Showing posts with label Kate Smith. Show all posts
Showing posts with label Kate Smith. Show all posts

Thursday, July 4, 2024

KATE SMITH AND GOD BLESS AMERICA

It was 1938, and Kate Smith was in the market for a new brand.

She was several years into her singing career — a career that would span five decades and earn her a Presidential Medal of Freedom — and Smith’s manager, Ted Collins, wanted to change up her image. She was going to be wholesome, the girl next door. All-American.

So when they approached the composer Irving Berlin, in need of a new patriotic gem for Smith to perform on Armistice Day (now Veterans Day) in 1938, he had just the thing: an old tune, written and stashed away during his Army days 20 years earlier.

But “God Bless America” will surely survive, with a staying power that derives from the various meanings it has taken on for different people in different eras.

Early on, it was a lofty monument of patriotism as the United States climbed out of the Depression and then lurched into war. Seventy years later, it became a symbol of unity after the Sept. 11 attacks. Along the way, it has been performed by countless vocalists, bands and classrooms of schoolchildren, and spun off millions in royalties for two of Berlin’s favorite organizations, the Boy Scouts and Girl Scouts.


The song was written at an Army camp in the Long Island hamlet of Yaphank, which some years later would become home to a community of German-Americans who supported the Nazis. Berlin was writing “Yip, Yip, Yaphank,” a soldier-centric musical revue that would raise $150,000 on Broadway for the camp during World War I. “God Bless America” was meant to be the comedy’s finale, but Mr. Berlin deemed it too somber for the occasion. It was shelved until Smith came knocking.

According to the book “God Bless America: The Surprising History of an Iconic Song,” by Sheryl Kaskowitz, Smith sang it on the radio nearly every week for more than two years. Berlin sold more than half a million copies of the sheet music in 1939 alone. After the United States entered World War II, she performed the song (and others) during radio marathons to raise money for war bonds...



Monday, April 29, 2019

KATE SMITH: A PC TARGET?

America has become expert at picking at scabs and scraping old wounds.

There is not a cadaver in the nation’s 242-year history that is off-limits to being exhumed and examined for moral failings or evidence of contemporary bias. We resurrect people to slay them anew and to rewrite their eulogies.

Earlier this month, we exhumed Kate Smith, a famous American singer who died in 1986. Cultural morticians are now busy reconstructing her legacy and the meaning of her life. She is now being shunned by some as a de facto racist because of at least two songs she recorded early in her career.

Years before Smith recorded her famous version of “God Bless America,” a national treasure, she recorded a song called “That’s Why Darkies Are Born.”

The latter song is an abomination by modern cultural standards. In 1931 it proved to be a hit. The song is nothing more than lyrical blackface, a casual ode to slavery that has been described by some as satire. Those who advance the notion of the song as satire are quick to point out that Paul Robeson, the famous black tenor and orator, also recorded the song:

“Someone had to pick the cotton,

Someone had to pick the corn,

Someone had to slave and be able to sing,

That’s why darkies were born.”


One can only wonder what Smith would say of this awful song were she alive today. Would she apologize? Would she defend the song as a relic of Depression-era America? Or, would she merely shrug it off?

That’s the problem with de facto exhumation. You can’t examine the heart of the person or put their work in context.

That didn’t stop the New York Yankees and the Philadelphia Flyers from immediate action against Smith. When news of the song’s existence was revealed, both the Yankees and the Flyers quickly separated themselves from the artist and her work. The Yankees issued a statement saying that they would no longer play her recording of God Bless America during the 7th inning stretch, and the Flyers have removed the statue of Smith that had stood outside its arena since 1987.

The Yankees, who had been playing Smith’s version of the song since shortly after the September 11th, terrorist attacks, learned of Smith’s offensive song from a fan’s email.

That’s how easily the evisceration of an American icon can occur. One day, Smith rested comfortably in her grave, renowned as a musical genius and winner of the Presidential Medal of Freedom. The next day, her favorite hockey team had covered her head with a sheet.


In February 1976, Smith performed a week long series of concerts at Cleveland’s Front Row in Highland Heights. Her health was already declining, and she would soon stop her national tours. But the sold-out audiences connected with the aging musician. She closed all of her sets with “God Bless America.”

Jane Scott, the venerable Plain Dealer Rock Critic, attended the Wednesday concert and wrote a glowing review. She noted Smith’s “majestic voice” and “booming, hearty manner.” She described her as “old fine wine.”

Scott, America’s first major female rock critic and a beloved figure in popular culture, also penned these words in her review words, which by today’s standards, seem insensitive:

“The big lady with the bigger voice made the night bright and cheery for us all at the Front Row … The years have been kind to Kathryn Elizabeth Smith, now 67. She is still a large woman, but her skin is surprisingly smooth, and her voice is as vibrant as ever.”

Without intention, Scott body-shamed Smith, who had spent a lifetime battling obesity. It just goes to say, we’re all creatures of our time and should be judged by the body of our work and ability to evolve.

Kate Smith had a catalog of hundreds of songs. Two of those songs have come back to haunt her from the grave. Nonetheless, the body of her work stands. God blessed America with Kate Smith...

Friday, October 4, 2013

MY FIVE FAVORITE FEMALE SINGERS

I figured since I did a list of my favorite male singers, I should do one on my five favorite songbirds. Surprisingly it was harder to do this list than the male counterpart list. My top three favorite female singers have stayed the same through the years, but the other two spots are up for grabs. It varies depending on my mood, so don't get too upset with this list. It is changes weekly...


5. ALICE FAYE (1915-1998)
I know people will find it shocking that I rank Alice Faye higher than such polished singers as Doris Day and Margaret Whiting or than some jazz songbirds like Ella Fitzgerald and Billie Holiday, but I feel that Alice could sing anything. She did not have much or a recording output, and it was a crime because she had a wonderful voice. Faye recorded a little in the 1930s and then her studio boss Daryl Zanuck at 20th Century Fox would not let her make an more commercial recordings. She sang some nice number on her radio show with husband Phil Harris in the early 1950s and then she made one album for Reprise Records in the 1960s. Again it is a crime against musical lovers that she did not record more.

4. KATE SMITH (1907-1986)
Eddie Cantor once said that Kate Smith had such a huge frame to hold a heart so big. It is definitely true, because I do not think there was a nicer person in the musical business. A sign of a good singer is the ability to adapt to changing times and song styles. Kate Smith sang every genre from classic pop to country to rock from the 1920s to the 1970s. I love Kate's old vintage recordings from the early 1930s like "Too Late" and "River Stay Away From My Door". I also love some of her later work like "Kisses Sweeter Than Wine", "Yesterday", and "More". Of course I have three words why Kate should be on anyone's top list - "God Bless America". We were robbed of Kate's voice when she suffered a diabetic stroke in 1976 and for the next ten years she suffered greatly. Her recordings I have are among my prized possessions.


3. DINAH SHORE (1917-1994)
In later years Dinah Shore became more known as a television personality than a singer, but throughout the 1940s and 1950s I think she had one of the most pleasant voices on record. She was discovered by Eddie Cantor, and was a long time contract singer for RCA records. Her early 1940s records like "Skylark", "Sophisticated Lady", and "Smoke Gets In Your Eyes" showed that Dinah was vocally pretty advanced for her age. In the 1950s she moved to Capitol and then to Reprise for a bit, and I think her recordings suffered. However, she would still make a good record like "Mississippi Mud", "Carolina In The Morning", and even her version of the Frank Sinatra hit "Love And Marriage" was almost better than Sinatra's version. Dinah pretty much stopped recording or even singing for that matter in the 1970s, but her personality was like a beautiful song, and I was a fan until the sad day I heard she had passed away.

2. CONNEE BOSWELL (1907-1976)
Like most of the women on this list, Connee Boswell really did not make a bad recording. Even her horrible recording on Decca of the song "Mommy" is still worth listening to. Connee began her recording career with her sisters in 1925, and soon they were the most popular sister group in the country. The trio recorded some true masterpieces of music like: "42nd Street", "Heebie Jeebies", and "That's How Rhythm Was Born". By 1936, the sisters were all getting married, and Connee's two sisters - Vet and Martha wanted to retire. Connee signed with Decca Records and continued to make recordings for them for the next twenty years. Her best recordings were later in her career though. She recorded her final record on the Decca label with Sy Oliver in 1956 titled simply "Connee". The record is a masterpiece in my opinion. Her version of "I'd Climb The Highest Mountain" among others is one of my favorite recordings. She also made a great album with the Original Memphis Five a year later on the RCA label. With the change in music, Connee slowly withdrew from the scene, but again we are lucky for the wonderful music she left behind.


1. JO STAFFORD (1917-2008)
One of the true sadnesses in my adult years was that I never got to talk or meet Jo Stafford. I am lucky to have gotten her autograph, but in later years she did not appear much in public but was devoted to her family and fans. Jo started out singing with her sister in the late 1930s, and then she joined the Pied Pipers and worked with Tommy Dorsey. Unlike Frank Sinatra's recordings with Dorsey, Jo Stafford did not do any real great solo work with the band. However, Stafford was one of the first artists signed to the new Capitol Recordings in 1943. Her solo work made her one of the great voices of all time. In the 1940s her recordings included: "The Trolley Song", "Candy", and others - but one of her greatest recordings came in 1953. Her version of "You Belong To Me" is among my favorite records of all time, and the record is an example of the perfect pitch that Jo Stafford had. In the 1950s she moved over to Columbia Records and then to Reprise for a bit. Every album she made or song she sang was worth listening to, and like the other singers she retired from the musical scene way too soon. Jo Stafford stopped recording around 1970, but many of her recordings are among the best that were ever put on record.

Of course, this top five list does not include all of the great female singers out there - they are only my five favorites. Here are five more than deserve to be on anyone else's best of list as well: Margaret Whiting (1924-2011), Ella Fitzgerald (1917-1996), Judy Garland (1922-1969), Billie Holiday (1915-1959), and Doris Day (born 1924). Again, this list is not a definitive list by any means. Who would you have on your top five...

Wednesday, July 4, 2012

GOD BLESS KATE SMITH

One of the greatest patriotic songs written in the last century was Irving Berlin's "God Bless America". While Berlin wrote the music and lyrics, it was singer Kate Smith that gave the song its popularity and its dramatic interpretation. Kate Smith gave her all in every song she sang and every performance she performed, and that is why she was popular in the entertainment field for close to fifty years.

Kate Smith was born Kathryn Elizabeth Smith on May 1, 1907 in Greenville, Virginia. Her professional musical career began in 1930, when she was discovered by Columbia Records vice president Ted Collins, who became her longtime partner and manager. Collins put her on radio in 1931. She sang the controversial top twenty song of 1931, "That's Why Darkies Were Born". She appeared in 1932 in Hello Everybody!, with co-stars Randolph Scott and Sally Blane, and in the 1943 wartime movie This is the Army she sang "God Bless America".

Smith began recording in 1926; in 1931, she sang "Dream a Little Dream of Me." Her biggest hits were "River, Stay 'Way From My Door" (1931), "The Woodpecker Song" (1940), "The White Cliffs of Dover" (1941), "Rose O'Day" (1941), "I Don't Want to Walk Without You" (1942), "There Goes That Song Again" (1944), "Seems Like Old Times" (1946), and "Now Is the Hour" (1947). Her theme song was "When the Moon Comes Over the Mountain"; she had helped write the lyrics. Smith greeted her audience with "Hello, everybody!" and signed off with "Thanks for listenin'."



Her feature film Hello, Everybody (1932) was released shortly before Mae West's She Done Him Wrong (1933). At this time, Paramount Pictures was in deep financial trouble. Paramount initially promoted Smith's film and it proved to be disappointing at the box office. On the other hand, West's first starring film was a huge success. This situation added to the ridicule of Smith's size and appearance, but she was featured in a number of Paramount shorts without issue. She continued to be successful on radio throughout the 1930s into the 1940s.

Kate Smith, who never married, rented various apartments in New York City during her long career. She had a home in Arlington, Va., and kept a summer home on a small island in Lake Placid, New York. She led an active social life and loved having house guests both in town and at Lake Placid.

Her public image was of a happy, agreeable, buoyant personality, very bright and very informed. But those who worked with her in show business also knew her as an executive who knew better than anyone else how to stage her shows, how to present herself at her best and how to keep everything at the highest professional level. New Yorkers privileged to sit in on her radio broadcasts saw her supervising every aspect of her programs with great knowledge and utmost taste. She was also known for being ahead of the trends. Even on her later tours she was presenting all her hit songs in a long medley at the end and devoting her repertoire to the Beatles, Jimmy Webb, Michel Legrand, and other contemporary composers. In the later days "God Bless America" was sung in a medley with "Sing" from "Sesame Street."



In her later years also, her usually conservative dark gowns were replaced by colorful sequined creations worthy of the Supremes (and, slimmed down, she wore them just as well). Along with Peggy Lee she was one of the few long-careered singers to wade into rock music fearlessly and effectively and that placed her on T.V. variety shows including those of Sonny and Cher, Tony Orlando and Dawn and Donny and Marie Osmond. She also, against all odds, enjoyed some of her greatest recording success in her later years with a series of outstanding albums of contemporary music on RCA Victor. She often said she wasn't much one for nostalgia and also said she was always willing to try something new, at least once. For a living legend, she also was one hip and savvy lady. She was also a cook of considerable note and her name was on a series of best-selling cookbooks which today are collectors' items.

Kate Smith was impaired by diabetes and her weight problem during her last years, and eventually used a wheelchair. She had a diabetic stroke in 1976 that she never recovered from. She died in Raleigh on June 17, 1986 at the age of 79. For over a year following her death, her remains were stored in a vault at Saint Agnes Cemetery in Lake Placid, while officials of St. Agnes Roman Catholic Church and the singer's executors disputed the meaning of a clause in her will.

God bless America and God bless Kate Smith...

Sunday, July 3, 2011

REMEMBERING: GOD BLESS AMERICA

Even though the Star Spangled Banner has been our national anthem for generations, I personally feel that the song "God Bless America" is more loved and admired. Every 4th of July I try to listen to recordings of the song, and I am filled with a sense of pride for all this country has meant to millions of people.

"God Bless America" is an American patriotic song written by Irving Berlin in 1918 and revised by him in 1938, as sung by Kate Smith (becoming her signature song)."God Bless America" takes the form of a prayer (intro lyrics "as we raise our voices, in a solemn prayer") for God's blessing and peace for the nation ("...stand beside her and guide her through the night...").

Berlin wrote the song in 1918 while serving in the U.S. Army at Camp Upton in Yaphank, New York, but decided that it did not fit in a revue called Yip Yip Yaphank, so he set it aside. The lyrics at that time included the line, "Make her victorious on land and foam, God bless America..." as well as "Stand beside her and guide her, to the right with the light from above."

In 1938, with the rise of Hitler, Berlin, who was Jewish and a first-generation European immigrant, felt it was time to revive it as a "peace song", and it was introduced on an Armistice Day broadcast in 1938 sung by Kate Smith, on her radio show. Berlin had made some minor changes; by this time, "to the right" might have been considered a call to the political right, so he substituted "through the night" instead. He also provided an introduction that is now rarely heard but which Smith always used: "While the storm clouds gather far across the sea / Let us swear allegiance to a land that's free / Let us all be grateful for a land so fair, / As we raise our voices in a solemn prayer."


More than just the dramatic words and melody, the arrangement for Kate Smith's performance was accompanied by full band, progressing into a grand march tempo, with trumpets triple reinforcing the harmonies between stanzas: the dramatic build-up ends on the final exposed high note, which Kate Smith sang in the solo as a sustained a cappella note, with the band then joining for the finale.

The song was a hit; there was even a movement to make "God Bless America" the national anthem of the United States. However, there was strong opposition by conservative southerners as well as conservatives who lived in rural areas where there were no Jews living in it, stating that because Irving Berlin was a foreigner and a Jew, that they would not accept their national anthem to be composed by a member of the minority class Congress would have had to repeal the "Star Spangled Banner" in both houses by two-thirds of the votes.

In 1943, Smith's rendition was featured in the patriotic musical "This is the Army" along with other Berlin songs. The manuscripts in the Library of Congress reveal the evolution of the song from victory to peace. Berlin gave the royalties of the song to the God Bless America Fund for Redistribution to the Boy Scouts of America and the Girl Scouts of the USA. She performed the song on her two NBC television series in the 1950s and in her short-lived The Kate Smith Show on CBS, which aired on CBS from January 25 to July 18, 1960.


Later, from December 11, 1969, through the early 1970s, the playing of Smith singing the song before many of home games of the National Hockey League's Philadelphia Flyers brought it renewed popularity (as well as a reputation for being a "good luck charm" to the Flyers),long before it became a staple of nationwide sporting events. The Flyers even brought Smith in to perform live before Game 6 of the 1974 Stanley Cup Finals on May 19, 1974, and the Flyers won the Cup that day.

To honor the start of the United States Bicentennial, Kate Smith sang "God Bless America" for a national television audience, accompanied by the UCLA Band at the 1976 Rose Bowl.

During this 4th of July, I hope more people will listen to this song and realize that despite its problems and mistakes, the United States Of America is a wonderful place to live in and to enjoy its many freedoms...

Thursday, June 23, 2011

REMEMBERING: THE DEATH OF KATE SMITH


Last week it was amazingly 25 years since the death of Kate Smith. Kate was more than just a singer - she was a voice of America during the 1930s. I remember Eddie Cantor making a comment about Kate Smith and her weight. He said "Kate Smith is so large because she has to hold a heart that is so big." She never married or had any children, but from her debut in the 1920s to her death in 1986 she had millions of fans. Fans that never met her, but they still thought of her as part of their family. Here is an obituary from the day she passed away - June 17, 1986:

Kate Smith, whose vibrant voice made ''God Bless America'' an unofficial national anthem and was one of the most popular singers of the century, died yesterday afternoon at Raleigh (N.C.) Community Hospital. She was 79 years old and lived in Raleigh.

President Reagan expressed sorrow over her death, saying: ''Kate Smith was a patriot in every sense of the word. She thrilled us all with her stirring rendition of 'God Bless America' and sang with a passion which left few eyes dry.''

Miss Smith had been in poor health since 1976, when she suffered brain damage as a result of a diabetic coma. In January, her right leg was amputated because of circulatory problems associated with her diabetes, and on May 9, she underwent a mastectomy.

But it was the robust and joyful young singer who never took a formal music lesson whose voice became one of the most listened-to by a nation struggling through the Great Depression and World War, still holding fast to an optimism for the future.

Everything about Kate Smith was outsized, including Miss Smith herself. She recorded almost 3,000 songs -more than any other popular performer. She introduced more songs than any other performer - over a thousand, of which 600 or so made the hit parade.

She made more than 15,000 radio broadcasts and, over the years, received more than 25 million fan letters. At the height of her career, during World War II, she repeatedly was named one of the three or four most popular women in America. No single show-business figure even approached her as a seller of War Bonds during World War II. In one 18-hour stint on the CBS radio network, Miss Smith sold $107 million worth of War Bonds, which were issued by the United States Government to finance the war effort. Her total for a series of marathon broadcasts was over $600 million.

President Roosevelt once introduced her to King George VI of England, saying: ''This is Kate Smith. Miss Smith is America.''

Kate Smith had been a national singing star almost from the outset of her broadcasting career in 1931. But her identification with patriotism and patriotic themes dates from the night of Nov. 11, 1938, when, on her regular radio program, she sang "God Bless America" -- an Irving Berlin song originally written for Berlin's 1918 musical "Yip, Yip, Yaphank."

In a short time, the song supplanted ''The Star-Spangled Banner'' as the nation's most popular patriotic song. There were attempts - all unsuccessful - to adopt it formally as the national anthem.

For a time, Kate Smith had exclusive rights to perform ''God Bless America'' in public. She relinquished that right when it became apparent the song had achieved a significance beyond that of just another new pop tune.

Mr. Berlin and Miss Smith waived all royalties from performances of ''God Bless America.'' The royalties continue to be turned over to the Boy and Girl Scouts of America.

''God Bless America'' became a standard in the repertory but both the song and Miss Smith experienced a curious resurgence of popularity beginning in 1969 when the Philadelphia Flyers professional hockey team began to substitute her recording of the song for ''The Star-Spangled Banner'' before games.

The team began to win on nights the song was played. As the team improved, the record was reserved for Mrucial games and, at the end of the 1975-76 playing season the Flyers' record was 41 wins, 5 losses and 1 tie on nights Kate Smith sang ''God Bless America,'' either on record or in person. The first three of the five or so times she appeared in person, the Flyers' opponents were scoreless. Sang for Troops During World War I Kathryn Elizabeth Smith was born May 1, 1909, in Greenville, Va., and grew up in Washington, D.C. Her father was a wholesale magazine distributor. As a baby, she failed to talk until she was 4 years old. But a year later she was singing in church socials and by the time she was 8 she was singing for the troops at Army camps in the Washington area during World War I. Alarmed by his daughter's evident penchant for the stage, William Smith made her take up nursing at George Washington University Hospital. She stuck it out a few months, quit and got herself on the bill at Keith's Theater as a singer.

Heading the bill was the actor and producer Eddie Dowling who signed up the young singer for a revue he was preparing. It was called ''Honeymoon Lane,'' and it opened in Atlantic City on Aug. 29, 1926. A month later it moved to Broadway.

A review in The New York Times on Oct. 31, 1926, under the heading ''A Sophie Tucker Rival,'' said:

''A 19-year-old girl, weighing in the immediate neighborhood of 200 pounds, is one of the discoveries of the season for those whose interests run to syncopators and singers of what in the varieties and nightclubs are known as 'hot' songs. Kate Smith is the newcomer's not uncommon name.'' She was actually only 17 at the time.

From ''Honeymoon Lane,'' Miss Smith went into the road company of Vincent Youmans's ''Hit the Deck,'' where she won acclaim singing ''Hallelujah!'' Back in New York she took the company lead in George White's ''Flying High,'' which opened at the Apollo Theater on March 3, 1930, and ran for 122 performances.

As Pansy Sparks, Miss Smith's role was to be the butt of Bert Lahr's often cruel jibes about her girth. She said later that she often wept with humiliation in her dressing room after the show.

One evening, Ted Collins, a representative for Columbia Records, saw the show and heard Kate Smith sing for the first time. He sent a note backstage and asked her to see him in his office. When she appeared a few days later, it marked the beginning of a show-business association that lasted 34 years, ending with Mr. Collins's death in 1964.

Mr. Collins advised the successful but unhappy girl to take advantage of her good voice and to forget about comedy. The first booking he got for her was the Palace, where she lasted 11 weeks, setting a new record for a single performer.


In 1931, radio had overcome its early self-consciousness and was coming into its own as an entertainment medium. Mr. Collins arranged for a 15-minute nightly show for his client and she made her radio debut on May 1, her 22d birthday. The young singer, billed as Kate Smith and her Swanee Music, made her debut one week after another singer, the coloratura soprano Lily Pons, began her radio career.

For her first show, Miss Smith chose as her theme the song that was to become her trademark, ''When the Moon Comes Over the Mountain.'' She also used for the first time her opening, ''Hello, everybody!'' and her closing, ''Thanks for listening.'' Within six months, the young star had a sponsor, La Palina cigars, a long-term contract and a four-figure salary.

In 1938, the year she introduced ''God Bless America,'' Miss Smith began a daytime radio program of down-home philosophy, comments on current events and women's affairs. The show was an immediate success, but it did prompt some of the harshest criticism Miss Smith ever received.

The barbs came from The Daily Worker, the newspaper of the American Communist Party, in 1949. After noting that most of the program was devoted to inconsequential pap, The Daily Worker said Miss Smith and Mr. Collins devoted a few minutes to the problems of the Roman Catholic Church under a repressive Government in Czechoslovakia. The Worker went on to call Miss Smith ''Kate, the red-baiter, Kate the distorter of Communist policy, Kate the apologist for interventionists in Eastern Europe.'' The article concluded: ''This is the real Kate.''

The Worker's criticism had no noticeable effect on her career, which branched into television the following year, 1950, with ''The Kate Smith Variety Hour.''

The show lasted five years. When it was dropped in May 1955, the network received 400,000 protest letters. Later that year, she returned as a guest on the Ed Sullivan show. The public response led to a contract for five more appearances, but Mr. Collins suffered a heart attack and Miss Smith canceled all her activities until he had recovered.

In January, 1960, she returned with a new television variety show on CBS. It received high critical acclaim but low ratings and was dropped after six months. The death of her mother, Charlotte Yarnell Smith, in 1962, followed by the death of Mr. Collins two years later, threw Miss Smith into a period of depression that ended in July 1965, when she announced she would return to television that fall. Over the next decade she performed regularly on variety shows hosted by Ed Sullivan, Dean Martin, Andy Williams and others.


During her long career, Miss Smith rented various apartments in New York, most recently a three-bedroom suite in the Sheraton Motor Inn at 42nd Street and the Hudson River. She once told an interviewer that she had no interest in traveling abroad but loved to watch the ocean liners coming in and out from the motel roof.

For 40 years, she kept a summer home on a small island in Lake Placid, N.Y. She also had a home in Arlington, Va. She lived modestly but was estimated at one time to have amassed some $35 million during her working life.

Two autobiographical books were published under her name: ''Living in a Great Big Way'' in 1938, and ''Upon My Lips a Song'' in 1960. She also wrote the ''Company's Coming Cookbook,'' in 1958. Miss Smith was, not surprisingly, a prodigious eater and a good cook. She gave her weight variously as 215, 225 or 235 pounds, but usually with a wink or a booming laugh because it obviously was higher. Under Mr. Collins' tutelage she had come to terms with her figure.

At one point in the 1960's, she shed 90 pounds over a four-year period, bleached her hair, and discarded the dignified dark dresses she had worn for years. But, she later declared, she was uncomfortable that way and went back happily to ''real chocolate fudge sundaes.''

Because of their long and close business relationship, Miss Smith and Mr. Collins were thought to be married. They were not, and a form letter was sent to anyone who inquired. It read: ''Miss Smith is not married. Mr. Collins is married, has one daughter and two grandchildren.''

In 1965, after attending Roman Catholic services for 25 years, Miss Smith was baptized into that religion at the local church in Lake Placid. She was baptized by the same priest who had administered the last rites to Mr. Collins.

SOURCE

Tuesday, April 19, 2011

PHOTOS OF THE DAY: ODD PAIRINGS

Hollywood is the stomping grounds for some of the most talented and yet unusual people in the world. These different personalities have paved the way for some unusual meet ups. Here are just a few of them caught on film:

EDWARD EVERETT HORTON AND BETTY GRABLE



ORSON WELLES AND RITA HAYWORTH



BEATRICE LILLIE AND GLORIA SWANSON



ELVIS PRESLEY, FRANK SINATRA, AND FRED ASTAIRE


KATE SMITH AND THE OSMONDS

Sunday, December 19, 2010

CHRISTMAS MOMENTS: KATE SMITH

There is no one quite like Kate Smith...in personality and talent. I wish she made more Christmas recordings. Here is Bing Crosby introducing Kate from the Hollywood Palace show of December 24,1966. Kate is singing "Christmas Eve In My Home Town"...

Saturday, July 3, 2010

SPECIAL: GOD BLESS AMERICA

I want to take a quick moment to wish a happy 4th of July to all the readers of the blog. I hope everyone takes a moment in between the picnics and the fireworks to think of what this day means to America. Too often the meaning of these patriotic days are forgotten. Here is a musical medley by the great Kate Smith in honor of this holiday weekend...