her talent, brought more of her gifts to the screen than anyone he ever knew.

Lemmon wrote that the first sneak preview had a bad reaction with many audience walkouts. Many studio personnel and agents offered advice to Billy Wilder on what scenes to reshoot, add and cut. Lemmon asked Wilder what he was going to do. Wilder responded: "Why, nothing. This is a very funny movie and I believe in it just as it is. Maybe this is the wrong neighborhood in which to have shown it. At any rate, I don't panic over one preview. It's a hell of a movie." Wilder held the next preview in the Westwood section of Los Angeles, and the audience stood up and cheered.

Many years after the film's release, a movie reviewer asked Curtis why his Josephine was so much more feminine than Lemmon's Daphne. A laughing Curtis explained that he was so scared to be playing a woman (or a man pretending to be one) that his tightly wound body language could be read as demure and shy, traditionally feminine traits, whereas Lemmon, who was completely unbothered, and "ran out of his dressing room screaming like the Queen of the May," kept much more of his masculine body language...

PHOTOS OF THE DAY: ANOTHER CLASSIC HOLLYWOOD HALLOWEEN

 Another year - and another look at some of the great classic Hollywood Halloween costumes. Halloween really is my favorite holiday of the year. Classic Hollywood has been celebrating the holidays for decades!

Charlie Chaplin

Doris Day

Elvis Presley & Jeanne Carmen

Joan Crawford & Douglas Fairbanks Jr

Nancy Carroll

Marion Davies

Prior Classic Hollywood Halloweens:

2021

2019

2014

2012

RIP: TERI GARR

Teri Garr, offbeat comic actress of ‘Young Frankenstein’ and ‘Tootsie,’ has died. She was 79.

Garr died Tuesday of multiple sclerosis “surrounded by family and friends,” said publicist Heidi Schaeffer. Garr battled other health problems in recent years and underwent an operation in January 2007 to repair an aneurysm.

Admirers took to social media in her honor, with writer-director Paul Feig calling her “truly one of my comedy heroes. I couldn’t have loved her more” and screenwriter Cinco Paul saying: “Never the star, but always shining. She made everything she was in better.”

The actor, who was sometimes credited as Terri, Terry or Terry Ann during her long career, seemed destined for show business from her childhood.

Her father was Eddie Garr, a well-known vaudeville comedian; her mother was Phyllis Lind, one of the original high-kicking Rockettes at New York’s Radio City Music Hall. Their daughter began dance lessons at 6 and by 14 was dancing with the San Francisco and Los Angeles ballet companies.

She was 16 when she joined the road company of “West Side Story” in Los Angeles, and as early as 1963 she began appearing in bit parts in films.

She recalled in a 1988 interview how she won the “West Side Story” role. After being dropped from her first audition, she returned a day later in different clothes and was accepted.

From there, the blonde, statuesque Garr found steady work dancing in movies, and she appeared in the chorus of nine Presley films, including “Viva Las Vegas,” “Roustabout” and “Clambake.”

Her big film break came as Gene Hackman’s girlfriend in 1974’s Francis Ford Coppola thriller “The Conversation.” That led to an interview with Mel Brooks, who said he would hire her for the role of Gene Wilder’s German lab assistant in 1974’s “Young Frankenstein” — if she could speak with a German accent.

“Cher had this German woman, Renata, making wigs, so I got the accent from her,” Garr once recalled.

The film established her as a talented comedy performer, with New Yorker film critic Pauline Kael proclaiming her “the funniest neurotic dizzy dame on the screen.”

Her big smile and off-center appeal helped land her roles in “Oh God!” opposite George Burns and John Denver, “Mr. Mom” (as Michael Keaton’s wife) and “Tootsie” in which she played the girlfriend who loses Dustin Hoffman to Jessica Lange and learns that he has dressed up as a woman to revive his career. (She also lost the supporting actress Oscar at that year’s Academy Awards to Lange.)

Although best known for comedy, Garr showed in such films as “Close Encounters of the Third Kind,” “The Black Stallion” and “The Escape Artist” that she could handle drama equally well.

“I would like to play ‘Norma Rae’ and ‘Sophie’s Choice,’ but I never got the chance,” she once said, adding she had become typecast as a comic actor.

It was also during those years that Garr began to feel “a little beeping or ticking” in her right leg. It began in 1983 and eventually spread to her right arm as well, but she felt she could live with it. By 1999 the symptoms had become so severe that she consulted a doctor. The diagnosis: multiple sclerosis.

For three years Garr didn’t reveal her illness.

“I was afraid that I wouldn’t get work,” she explained in a 2003 interview. “People hear MS and think, ‘Oh, my God, the person has two days to live.’”

After going public, she became a spokeswoman for the National Multiple Sclerosis Society, making humorous speeches to gatherings in the U.S. and Canada.

“You have to find your center and roll with the punches because that’s a hard thing to do: to have people pity you,” she commented in 2005. “Just trying to explain to people that I’m OK is tiresome.”

She also continued to act, appearing on “Law & Order: Special Victims Unit,” “Greetings From Tucson,” “Life With Bonnie” and other TV shows. She also had a brief recurring role on “Friends” in the 1990s as Lisa Kudrow’s mother. After several failed romances, Garr married contractor John O’Neill in 1993. They adopted a daughter, Molly, before divorcing in 1996.

In her 2005 autobiography, “Speedbumps: Flooring It Through Hollywood,” Garr explained her decision not to discuss her age.“My mother taught me that showbiz people never tell their real ages. She never revealed hers or my father’s,” she wrote. She retired from acting in 2011. Garr is survived by her daughter, Molly O’Neil, and a grandson, Tyryn.

THE RETIREMENT OF ARTIE SHAW

In 1949 bandleader Artie Shaw, the so-called "King of the Clarinet" who had rocketed to fame at the end of the 1930s on the strength of hits like "Begin the Beguine," had been off the jazz scene for a couple of years, for any number of reasons—he was more interested in playing classical music, there was a recording ban on by the musicians' union, and the economic climate for big bands was turning frosty. But, as was the case several times throughout his career, Shaw started a new band- partly out of artistic restlessness, and partly out of financial need.
"Everybody liked it but the people"

Shaw tapped young, bop-influenced writers like Tadd Dameron and Gene Roland, and put together an outstanding saxophone section that included Al Cohn and Zoot Sims. They toured throughout the autumn and early winter, and at the end of the year Shaw took them into the studio for several marathon sessions that constitute the whole of their recorded legacy.

Shortly afterwards, Shaw dissolved the orchestra. "I had a really great band in 1949 — one of the finest bands I've ever led," he told Fresh Air's Terry Gross in 1985. "The musicians, man for man, the arrangements, everything. I had the best arrangers in the world writing for me. And everybody liked it but the people, as the gag goes."
Shaw goes longhair

Ironically enough, Shaw had considered abandoning jazz not long before putting the big band together. "There is more to music than ‘Stardust,'" he told Downbeat, and throughout much of 1949 he devoted himself to playing classical music—tagged by media wags in those days as "longhair"—with several city symphonies and doing some recordings for Columbia as well. In April he brought a large classical orchestra into New York's Bop City, drawing a huge but ultimately bored and indifferent audience.

Shaw's forays into classical music would have a profound effect upon his playing on the jazz records he made between 1949 and 1954. "My entire concept of what a clarinet could sound like changed," he later said. "It got pure, and a little more refined. Instead of a vibrato, I tried to get a ripple."
"George Shearing with a clarinet"

From 1950 to 1953 Shaw waxed a series of commercially successful but artistically indifferent records for the Decca label. In the autumn of 1953 he formed a new version of his 1940s small-group the Gramercy Five, partly to perform for money that would help pay off his tax bill, and partly because he wanted to have a go at serious jazz again. The new Gramercy Five, actually a sextet, had a modern, cool-jazz kind of sound; one critic called it "George Shearing with a clarinet." The group's performances in New York City got great reviews from the critics, and in 1954 Shaw took the band into the studio on several occasions. Over the next 50 years he'd often refer to these Gramercy Five recordings as the best he ever did.

Shaw broke up his Gramercy Five ensemble in 1954 and played a few desultory gigs with as part of an all-star jazz tour before putting down his clarinet and retiring from the music scene. He lived another 50 years, but he never recorded or performed in public again. (Shaw did organize a new big band in the 1980s and occasionally conducted it, but he did not play clarinet; that role was assigned to the orchestra's general front man, Dick Johnson.) His 1949-54 recordings stand as the final, brilliant chapter of a musical legacy that Shaw referred to as "a good-sized chunk of durable Americana."

SOURCE

RECENTLY VIEWED: REMEMBERING GENE WILDER

I always had a great admiration for actor and comedian Gene Wilder. I always thought he was an amazing man, and after seeing this documentary I discovered I am right. He is amazing. I got the opportunity to watch the documentary on Netflix, and it is one of the best biographical documentaries I have seen in a long time. Remembering Gene Wilder is a 2023 American biographical documentary film about Gene Wilder's life and career, as well as his battle with Alzheimer's disease. It was directed by Ron Frank and executive produced by Julie Nimoy and David Knight.

With rare home videos and scenes from Wilder's films, the documentary looks at the life and career of actor, writer, and director, Gene Wilder. It includes interviews with former cast and crew members as well as personal memories from family and friends, who share their love for his comedic genius. Among them are Mel Brooks, Wilder's wife, Karen Wilder, Alan Alda, Carol Kane, Harry Connick Jr., Mike Medavoy, Rain Pryor, Dick Cavett, Eric McCormack, Ben Mankiewicz, and Peter Ostrum.

The idea for the film stemmed from Wilder's friendship with Leonard Nimoy, which began when Nimoy directed Wilder in Funny About Love, in 1990.

Producers Julie Nimoy and David Knight saw a press release announcing that Karen Wilder was partnering with the Alzheimer's Association to raise awareness about the disease that ended her husband's life. Nimoy and Knight had produced the 2017 documentary, Remembering Leonard Nimoy, and suggested the idea of a similar film to honor Wilder. Karen Wilder supported the project and granted the filmmakers access to personal photos and home movies from the estate incorporate into the film.

Wilder's narration, also part of the film, is taken from the audiobook version of his 2005 memoir, Kiss Me Like a Stranger: My Search for Love and Art. Production was delayed due to the COVID-19 pandemic, but the filmmakers were finally able to interview Mel Brooks, whose participation Knight said "made the difference" in the final film.

The film made its world premiere at the Los Angeles Jewish Film Festival in May 2023 and won the Audience Favorite and Best Film Awards. In January 2024, Kino Lorber acquired all rights worldwide to the film and planned a theatrical release in March 2024, followed by home video, non-theatrical, and digital releases. The documentary made its streaming debut on Netflix in June 2024.

The producers acknowledge their mutual support with the Alzheimer's Association and the BrightFocus Foundation.It was a wonderful look at a wonderful man. It is as simple as that...

MY RATING: 10 of 10

THE CONTROL OF LIZA MINNELLI

Liza Minnelli's rumored "controlling" best friend Michael Feinstein is allegedly ruling over her decisions, as he wants to be included in all of the legend's projects.

It seems like every part of the stage and screen star's life is apparently at the hand of her longtime friend, leaving pals anxious that she might not even realize it.

Friends are reportedly worried about Minnelli after noticing her 'controlling' friend has been making decisions in her life. In a recent chat with Interview magazine, the legendary EGOT winner made a surprising request: To have the interview conducted by none other than Michael.

Sources told us that Minnelli "didn’t care about the usual demands like control over the photographer or makeup team."

Feinstein was previously put under fire when fans noticed he had Minnelli's father's Oscar in his house.

An insider said: "To get Liza, you have to put up with Michael," adding the piano player "now controls every aspect of Minnelli’s life." Friends of the Cabaret star are reportedly "concerned about her well-being," questioning if she’s even aware of the demands he’s making on her behalf.

However, concerns over Feinstein’s behavior are nothing new.

In 2019, fans questioned seeing Minnelli’s beloved Oscar, awarded to her father Vincente Minnelli in 1959 for Gigi, on display at Feinstein’s house — he posted a photo of the statuette and claimed Vincente gave it to him.

The post stirred worries among her inner circle, with many doubting she would ever part with such a cherished keepsake.

Billy Stritch, Minnelli’s frequent accompanist, sarcastically commented on the post to ask Feinstein why the Oscar had previously been in Minnelli's apartment if it belonged to him. Stritch later deleted his comment, which left eagle-eyed fans even more puzzled. Feinstein eventually blamed his assistant for the "misinformation" and edited his post to clarify the situation.

The EGOT winner described the importance of taking care of her physical health in a new interview after sparking conce rns earlier this year.

FRANK ROSOLINO: TROMBONIST AND TROUBLED SOUL

Even though I am a music lover, I also like to dig into the history of the music as well as the stories of the musicans. Sadly, not everything I dig up is happy, feel good facts. The story of Frank Rosolino is especially troubling. Rosolino was born in Detroit, Michigan, United States, He performed with the big bands of Bob Chester, Glen Gray, Tony Pastor, Herbie Fields, Gene Krupa, and Stan Kenton. After a period with Kenton he settled in Los Angeles, where he performed with Howard Rumsey's Lighthouse All-Stars (1954–1960) in Hermosa Beach.

Throughout the 1960s and 1970s, between nightclub engagements, Rosolino was active in many Los Angeles recording studios where he performed with such notables as Frank Sinatra, Sarah Vaughan, Tony Bennett, Peggy Lee, Mel Tormé, Michel Legrand, and Quincy Jones. In the mid-to-late 1960s he and fellow trombonist Mike Barone, billed as "Trombones Unlimited," recorded for Liberty Records several albums of pop-style arrangements of current hits, such as the 1968 album Grazing in the Grass. He can also be seen performing with Shelly Manne's group in the film I Want to Live! (1958) starring Susan Hayward, and also in Sweet Smell of Success (1957) with Burt Lancaster and Tony Curtis. He was a regular on The Steve Allen Show and a guest artist on The Tonight Show and The Merv Griffin Show. Rosolino was a talented vocalist, renowned for his wild form of scat-singing, notably on Gene Krupa's hit record, "Lemon Drop".

During the 1970s, Rosolino performed and toured with Quincy Jones and the Grammy Award winning group Supersax.

That article, headed The Joker: Frank Rosolino appeared in Gene Lees' 1988 collection of essays and reminiscences Meet Me at Jim and Andy's: Jazz Musicians and Their World.

Lees noted an incident when he and his wife were traveling by bus to Denver after an enjoyable weekend of music in Colorado Springs. Rosolino and the woman he was living with, Diane, were in the seat behind them . . . and Rosolino – whose third wife and mother to their two sons had committed suicide – was talking about “killing himself and taking the two boys with him, since he could not bear the thought of leaving them behind in this world”, writes Lees.

The following day everything was fine however, Rosolino joking around in the airport, and in good spirits they flew back to LA. That was the last time Lees saw Frank Rosolino.

The following morning the joker was on the morning news. On his return, Diane went to a club but Rosolino had gone home to be with his sons aged seven and nine. When she returned home in the early hours she saw a flash of light in the boys' bedroom and as she went into the house heard a gunshot, “the one Frank put into his brain”.

He had shot his two sons as they lay sleeping and then – with no significant amounts of drugs or booze in his body – put the gun to his own head.

One of the boys died instantly, the seven-year old lingered in a coma and when he recovered he was blind.

No one will ever know what switch got flicked in Frank Rosolino's brain during those quiet hours he was at home in Van Nuys with his sleeping sons. But most agree it was as unexpected as it was unthinkable. I have a hard time listening to Frank Rosolino now...

RIP: MITZI GAYNOR

Mitzi Gaynor, Showbiz Dynamo and Star of ‘South Pacific,’ Dies at 93

The singer, dancer and actress was a movie-musical legend, Las Vegas headliner and centerpiece of annual TV specials. Mitzi Gaynor, the leggy entertainer whose saucy vitality and blond beauty graced the big screen in South Pacific and on Las Vegas stages and in spectacular TV specials, has died. She was 93.

Gaynor, who received top billing over The Beatles on The Ed Sullivan Show on Feb. 16, 1964, and was famed costume designer Bob Mackie‘s first celebrity client, died Oct. 17 of natural causes, her team announced in a statement.

With her hazel eyes, tight curls and exuberant singing and dancing, the feisty Gaynor stood out in such movies as My Blue Heaven (1950) with Betty Grable and Dan Dailey; in Irving Berlin’s There’s No Business Like Show Business (1954), opposite Ethel Merman and Marilyn Monroe, her eventual successor at 20th Century Fox; and in the Cole Porter MGM musical Les Girls (1957) with Gene Kelly.

Gaynor also starred in Anything Goes (1956) with Bing Crosby and Donald O’Connor, The Joker Is Wild (1957) with Frank Sinatra and Happy Anniversary (1959) with David Niven and Patty Duke.

In 1957, Gaynor was involved in a fierce competition to win the role of Navy nurse Nellie Forbush in Joshua Logan’s South Pacific, the long-awaited adaptation of the sensational Rodgers & Hammerstein Broadway musical.

“I was filming The Joker Is Wild with Frank Sinatra and got the call that I’d be auditioning for Oscar Hammerstein at the Beverly Hills Hotel ballroom for South Pacific,” she told Michael Phillips of the Chicago Tribune in 2013. “I did ‘Honey Bun,’ I did ‘A Cockeyed Optimist.’ I did everything but strip.

“Oscar’s way, way at the other side of the ballroom. Why? I don’t know. But he walked over afterward. … You know when you do good? You feel like, ‘Well, at least I didn’t make a fool of myself.’ Oscar took my hand and said: ‘Thank you very much, Miss Gaynor. You’ve been a wonderful sport.”

She went on to famously sing “I’m Gonna Wash That Man Right Outa My Hair” and “Some Enchanted Evening” in the 1958 film, and the exotic World War II-set musical became the third highest-grossing movie ($17.5 million, or $147 million today) of the year. She also was nominated for a Golden Globe for best actress (comedy or musical).

Gaynor made her last noteworthy film appearance in Stanley Donen‘s Surprise Package (1960), a musical comedy that also starred Yul Brenner. With the Hollywood musical fading into obscurity, she retired from the movies after just one more film, the Kirk Douglas-starring For Love or Money (1963). She was in her early 30s.

Partnered with husband/manager Jack Bean, she smartly trained her sights on Las Vegas. Dressed in glittery Mackie costumes and accompanied by a team of handsome male dancers, she began singing, dancing and telling jokes in Vegas in 1961 and eventually acquired a stake in the Flamingo Hotel.

After what the Catholic Church called a “lascivious” 13-minute performance of her act on the Sullivan show — she was introduced as “Hollywood’s Mitzi Gaynor!!!” — the Beatles requested her autograph. (During rehearsals, they also asked to borrow her hair dryer.) They were all on the show broadcast from a Miami hotel, seen by 70 million viewers; a week earlier, Sullivan had introduced the Fab Four to America for the first time.

In 1968, Gaynor reportedly was earning $45,000 a week in Vegas. Also that year, she starred on her first TV special, Mitzi, for NBC. Five years later, she headlined the first of her six annual specials for CBS, including Mitzi and a Hundred Guys; Mitzi … A Tribute to the American Housewife; Mitzi … Zings Into Spring; and Mitzi … What’s Hot, What’s Not.

Gaynor said she regularly was approached to star in a weekly network variety show but refused. “Gene Kelly once told me, ‘Only do event television,'” she said.

After all her years working on TV, she finally won an Emmy in 2008, for her PBS special Mitzi Gaynor: Razzle Dazzle! The Special Years.

She was born Francesca Marlene de Czanyi von Gerber in Chicago on Sept. 4, 1931. Her mother was a dancer and her father a cellist, and she took her first dance class at age 8. An only child, she and her parents moved to Elgin, Illinois, then to Detroit and finally to L.A. when she was 11, to follow her dance teacher. At age 13, then known as Mitzi Gerber, she convinced Edwin Lester, the impresario of the Los Angeles Civic Light Opera, that she was 16 and landed a role in the musical Song Without Words.

While in The Great Waltz, she was spotted by a Fox producer, signed to a contract by studio chief Darryl F. Zanuck and had her last name changed to Gaynor. In My Blue Heaven, she stood out in several send-ups of TV commercials in the film. Fox was grooming her to be the next Grable, and in quick succession, she starred in the Jeanne Crain sorority story Take Care of My Little Girl (1951); Golden Girl (1951), set amid the California Gold Rush; the comedy We’re Not Married! (1952) with Monroe; Bloodhounds of Broadway (1952); Down Among the Sheltering Palms (1953); The I Don’t Care Girl (1953); Three Young Texans (1954); and The Birds and the Bees (1956)‚ an RKO remake of The Lady Eve.

In September 2022, she received a Legacy Award from the Cinecon Classic Film Festival in Hollywood.

She was married to Bean, who started out as a public relations executive at MCA, from 1954 until his death in 2006...

A TRIBUTE TO BING CROSBY - 47 YEARS LATER

Bing Crosby, the greatest entertainer of the 1900s, died on this day 47 years ago...

STORY BEHIND THE PHOTO: MONTGOMERY CLIFT & ALLA NAZIMOVA

Here is an 18- year old Montgomery Clift (1920-1966) and Alla Nazimova (1879-1945) in the Broadway play, The Mother. Left with few options, she gave up on the film industry....

RIP: JAY POPA

 I recently lost a dear friend with the passing of Jay Popa. Anyone who is a big band fan is familiar with the website The Big Band Alliance, which Jay and his brother Chris run. Jay had a big heart, and I count him as a friend. Here is his beautiful obituary...

Everyone should have a devoted son, loving brother, and best pal like James Michael Popa, known to family and friends as “Jay.” After a brave two-year battle with esophageal cancer that metastasized to his liver and bones, Jay passed away August 17, 2024 at age 70.

He was born in and grew up in Alliance, and was a gentle, kind, generous, thoughtful, and humble person to all, with a beautiful soul.

All his life Jay liked to draw and, even while in ill health recently attended art classes at the North Canton Public Library. His favorite color was gold. While he appreciated stylish designs, furniture and decorations, he preferred shopping at Goodwill and other thrift stores. He enjoyed music ranging from the Motown sound of The Supremes and The Temptations to the big bands of Artie Shaw and Glenn Miller, and spent time (especially after he retired) watching dozens of old and new TV shows such as “Dark Shadows,” “NCIS,” and “The Masked Singer.” Comedies like “The Three Stooges,” “The Munsters,” “The Beverly Hillbillies,” and “Laverne and Shirley” made him laugh. And he loved dogs.

A graduate of Alliance High School and Bowling Green State University, he had a long career as a Computer Programmer with Central Trust (later Bank One) in Canton, then, after moving to Columbus, worked for Riverside Methodist Hospital there.

He was preceded in death by his father, Aurel Howard Popa (1993); his mother, Mildred Carol Crist Popa (2020); and several aunts and uncles including Tillie Stahl (1999) and Sophie Teeters (2014).

Those left to cherish his memory are two brothers, Stephen of Aloha, Oregon, and Christopher (Jose Luis) of Chicago, Illinois; several cousins including Carolyn Frank of Alliance, Cheryl Citino of Salem, Margie (Danny) Engle of Salem, and Diane (David) Kieffer of Delaware, Ohio; and other extended family members.

Thank you to Dr. Amir Iqbal and the ladies of the Oncology and Palliative Care departments at Aultman Alliance Community Hospital, as well as the staff of Aultman Woodlawn in Canton and Christopher J. Graff of Cassaday-Turkle-Christian Funeral home in Alliance...

The Big Band Alliance

HOLLYWOOD URBAN LEGEND: LORETTA YOUNG & CLARK GABLE

URBAN LEGEND: DID LORETTA YOUNG HAVE A LOVE CHILD OUT OF WEDLOCK TO FELLOW ACTOR CLARK GABLE?

ANSWER: YES! 

Judy Lewis (1935-2011) was the out of wedlock offspring of screen legends Loretta Young and Clark Gable. At the time of her birth, Gable was married, Young was unmarried. Young covered up the fact of her pregnancy, later announcing she had adopted the girl. Judy graduated from Marymount High School in 1953. She moved to New York and began her acting career, landing a small part on Ponds Theater (1953). She appeared on Broadway in Jean Kerr's "Mary, Mary", and became a featured performer on a number of daytime series, including The Secret Storm (1954) and General Hospital (1963). Judy had a successful career behind the camera, as well. It took her eight years, when she was 31 and appearing on the soap opera “The Secret Storm,” to confront her mother. Young, after throwing up in the bathroom, told her that Gable indeed was her father. Loretta then made Judy keep the truth secret until 1994 when she wrote a book exposing the truth. Loretta Young refused to talk to her daughter for three years until 1997. Loretta died in 2000...

THE BOX OFFICE STARS: 1954

Looking back at the year 1954 - some 70 years ago it was pretty much the same top stars from the year before. After 1954 though the movies were changing, and the next generation of youth would soon be taking over the box office...

1. JOHN WAYNE

2. DEAN MARTIN/JERRY LEWIS

3. GARY COOPER

4. JAMES STEWART
5. MARILYN MONROE
6. ALAN LADD
7. WILLIAM HOLDEN 
8. BING CROSBY
9. JANE WYMAN
10. MARLON BRANDO 

                     

CELEBRITY ADS: BERT LAHR

 The great Bert Lahr was performing right until the end. Here is a print ad that Bert did for Lays potato chips in early 1967. He would pass away later that year on December 4, 1967...