PHOTOS OF THE DAY: MORE PATRIOTIC HOLLYWOOD

 o celebrate the 4th of July/Independence Day, here is some more photos from classic Hollywood celebrating the holiday...

Jane Russell

Liberace

Anita Page

Shirley Jones

Andy Griffith

Debbie Reynolds

MY INTERVIEW - GINNY SIMMS

One of the first interviews I had the honor to do was with the great singer Ginny Simms. It was 1992, and I was 18 years old. Ginny Simms was living quietly in Palm Springs. It was a phone interview because this was before the internet, and I did not record it, but I found some of the transcripts...

MY QUESTION: What are your greatest memories of your time in Hollywood

GINNY SIMMS: I have so many great memories. My fondest memories was all the talented people I got to know and work with like Judy Garland, Fred Astaire, and George Murphy. I got to know a lot of the brilliant songwriters like Cole Porter and Irving Berlin. It was an amazing time.

MY QUESTION: Speaking of Judy Garland, as we all know she dealt was some horrible things in Hollywood. Did you ever see the darker side of Hollywood?

GINNY SIMMS: The darker side was definitely there. I had to deal with Louis B Mayer, who thought I would be his girlfriend if he got me roles. I liked singing more than acting, but I once went out to dinner with him, not knowing that after that I would be known as his girlfriend, but he was a horrible person. It was a tough time in Hollywood for women, and it probably is tough. 

MY QUESTION: You started out with Kay Kyser and his orchestra, what are your memories of those years?

GINNY SIMMS: Kay Kyser was a wonderful human being. He really was. I am still friends with his wife Georgia (Georgia Carroll). He was like a father figure to me, and he was one of the nicest people I got to know when I first left Texas. Harry Babbitt, who I sang with was another really nice soul. 

MY QUESTION: Would you ever consider making a record today in 1992?

GINNY SIMMS: Oh heavens know. I basically retired in the late 1950s. My voice is not as clear as it used to be. My health is only so-so. I am mostly in a wheelchair now due to my heart, but I still get around. I love going on my porch and enjoying my garden. I sing once and a while to my old records, but only in private.

I wish I had more of this interview. Sadly, Ginny Simms died on my birthday - April 4, 1994. If you get a chance, listen to some of her singing. She is very underrated as vocalist. I'll never forget this interview I did with her!

THE LAST DAYS OF FARRAH FAWCETT

Farrah Fawcett spent her final days in quiet resilience, surrounded by those she loved most. By 2007, her battle with anal cancer had intensified, requiring aggressive treatments, including chemotherapy and alternative therapies in Germany. She kept a strict daily routine mornings often began with a gentle walk when she was able, followed by meditation and quiet reflection. Despite her deteriorating condition, she maintained a meticulous appearance, never wanting to appear weak. She documented her journey through the 2009 documentary “Farrah’s Story,” determined to raise awareness and inspire others facing similar struggles.

Her relationship with her longtime partner, Ryan O’Neal, deepened in these last years. He became her primary caretaker, ensuring she was as comfortable as possible. Their bond, though tumultuous over the decades, found solace in their shared love. O’Neal often read to her, recounting memories of their best times together. Their son, Redmond, who was in and out of legal troubles due to drug addiction, weighed heavily on her mind. Even from her hospital bed, she expressed her deepest wish for him to find stability and happiness.

Farrah endured painful treatments, but she fought bravely, refusing to let illness define her. Some days were better than others; on her stronger days, she would spend time looking through old photographs, reminiscing with close friends like Alana Stewart. Despite the grim prognosis, she never lost her sense of humor. In private moments, she joked about how she wanted to be remembered not for her suffering, but for her spirit.

In her final hours, her breathing became labored. The room was filled with whispered prayers and quiet goodbyes. Redmond, allowed a temporary release from jail, held her hand, promising her he would try to turn his life around. Her last words reflected love and peace. She asked those around her to celebrate her life, not mourn her death. On June 25, 2009, Farrah Fawcett passed away at 62, leaving behind a legacy of strength and unwavering determination...

THE MURDER OF JONATHAN HOSS: POTENTIONAL HATE CRIME?

The husband of slain “King of the Hill” star Jonathan Joss has claimed his killer cackled and spewed a gay slur moments after allegedly shooting the voice actor in the head.

Joss, 59, was gunned down near his San Antonio, Texas, home Sunday night in an attack that his spouse alleges was carried out by a homophobic neighbor.

“Everything was really close range. It was in the head,” Tristan Kern de Gonzales told the Press of the moment the actor was fatally shot.

“While I’m holding him, [the suspect] has the gun pointed over me, and he’s laughing, saying, ‘Oh, you love him? Joto,'” de Gonzales alleged.

“‘Joto’ is Spanish for f—t. I never knew the word until I came to Texas, and then I heard it a lot.”

The suspect, Sigfredo Ceja Alvarez, 56, was arrested a block away and has since been charged with murder.

Cops, however, said the initial probe had found “no evidence” that indicated Joss was killed due to his “sexual orientation.”

“We take such allegations very seriously and have thoroughly reviewed all available information. Should any new evidence come to light, we will charge the suspect accordingly,” San Antonio police said in a statement.Sigfredo Ceja Alvarez was arrested and charged with the murder of Jonathan Joss on June 2, 2025.

It comes after the husband claimed the alleged killer had approached the pair after they stopped by to check the mail at Joss’ home, which had been heavily damaged during a January fire that claimed the lives of their three dogs.

The husband said the couple had just found the bones of their dead pet dog displayed on the property — causing them both “severe emotional distress.”

“We began yelling and crying in response to the pain of what we saw,” de Gonzales said in a social media post.

“While we were doing this a man approached us. He started yelling violent homophobic slurs at us. He then raised a gun from his lap and fired.”

The husband said the couple had just found the bones of their dead pet dog displayed on the property — causing them both “severe emotional distress.”Facebook/Tristan Kern de Gonzales

Joss — best known for voicing John Redcorn on the bawdy cartoon comedy — was struck by the gunfire and killed. He also appeared on the NBC comedy "Parks And Recreation".

“He was murdered by someone who could not stand the sight of two men loving each other,” Joss’ husband said.

HISTORY OF A SONG: WOULDN'T IT BE NICE

"Wouldn’t It Be Nice" is a famous song by The Beach Boys, the legendary American band, released in their 1966 album Pet Sounds. This song quickly won over listeners with its cheerful, sweet melody and hopeful message about love. "Wouldn’t It Be Nice" speaks about the desire to grow up faster, so one can fully enjoy life with their loved one.

The song was inspired by Wilson's confused infatuations for his sister-in-law, who projected an "innocent aura" that he wished to capture in "Wouldn't It Be Nice". Lyrically, the song describes a young couple who feel empowered by their relationship and fantasize about the romantic freedom they would earn once married to each other. Like the other tracks on Pet Sounds, it subverted listeners' expectations, as past Beach Boys songs had normally celebrated superficial conceits such as material possessions and casual flings.

Wilson produced the record between January and April 1966 with his band and 16 studio musicians who variously played drums, timpani, glockenspiel, trumpet, saxophones, accordions, guitars, pianos, and upright bass. The harp-like instrument heard in the introduction is a 12-string mando-guitar plugged directly into the recording console. One section of the song engages in a ritardando, a device that is rarely used in pop music. The band struggled to sing the multiple vocal parts to Wilson's satisfaction, and the song ultimately took longer to record than any other track on the album.

The song achieved great success on music charts. Notably, it reached the Top 10 on the Billboard Hot 100, one of America’s most prestigious charts. It's also one of the most iconic songs by The Beach Boys, solidifying their place in pop-rock music history. "Wouldn’t It Be Nice" became a symbol of the golden age of 60s rock music and continues to be widely listened to even today...

BORN ON THIS DAY: BILLY WILDER

The great director Billy Wilder was born on this day in 1906. Originally planning to become a lawyer, Billy Wilder abandoned that career in favor of working as a reporter for a Viennese newspaper, using this experience to move to Berlin, where he worked for the city's largest tabloid. He broke into films as a screenwriter in 1929 and wrote scripts for many German films until Adolf Hitler came to power in 1933.

 Wilder immediately realized his Jewish ancestry would cause problems, so he emigrated to Paris, then the US. Although he spoke no English when he arrived in Hollywood, Wilder was a fast learner and thanks to contacts such as Peter Lorre (with whom he shared an apartment), he was able to break into American films. His partnership with Charles Brackett started in 1938 and the team was responsible for writing some of Hollywood's classic comedies, including Ninotchka (1939) and Ball of Fire (1941). The partnership expanded into a producer-director one in 1942, with Brackett producing and the two turned out such classics as Five Graves to Cairo (1943), The Lost Weekend (1945) (Oscars for Best Picture, Director and Screenplay) and Sunset Boulevard (1950) (Oscars for Best Screenplay), after which the partnership dissolved. (Wilder had already made one film, Double Indemnity (1944) without Brackett, as the latter had refused to work on a film he felt dealt with such disreputable characters.) 

Wilder's subsequent self-produced films would become more caustic and cynical, notably Ace in the Hole (1951), though he also produced such sublime comedies as Some Like It Hot (1959) and The Apartment (1960) (which won him Best Picture and Director Oscars). He retired in 1981. Once told Billy Bob Thornton that he was too ugly to be an actor and he should write a screenplay for himself in which he could exploit his less than perfect features. Thornton later collected an Oscar for his Sling Blade (1996) screenplay. Billy Wilder died in 2002...

FATS DOMINO: AIN'T THAT A SHAME

“Ain’t That a Shame” by Fats Domino is like a rock skipping across a pond, each note creating ripples that dance in the air, tugging at your heartstrings with a playful yet poignant touch. When you hear the unmistakable opening notes, it’s as if a warm summer evening sweeps in, wrapping around you like a beloved old sweater. Domino’s voice, smooth and rich, carries a sense of familiarity that feels like home, yet there’s an ache beneath the surface.

The song’s rhythm is infectious, a swinging beat that invites you to sway along, your feet tapping in time with piano keys gleaming like the sun off a calm lake. And in that delightful groove lies a bittersweet tale—loving someone who doesn’t feel the same way can feel as disorienting as a carousel spinning a little too fast. The melody rises and falls like a gentle wave, echoing the fluctuations of young love, where joy and sorrow intermingle with dizzying precision.

As Fats pours his heart into the lyrics, “Ain’t that a shame,” rolls off his tongue like honey, each word dripping with the kind of regret that’s as sticky as spilled soda on a summer day. You can almost taste the wistfulness in the air, like the hint of rain before a storm. The piano tinkles like laughter and the horns pop out with zest, underscoring that despite the heaviness of lost love, life still carries on in vibrant colors.
It’s a celebration of those moments that linger—the memories that replay in your mind like an old black-and-white film, bittersweet yet beautiful. You can picture the scenes: a lost afternoon at the diner, a soda shared over stolen glances, the exhilaration of a first crush mixing with the heartbreak of reality. Each note is a gentle reminder; even in sadness, there’s joy to be found in the music of your memories.

In “Ain’t That a Shame,” Fats Domino paints a world where love is both a thrill ride and a tumultuous sea, capturing the essence of youthful longing with an authenticity that resonates today. You can’t help but smile through your own feelings as you hum along, enthralled in the ability of music to make sorrow sing, and heartbreak feel like a dance...