Saturday, July 22, 2023

SINGER SPOTLIGHT: MARTHA TILTON - PART TWO

It was while with the Goodman band that Martha Tilton met her second husband, Leonard Vannerson. Leonard was Goodman's manager and when he saw Martha he fell in love. It was not quite the same for Martha, for Leonard tipped the scale at a portly 200 pounds. She would kid him about his weight and before long he went on a strict diet, shed 50 pounds and won himself a wife.

The Tilton-Vannerson wedding was held in 1940 at the Wee Kirk of the Heather chapel in Forest Lawn. Her only attendant was sister Liz, while Benny Goodman stood as Leonard's best man.

Martha's next job was with Paul Whiteman's Philco radio show Hall of Fame at NBC. She also did dubbed the singing voices for film actresses like Barbara Stanwick, Maria Montez, Anne Gwynne and Martha O'Driscoll.

During the early 1940s, Martha got her own radio show on NBC; this is where the nickname "Liltin' Martha Tilton" was conjured up. The nickname stuck with her ever since. Martha also did a number of recordings for Standard Transcriptions in 1941. These were made to supply radio stations with music during a large ASCAP strike. She recorded 17 songs during this time and another seven later.

Martha also sang briefly with Artie Shaw, recording two sides with his band, "Dreamin' Out Loud " and " Now' We Know."

In 1942, Martha's career really took off, when she was contacted by Johnny Mercer to join Capitol Records; Mercer had just co-founded the new label with Buddy DeSylva and Glenn Wallichs and Martha became their first signed artist. Unlike working with Goodman, Martha got to choose many of the songs she recorded at Capitol. There, she produced many of her hit recordings: "I'll Walk Alone," "A Stranger In Town," "A Fine Romance." "Connecticut," "I'll Remember April" (Martha's favorite song), "The Angels Cried," and to my ears the best recording of "And The Angel Sings."

It was in 1943 that Martha's son Jonathan was born. But she wasn't slowed down much. During World War II, in the years 1943 and 1944, Martha traveled with Jack Benny's U.S.O. Show to the Atlantic and Pacific Theaters to perform for troop morale. Carol Landis accompanied her on these tours. Then during the Summer of 1945 Martha traveled again with Jack Benny's U.S.O. Show for a short tour of Germany. This tour included Martha, Jack, Ingrid Bergman, and Larry Adler.


In the May 14, 1945 issue of Newsweek magazine, Martha was featured as the weekly pin-up, a feature added to the issues sent to servicemen. And what serviceman wouldn't fall in love with her after she sang, "I'll Walk Alone"? Unlike most pinups, who wore sexy attire, Martha was pictured in an evening gown and the warm beautiful smile she was famous for; a classic example of the "girl next door."

In 1947, Martha's marriage to Leonard Vannerson ended in divorce; Martha retained custody of her two sons. Martha and her sons formed a close-knit family from that point on.

Leaving Capitol in 1949, Martha continued to sing on radio shows like The Jack Benny Show, The Bob Hope Show, and many more. She also recorded on smaller record labels like Coral, Crown, and Majestic. These fine recordings are becoming hard to find.

In 1955, Martha played herself in "The Benny Goodman Story," recreating their 1938 Carnegie Hall concert. Hollywood took its usual liberties, having her sing "And The Angels Sing," which was not performed in the actual concert; in real life, they wouldn't perform it for another year.

In 1952, at a U.S. Treasury Bond drive at a local North American Aircraft plant in 1952, Martha met the love of her life; a 6 foot tall pilot named Jim Brooks. Jim had been a World War II ace and was now a test pilot for North American. He was given the job of showing Martha around the plant; at the end of their tour, he ask her to dinner that evening. She accepted and it just kept getting better after that.

Very important to Martha about her growing relationship with Jim was how her sons felt about it. Jerry was now 16 and John was 10 and the two indirectly asked if she was going to marry Jim. This put her in a bit of a predicament; what to tell them. With out really knowing how they might react, she asked them if they thought she should. The answer came back an overwhelming "yes."


Her concern now was how a bachelor would handle being the instant father of two boys. This proved no problem for Jim; he adapted to the challenge quickly, and what American boy wouldn't want a fighter ace and test pilot as their new father?

Shortly after marrying, the lovebirds found a house close to both their work places, on Mandeville Canyon Blvd. in Los Angeles. They have lived there ever since.

Martha gave birth to their daughter, Cathy, on Sept 13, 1955. From this point on, Martha devoted most of her time to her family and pretty much ceased performing. She also devoted time to charity work, appearing in several PBS big band programs and doing a few big band tours both overseas and in the States. Her last tour was to Australia and throughout the United States in the mid-1990s with John Gary and Horace Heidt. She was honored in the Big Band Academy of America's "Golden Bandstand" at their annual reunion in March 1997.

Martha and Jim Brooks, married for over 50 years, enjoyed a healthy life together in their home on Mandeville Canyon Blvd. Jim eventually retired as an Executive Director with North American Aviation and they enjoyed spending time with their five grandchildren (her son, Jon Vannerson's children Elise and Spenser; her daughter, Cathy Smith's children Maura, Virginia and Jimmy). Martha also kept busy with her dogs and enjoyed needlepoint as a hobby.

Martha passed away on December 8, 2006, peacefully and in her home.

Martha and Jim had a true love of life; their marriage held true to the 1953 article written about them, it was "... Happily Ever After." Martha said she enjoyed her years with the big bands and is proud of the contribution she made to those great organizations. While she considered the pop music of today "not very good" to her ears, she was "very happy" with the revival of Swing music that is in, if you'll pardon the word play, "full swing."




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