RIP: MARILYN HOWARD - DAUGHTER OF CURLY

Marilyn Howard Ellman, the youngest daughter of The Three Stooges star Curly Howard, died May 6 in Simi Valley of heart failure, her son Bradley Server told The Hollywood Reporter. She was 86.

With her parents divorced and her father often on the road at the height of his career in the early 1940s, Ellman only got to visit him maybe two weekends a month, her son noted. Later, she would spend time with him in the hospital after he had suffered a series of strokes, one of which forced him to leave The Three Stooges in 1946.

“My mom vividly remembers how much he loved animals,” Server said in a 2020 interview. “She would always play with a dog he had. And he absolutely adored this dog that stood by him until the end. You know, despite my grandfather’s big personality onscreen, I learned he was actually a shy, quiet man in private.”

Ellman was just 13 when her dad died at age 48 on Jan. 18, 1952, in San Gabriel, California. Curly had been replaced in the act by brother Shemp Howard, who joined another brother, Moe Howard, and Larry Fine.

Marilyn Howard was born in Los Angeles on Dec. 18, 1938. Her dad — birth name Jerome Lester Horwitz — and mom, Elaine Julia Ackerman, were married for three years before they divorced in 1940. (Curly would have a second daughter named Janie with his fourth wife.)

After Curly’s death, she was adopted by her mother’s second husband, Moe Diamond, when she was 14.

Ellman graduated from North Hollywood High School and attended USC for two years before she worked as a procurement buyer in the electronics business. She would marry twice, and her survivors include her older son, Darren; daughter Andrea; granddaughter Elizabeth; and half-brother Michael...

SOURCE

BORN ON THIS DAY: CURLY HOWARD

One of the true geniuses of comedic cinema was the great Curly Howard. Today we celebrate what would have been this lovable buffoon's 118th birthday!  Curly was born Jerome Lester Horwitz in the Bensonhurst section of the Brooklyn borough of New York City, on October 22, 1903. Of Lithuanian Jewish ancestry, he was the youngest of the five sons of Jennie (Gorovitz) and Solomon Horwitz. Because he was the youngest, his brothers called him "Babe" to tease him. The name "Babe" stuck with him all his life, although when his elder brother Shemp Howard married Gertrude Frank, who was also nicknamed "Babe", the brothers called him "Curly" to avoid confusion.

A quiet child, Howard rarely caused problems for his parents (something in which older brothers Moe and Shemp excelled). He was a mediocre student, but excelled as an athlete on the school basketball team. He did not graduate from high school, and instead he kept himself busy with odd jobs and constantly following his older brothers, whom he idolized. He was also an accomplished ballroom dancer and singer, and regularly turned up at the Triangle Ballroom in Brooklyn, occasionally bumping into George Raft.

When Howard was 12, he accidentally shot himself in the left ankle while cleaning a rifle. Moe rushed him to the hospital and saved his life. The wound resulted in a noticeably thinner left leg and a slight limp. He was so frightened of surgery that he never had the limp corrected. While with the Stooges, he developed his famous exaggerated walk to mask the limp on screen.

Howard was interested in music and comedy, and watched his brothers Shemp and Moe perform as stooges in Ted Healy's vaudeville act. He also liked to hang around backstage, although he never participated in any of the routines.

Curly's first on-stage break was as a comedy musical conductor in 1928 for the Orville Knapp Band. Moe later recalled that his performances usually overshadowed those of the band. Though he enjoyed the gig, he watched as brothers Moe and Shemp with partner Larry Fine made it big as some of Ted Healy's "Stooges". Vaudeville star Healy had a very popular stage act, in which he would try to tell jokes or sing, only to have his stooges wander on stage and interrupt or heckle him and cause disturbances from the audience. Meanwhile, Healy and company appeared in their first feature film, Rube Goldberg's Soup to Nuts (1930).

Shemp Howard, however, disliked Healy's abrasiveness, bad temper, and alcoholism. In 1932, he was offered a contract at the Vitaphone Studios in Brooklyn. (Contrary to stories told by Moe, the role of "Knobby Walsh" in the Joe Palooka series did not come along until late 1935, after Shemp had been at Vitaphone for three years and had already appeared in almost 30 short subjects.) Shemp was thrilled to be away from Healy, but as was his nature, worried incessantly about brother Moe and partner Larry. Moe, however, told Shemp to pursue this opportunity.

With Shemp gone, Moe suggested that Curly fill the role of the third stooge, but Healy felt that with his thick, chestnut hair and elegant waxed mustache, he did not "look funny" and was "too handsome". Howard left the room and returned minutes later with his head shaven (the mustache remained very briefly). Healy quipped, "Boy, don't you look girlie?" Moe misheard the joke as "curly", and all who witnessed the exchange realized that the nickname "Curly" would be a perfect fit. And the rest is comedic history...

PHOTOS OF THE DAY: CLASSIC HOLLYWOOD AND FOOTBALL

It is November now so there is one thing we are sure of - it is football season! Here are some great classic Hollywood football pictures. All of these photos are touchdowns...

SHIRLEY TEMPLE

ELVIS PRESLEY

BETTY GRABLE

RONALD REAGAN

THE THREE STOOGES

GREGORY PECK

NEWPAPER CLIPPINGS: CURLY HOWARD

One of my favorite comedians of all time was the great Curly Howard. His zaniness really made The Three Stooges what they were. I was looking for the obituary for Curly and found this newspaper clipping.

This particular clipping was from the Oregonian Newspaper of January 20, 1952...

JOE BESSER: THE WORST STOOGE

Actor Joe Besser had a long career as a character actor in Hollywood. He was known for his impish humor and wimpy characters. He is best known for his brief stint as a member of the Three Stooges in movie short subjects of 1957–59. He is also remembered for his television roles: Stinky, the bratty man-child in The Abbott and Costello Show, and Jillson, the maintenance man in The Joey Bishop Show. Even though it is just my opinion. Joe Besser never really fit in as a Stooge, and I believe he was the worst Stooge of all of them.

The zany comedy team of Olsen and Johnson, whose Broadway revues were fast-paced collections of songs and blackouts, hired Joe Besser to join their company. Besser's noisy intrusions were perfect for their anything-can-happen format. Besser's work caught the attention of the Shubert brothers, who signed Besser to a theatrical contract. Columbia Pictures hired Besser away from the Shuberts, and Besser relocated to Hollywood in 1944, where he brought his unique comic character to feature-length musical comedies like Hey, Rookie and Eadie Was a Lady (1945). On May 9, 1946 Besser appeared on the pioneer NBC television program Hour Glass, performing his "Army Drill" routine with stage partner Jimmy Little. According to an article in the May 27, 1946 issue of Life magazine, the show was seen by about 20,000 people on about 3,500 television sets, mostly in the New York City area. During this period, he appeared on the Jack Benny radio program in the episode entitled "Jack Prepares For Carnegie Hall" in June, 1943. Besser also starred in short-subject comedies for Columbia from 1949 to 1956. By this point, his persona was sufficiently well known that he was frequently caricatured in Looney Tunes animated shorts of the era. He appeared in the action film The Desert Hawk (1950).

Besser had substituted for Lou Costello on radio, opposite Bud Abbott, and by the 1950s he was firmly established as one of the Abbott and Costello regulars. When the duo filmed The Abbott and Costello Show for television, they hired Joe Besser to play Oswald "Stinky" Davis, a bratty, loudmouthed child dressed in an oversized Little Lord Fauntleroy outfit, shorts, and a flat top hat with overhanging brim. He appeared during the first season of The Abbott and Costello Show. Besser was cast for the role of Yonkel, a chariot man in the low-budget biblical film Sins of Jezebel (1953) which starred Paulette Goddard as the titular wicked queen.

After Shemp Howard died of a heart attack on November 22, 1955 at age 60, his brother Moe suggested that he and teammate Larry Fine continue working as "The Two Stooges". Studio chief Harry Cohn rejected the proposal. Although Moe had legal approval to allow new members into the act, Columbia executives had the final say about any actor who would appear in the studio's films, and insisted on a performer already under contract to Columbia: Joe Besser. At the time, Besser was one of a few comedians still making comedy shorts at the studio. He successfully renegotiated his contract, and was paid his former feature-film salary, which was more than the other Stooges earned.

Besser refrained from imitating Curly or Shemp. He continued to play the same whiny character he had developed over his long career. He had a clause in his contract prohibiting being hit excessively. Besser recalled, "I usually played the kind of character who would hit others back".  As a result of his whiny persona and lack of true slapstick punishment against him (the cornerstone of Stooge humor), Joe has been less popular with contemporary Stooge aficionados, so much so, that "Stooge-a-Polooza" TV host Rich Koz has even apologized on the air before showing Besser shorts; during the show's tenure he received more than a few letters from viewers expressing their outrage over his airing them. Besser does have his defenders, however: Columbia historians Edward Watz and Ted Okuda have written appreciatively of Besser bringing new energy to what was by then a flagging theatrical series.

The Stooges shorts with Besser were filmed from the spring of 1956 to the end of 1957. His Stooge tenure ended when Columbia shut down the two-reel-comedy department on December 20, 1957. Producer-director Jules White had shot enough film for 16 comedies, which were released a few months apart until June 1959, with Sappy Bull Fighters being the final release. Moe Howard and Larry Fine discussed plans to tour with a live act, but Besser declined. His wife had suffered a heart attack in November 1957, and he was unwilling to leave without her. In later life, Besser praised Moe and Larry.

While Joe Besser was a great character actor, his stint as a Stooge was largely forgettable. He died on March 1. 1988 - a forgotten footnote in Stooge history...

CURLY JOE DERITA: THE LAST STOOGE

My son and daughter are both old enough now to appreciate the comedy of The Three Stooges. It makes me happy that their comedy transcends decades and generations. The best comedies are the early ones with Curly Howard, but it is worth noting that each Stooge that tried to replace him each brought something new to the role. The final stooge that was a part of the group was Joe "Curly Joe" DeRita. He was born Joseph Wardell on July 12, 1909. DeRita was born into a show-business family in Philadelphia, Pennsylvania, the son of Florenz (DeRita) and Frank Wardell, and of French-Canadian and English ancestry. He was the youngest of his 5 brothers. Wardell's father was a stage technician, his mother a professional stage dancer, and the three often acted on stage together from his early childhood.

Taking his mother's maiden name, DeRita, the actor joined the burlesque circuit during the 1920s, gaining fame as a comedian. During World War II, DeRita joined the USO, performing through Britain and France with such celebrities as Bing Crosby and Randolph Scott. In the 1944 comedy film The Doughgirls, about the housing shortage in wartime Washington, D.C., he had an uncredited role as "the Stranger", a bewildered man who repeatedly showed up in scenes looking for a place to sleep.

The Three Stooges (Curly Howard, Larry Fine, and Moe Howard) had been making short comedies for Columbia Pictures since 1934. Curly suffered a disaling stroke on May 6, 1946, forcing him to retire. He died on January 18, 1952 at the age of 48. His brother Shemp Howard, the original third Stooge before leaving the act in 1932 for a solo career, only wanted to be a temporary replacement. Joe DeRita was also starring in his own series of shorts at Columbia (in The Good Bad Egg, Wedlock Deadlock, Slappily Married, and Jitter Bughouse). Stooges producer-director Jules White attempted to recruit Joe DeRita for the Three Stooges, because he wanted "another Curly." However, the strong-willed DeRita refused to change his act or imitate another performer, and White eventually gave up on DeRita (DeRita's own short-subject contract was not renewed after four films, the final entry being Jitter Bughouse). DeRita returned to burlesque and recorded a risque LP in 1950 called Burlesque Uncensored.

When Shemp Howard died unexpectedly of a heart attack on November 22, 1955 at age 60, he was succeeded by Joe Besser. Columbia eventually shut down the short-subjects department at the end of 1957, and Besser quit the act to take care of his ailing wife. The two remaining Stooges seriously considered retirement. Then Columbia's television subsidiary, Screen Gems, syndicated the Stooges' old comedies to television, and the Three Stooges were suddenly television superstars.

Moe and Larry now had many job offers, but they were in need of a "third Stooge." Larry had seen DeRita in a Las Vegas stage engagement and told Moe that DeRita would be "perfect for the third Stooge." Howard and Fine invited DeRita to join the act, and this time he readily accepted. When he first joined the act in 1958 (shortly after appearing in a dramatic role in the Gregory Peck western, The Bravados), DeRita wore his hair in a style similar to that of former Stooge Shemp Howard and did so during initial live stage performances. However, with television's restored popularity of the Three Stooges shorts featuring Curly Howard, it was suggested that Joe shave his head in order to look more like "Curly". At first, DeRita sported a crew cut; this eventually became a fully shaven head. Because of his physical resemblance to both Curly and Joe Besser, and to avoid confusion with his predecessors, DeRita was renamed Curly Joe.

The team embarked on a new series of six theatrical Three Stooges films, including Have Rocket, Will Travel (1959), DeRita's on-screen debut with the Stooges, and Snow White and the Three Stooges (1961). Aimed primarily at children, these films rarely reached the same comedic heights as their shorts and often recycled routines and songs from the older films. (Moe and Larry's advanced ages - Moe was 62 and Larry 57 at the time of the first Curly Joe film - plus pressure from the PTA and other children's advocates, led to the toning-down of the trio's trademark violent slapstick.) While DeRita's physical appearance was vaguely reminiscent of the original "Curly", his characterization was milder and not as manic or surreal. The characterization evolved over time; early sketches featuring Curly Joe (such as a commercial for Simoniz car wax) have him effectively as a fifth wheel while Moe and Larry divided most of the comedy between themselves, while by the mid-1960s, Larry's role had been reduced and Curly Joe divided much of the comedy with Moe. Curly Joe also showed a bit more backbone, even occasionally talking back to Moe, calling him "buddy boy".

The Stooges eventually folded in 1970 when Larry Fine suffered a stroke, although Moe always had dreams or recreating the group. In 1974, with Moe's blessing, DeRita attempted to form a truly "new" Three Stooges. He recruited burlesque and vaudeville veterans Mousie Garner and Frank Mitchell to replace Moe and Larry for nightclub engagements. However, they were poorly received thereby ending the group. Mitchell had worked with original Stooges organizer Ted Healy decades earlier in an abortive attempt to replace the Stooges after they had split from Healy. Mitchell had also replaced Shemp as the "third stooge" in a 1929 Broadway play.

On July 3, 1993, the last surviving Stooge, Joe DeRita died of pneumonia nine days before his 84th birthday at the Motion Picture & Television Country House and Hospital in Woodland Hills, California. DeRita is interred in a grave at the Pierce Brothers Valhalla Memorial Park Cemetery in North Hollywood, California; his tombstone reads "The Last Stooge"...

THE THREE STOOGES: THE FINAL YEARS

 

After Shemp Howard died of a sudden heart attack in 1955, the remaining Stooges, Moe and Larry kept the act alive, recruiting comedian Joe Besser as the third Stooge. This, as any Stooge fan will tell you, was the beginning of the end. Besser was never happy as a Stooge and, wary of what had happened to Curly, had a clause in his contract forbidding Moe from hitting him.

By now, Columbia was the only studio in town producing shorts, and in 1957, with television taking over the market, the department was shut down. In December of ’57, the studio declined to renew the Stooges’ contract and, after 23 years’ service, they were unceremoniously fired. A few weeks later, Moe returned to the studio to say goodbye to some old friends. He was refused entry by a security guard. Shortly afterwards, amid negotiations for a live tour, Joe Besser left the act.

By rights, this should have been the end of the road. But, in a supremely ironic twist of fate, the Stooges were actually on the brink of a major comeback. In 1958 Columbia offered a package of 78 Curly-era shorts for TV broadcast. Picked up by a number of networks across the US, they were an instant hit, particularly with children, and soon all 190 Stooge shorts were in circulation and drawing huge audiences. Suddenly the Stooges were in big demand, and Moe and Larry once again revived the act with Joe ‘Curly-Joe’ DeRita stepping into the breach. With Moe and Larry now getting on in years, this was the Stooges’ last hurrah. But it was, in many ways, a triumphant one. From 1959 to 1965 they made a series of feature films in the classic Stooge vein, including the infamous Snow White And The Three Stooges (which is not nearly as bad as people would have you believe — well, not quite). They also recorded 41 live wraparound segments for The New Three Stooges cartoon series. In 1969, Moe, Larry and Curly-Joe shot a pilot for a proposed TV show called Kook’s Tour, a Stooge-style travelogue. It was not to be. In January 1970, Larry Fine suffered a debilitating stroke, ending his career. Longtime Stooge co-star Emil Sitka was contracted to replace him, but no footage was ever shot with Sitka as a Stooge.

In December 1974, Larry suffered another stroke and, the following month, he died at the age of 72. With near unbelievable fortitude, Moe vowed the Stooges would soldier on, approaching veteran Ted Healy-era Stooge Paul ‘Mousie’ Garner. Tragically, while negotiating a number of movie projects, Moe was diagnosed with terminal lung cancer. He died on May 4, 1975.

However, The Three Stooges live on. In the States it’s impossible to get through a week, a day even, without encountering a Stooge reference — images, clips, signature lines (“Calling Dr. Howard, Dr. Fine, Dr. Howard” from 1934’s Men In Black crops up continually in films and on TV), catchphrases (“I’m a victim of soicumstance!” etc), noises (particularly Curly’s trademark “nyuk, nyuk, nyuk, nyuk, nyuk!” and “woo, woo, woo!”), even sound effects — the Stooges’ ‘frying pan’ is a classic for the ages, still famously used by Vic & Bob. The Stooges are all gone now but their memories and comedy will live on forever...

SOURCE

THE THREE STOOGES: THE FALL OF CURLY

As early as 1942, the life of a stooge had begun to take its toll on Curly. Playing a human punchbag day in, day out for years, enduring constant blows to the head — most of which, according to Moe Howard, were every bit as real as they looked — brought on a series of minor cerebral haemorrhages that slowed him down to the point that he was unable to make personal appearances. Shemp, now under contract to Columbia himself, was brought in to replace Curly in live performances. Curly’s doctors insisted that he also take time off from his punishing filming schedule. Cohn flatly refused to give Curly leave of absence, and it was not long before his declining health became evident on screen. His deterioration can first be seen in 1945 short If A Body Meet A Body. By this time, Curly was forgetting his lines, and his balletic physicality and tireless energy, vital components of the Stooges’ comedy, were visibly ebbing away.

There’s no doubt that Curly’s hard-partying lifestyle contributed to his health problems — he was a massive drinker and, pinhead appearances to the contrary, a voracious womaniser — but neither is there any disputing that Harry Cohn forced him to keep working while he was clearly seriously ill, exacerbating his condition until, later in 1945, the inevitable happened and Curly, aged 42, suffered his first major stroke.

This should have signalled, at the very least, an extended period of rest and recuperation. Yet, incredibly, he was back at work within a month, despite physical impairments that rendered his performances so sluggish and lacklustre they’re painful to watch. The team’s directors, most often Del Lord or Edward Bernds, attempted to disguise Curly’s dire state by using old footage and putting more emphasis on Moe and Larry. For their part, the other Stooges took on the extra responsibility willingly, hoping that Curly would eventually recover sufficiently to resume his role. The results of this combined effort were better than might be expected, in spite of Curly’s infirmity and ravaged appearance (his fat cherub look was a thing of the past).

But it was a losing battle and in 1946, between takes on the short Half-Wits Holiday (a remake of the 1935 two-reeler, Hoi Polloi), Curly suffered a massive, paralysing stroke. His days as a Stooge were over, his career and his health wrecked by dedication to the un-gentle art of slapstick and by Harry Cohn’s gross callousness — callousness compounded with stupidity since his treatment of Curly had cost him one of his studio’s most valuable assets.

Naturally, Cohn didn’t see things that way. His opinion of the Stooges, even while they were raking in money, was that their act was so lacking in sophistication that they were effectively interchangeable, and that pretty much any comic performer who looked funny enough could fill Curly’s shoes in a second. In this he was as mistaken as many observers have been since. The Stooges might not have had the finesse of Chaplin or Keaton, the humanity of Laurel & Hardy or the transcendent novelty of the Marx Brothers, but their chemistry was unique. And if it was not immediately apparent to Cohn what replacing Curly entailed, the endless auditions for a new third Stooge alerted him to what Moe and Larry already knew: they were not going to find another Curly. Curly died tragically on January 28, 1952 at the age of 48...

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THE THREE STOOGES: THE EARLY YEARS

It’s sufficient to say that the three Horwitz brothers, Moses, Jerome and Samuel (better known by their stage names as Moe, Curly and Shemp Howard), were nice, blue-collar Jewish boys from Brooklyn, born without an ounce of theatrical blood in their veins. Nevertheless, at an early age — and not unusually for working-class Jews around the turn of the century — both Moe and Shemp decided on a career in showbusiness. The pair had moderate success in a variety of burlesque shows before teaming up for the first time in 1916 to perform a blackface routine. They continued this until 1922, when they encountered an old friend from their Brooklyn days, comedian Ted Healy, then a rapidly rising star in vaudeville. Healy recruited them to be his sidekicks, and when Philadelphia musician and comedian Larry Fine was brought into the act, The Three Stooges were born.

As the Stooges’ stock continues to grow, Ted Healy has become an increasingly marginalised figure, remembered only for his poor treatment of his co-stars — who, history would have it, and have it incorrectly, outshone him from the get-go — and for the excessive drinking and wildly erratic behaviour that lead to his violent death. In fact, Healy was an enormously successful entertainer, one of the biggest stars of his era, who has been cited as a formative influence by such comedy legends as Red Skelton, Milton Berle and Bob Hope. As the young Stooges’ mentor, he practically invented the style of brutal slapstick that has made them legends, and if, along the way, he stiffed them out of their fair share of the proceeds, his pivotal role in their history deserves to be recognised. That said, there is no doubt that Healy was a terrible boss, not only tight with a buck, but an abusive, volatile drunk to boot.

In 1930, Ted Healy & His Stooges (they were never billed as The Three Stooges while they worked for Healy) appeared in the Fox Studios feature film Soup To Nuts. It was not a hit. Healy’s act, which relied heavily on ad libs and improvisation, never transferred successfully to film; neither was he exactly movie-star material, with a bulbous spud face and big boozer’s nose. The Stooges, on the other hand, impressed the Fox brass, and they were offered a contract without Healy. Furious, Healy immediately put the kibosh on this by claiming the Stooges were his employees. The offer was duly rescinded. When Larry, Moe and Shemp got word of this, they decided to cut Healy loose anyway and struck out on their own. True to form, Healy was incensed, forbidding them to use any of their old routines, which he considered his own copyrighted material, even threatening to bomb theatres if the Stooges dared to play them. In desperation, Healy made a failed attempt to salvage his act by hiring replacement Stooges.

Amazingly, in 1932, with Moe now the group’s business manager, Healy and his Stooges settled their differences and began working together again. It proved anything but a joyful reunion. Healy’s Jekyll and Hyde personality, exacerbated by his increasingly heavy drinking, so terrified the notoriously skittish Shemp that he left the act to go solo and was soon making comedy shorts for Vitaphone back in Brooklyn. This left the Stooges a man down. Shemp’s proposed solution was that Moe’s baby brother, Jerry, fill the gap. Healy was scathing. With all the foresight and perception that comes with drinking Wild Turkey for breakfast, he took one look at the future Curly Howard, the most beloved of all the Stooges, and dismissed him as not funny. Admittedly, Jerry did not much resemble his iconic alter ego at that point, sporting long red hair and a handlebar moustache. And, it must be said, neither Moe nor Larry had any confidence in Jerry’s comic abilities either. Moe stated flatly to Shemp that Jerry had “no talent whatsoever”. That changed abruptly when, at Shemp’s urging, Jerry ran on stage in the middle of a Stooges routine sporting a freshly shaved head, wearing a bathing suit and carrying a tiny bucket of water. This earned him a huge laugh from the crowd (vaudeville audiences were obviously a push-over), and one of the most gifted comic performers of the 20th century had officially arrived.

With Curly on board, Ted Healy & His Stooges signed a one-year contract with MGM to make five shorts and a couple of full-length features, none of which proved remarkable. The contract was not renewed, and in 1934 Healy and his Stooges finally went their separate ways...

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PHOTOS OF THE DAY: CLASSIC STARS AND HORSES

I am not the biggest animal lover in the world. Growing up we never had any pets of any kind. However, I would never hurt an animal, and I have a distant awe of them. I do like riding horses, and I wanted to do a little feature on classic stars and their horses. I was amazed at how many stars had horses or have photos taken with them...

BING CROSBY (1903-1977)

MARILYN MONROE (1926-1962)

CLARK GABLE (1901-1960) AND CAROLE LOMBARD (1908-1942)

ROBERT TAYLOR (1911-1969)



RHONDA FLEMING (BORN 1923)



THE THREE STOOGES: LARRY FINE (1902-1975), CURLY HOWARD (1903-1952), AND MOE HOWARD (1897-1975)

THEODORE HEALY: SON OF A STOOGE

Ted Healy was the mastermind behind The Three Stooges. I recently wrote an article highlighting the last days of Ted Healy's sad life. Healy died on December 21, 1937 at the young age of 41. However, Healy's last days were not completely sad and bleak. Four days before he died, him and his wife had a boy - John Jacob Nash.

Because he grew up fatherless, Mr. Healy of Dunwoody devoted time to serving as a role-model for young folk. For years, he taught math at the DeKalb Regional Youth Detention Facilities. When he retired, the certified financial planner taught math in an area middle school and high school.

"It was important to him to demonstrate the power and influence that a positive male role model can have in a young person's life," said his daughter, Beth Healy Lee of Marietta. "He wanted to be that role model for kids who had been deprived of that influence."

On July 19, 2011, Theodore John Healy died from complications of liver failure at Rosemont at Stone Mountain, a nursing home. He was 73. A funeral and military burial with full honors was held Tuesday. A.S. Turner & Sons handled arrangements.

Mr. Healy was born in Hollywood, Calif., and named John Jacob Nash. He changed his name to Theodore John Healy to honor his late father, a Texan named Ernest Lee Nash. He adopted Ted Healy as a stage name.

The son joined the U.S. Naval Academy and met his wife of 47 years, Karen Anderson Healy, on a blind date while stationed in Athens. He served a tour of duty in Vietnam, then moved with his bride to the Atlanta area in the late 1960s. It's been home ever since. Mr. Healy worked at Rich's as a warehouse manager and an assistant manager at Richway to earn a master's degree from Georgia State University. He founded Financial Design Consultants, and ran the business nearly 20 years before retiring. He then taught math at Decatur's Chapel Hill Middle School and Fairburn's Creekside High. He retired in 2007.

Mr. Healy was told by his mother, the late Betty Hickman, that his father died of a heart attack, a story that was passed on to family. According to stoogeworld.com, though, the 42-year-old vaudeville performer, comedian and actor got into a fight with three men outside a club on the Sunset Strip. A medical examiner ruled he died from a brain concussion, the site states. His mother died at the age of 72 in 1986.

Through the years, Mr. Healy never tried to profit from The Three Stooges or his father's fame. He simply treasured mementos he had of them and other entertainers.

"Dad was never one to toot his own horn," his daughter said. "He loved Atlanta and created a wonderful life here."

Additional survivors include his wife, Karen Anderson Healy of Dunwoody; a son, T.J. Healy of Tucker; another daughter, Marcee Healy Deegan of New York; a brother, Daniel Marbut of California; two sisters, Patricia Healy and Mary Lou Fonseca, both of Los Angeles; and three grandchildren.

Ted Healy Sr died prematurely in 1937, and although Ted Jr died relatively young at the age of 73, he led a different life than his father did. He had a successful career, and he got to see his grandchildren being born - that is a great success in itself and much more success than his father ever had...

THE LAST DAYS OF TED HEALY

In prior articles, I posted stories on one of my favorite comedy team - The Three Stooges. Three brothers - Moe, Shemp, and Curly Howard along with Larry Fine were comic geniuses for decades. However, behind every comedy team is usually a good manager or producer who really discovers their talent and makes them into stars. That person on the side of The Three Stooges was Ted Healy.

Ted Healy was born on October 1, 1896 and although he is chiefly remembered today as the creator of The Three Stooges, he also had a successful stage and film career of his own. Healy discovered the act in 1925 as they were performing on vaudville. They were originally billed as "Ted Healy And His Stooges", but the trio broke away from Healy in 1934 due to his mismanagement of them and their finances.

Healy went on to establish a promising career in motion pictures, where he was successful in both comedic roles (where he was often grouped with new "stooges", including Jimmy Brewster, Red Pearson and Sammy Glasser) and dramatic roles. After Larry Fine, Moe Howard and Curly Howard left his act in 1934, Healy appeared in a succession of films for 20th Century Fox, Warner Brothers, and MGM. During this period, Healy took to wearing a full toupée in public. He was 41 and under contract to MGM at the time of his death on December 21, 1937, a few hours after preview audiences had acclaimed his work in the Warner Brothers film Hollywood Hotel

A cloud of mystery still hangs over the cause of Healy's death. Newspaper accounts attributed it to serious head injuries sustained in a nightclub brawl while celebrating the birth of his first child. Conflicting reports claimed the comedian died of a heart attack at his Los Angeles home. The death certificate issued by the state of California lists his cause of death as nephritis, or inflammation of the kidneys.

Two days before his death, Healy had visited Moe Howard's wife, Helen, at their Hollywood apartment with the news that Betty (Hickman), his second wife, was pregnant. Excited at the prospect of his first child, he told Howard's wife, "I'll make him the richest kid in the world." Howard later stated in an interview that Healy had always wanted children and that it was ironic that the impending birth of his first child shortly preceded his own death. Howard recalled, "He was nuts about kids. He used to visit our homes and envied the fact that we were all married and had children. Healy always loved kids and often gave Christmas parties for underprivileged youngsters and spent hundreds of dollars on toys."

At the time of Healy's death, the Stooges (consisting of Moe, Larry, and Curly) were at Grand Central Terminal in New York City preparing to leave for a personal appearance in Boston. Before their departure, Howard called Rube Jackter, head of Columbia Pictures' sales department, to confirm their benefit performance at Boston's Children's Hospital. During the conversation, Jackter told Howard that the night editor of The New York Times wanted to talk to him. Howard phoned The Times. The editor, without even a greeting, queried curtly, "Is this Moe?" Howard said it was. The editor then asked, "Would you like to make a statement on the death of Ted Healy?" Howard was stunned. He dropped the phone. Folding his arms over his head, Howard started to sob. Curly and Larry rushed into the phone booth to warn Howard that their train was about to leave. They found him crumpled over, crying. Since Howard seldom openly showed his emotions, Larry cracked to Curly, "Your brother's nuts. He is actually crying." Howard did not explain the reason for his emotional breakdown until he boarded the train. When they arrived back in Hollywood, they learned the details of Healy's death from a writer friend, Henry Taylor. Taylor told Howard that Healy had been out drinking at the Trocadero nightclub on the Sunset Strip, and an argument broke out with three college boys. Healy called them vile names and offered to go outside the club to take care of them one at a time. Once outside, Ted did not have a chance to raise his fists. The three men jumped him, knocked him to the ground and kicked him in the head, ribs and stomach. Healy's friend actor Joe Frisco came on the scene, picked him up from the sidewalk and took him to his apartment, where Ted died of what medical officials initially called a brain concussion.

However, a very different account asserts that Healy was beaten to death by screen legend Wallace Beery, Albert R. Broccoli (later producer of James Bond films), and notorious gangster (and Broccoli's cousin) Pat DiCicco. This account appears in E. J. Fleming's book The Fixers: Eddie Mannix, Howard Strickling, and the MGM Publicity Machine (2004) about legendary MGM "fixers" Mannix and Strickling. Under orders from studio head Louis B. Mayer, MGM sent Beery, one of their most valuable properties, to Europe for several months, while the story of the "three college boys" was fabricated to conceal the truth. (Immigration records confirm a four-month trip to Europe on Beery's part immediately after Healy's death, ending April 17, 1938). There is no proof or creditibility that this is the case though.

Despite his sizable salary, Ted Healy died penniless. MGM's staff members started a fund to pay for his burial. Moe Howard later mentioned that producer Bryan Foy of the famed Foy family of vaudevillians footed a sizeable portion of the bill for the funeral. According to Howard, even in the heyday of his stage career, Ted refused to save money and spent every dime of his salary as fast as he earned it. Healy loved betting on horses, and his favorite reading matter was race track charts.

Healy was survived by his widow, Betty Healy (née Hickman, whom he married on May 15, 1936) and his son, John Jacob Nash — who was baptized in St. Augustine's Church, opposite MGM, a week after Healy's death. John Nash, who legally changed his name to Theodore John Healy in 1959, died on July 16, 2011 from liver failure as a complication of prostate cancer in Stone Mountain, Georgia, a suburb of Atlanta. The death of Ted Healy was a sad death in stark contrast to all the laughs and fun he was responsible for giving vaudville and movie audiences through the years...

SHEMP HOWARD: THE PART TIME STOOGE

Last year I wrote three articles on the Three Stooges. I wrote about the golden age of the Stooges with Moe, Larry, and Curly. However, another stooge who filled in after Curly got sick and late died, should not be forgotten. I consider himself a part time stooge and that is Shemp Howard.

Born on March 11, 1895 Shemp was eaised in Manhattan, New York. He was the third of the five Horwitz brothers and of Lithuanian Jewish ancestry. Shemp Howard, like many New York-based performers, found work at the Vitaphone studio in Brooklyn. Originally playing bit roles in Vitaphone's Roscoe Arbuckle comedies, showing off his goofy appearance, he was entrusted with speaking roles and supporting parts almost immediately.

He was featured with Vitaphone comics Jack Haley, Ben Blue, and Gus Shy, then co-starred with Harry Gribbon, Daphne Pollard, and Johnnie Berkes, and finally starred in his own two-reel comedies. (A 1934 Gribbon-Howard short, Art Trouble, also featured the then unknown James Stewart in his first film role.) Shemp would seldom stick to the script, and would liven up a scene with ad-libbed, incidental dialogue or wisecracks. This became a trademark of his performances. Late 1935 Vitaphone licensed rights to produce short comedies based on the "Joe Palooka" comic strip. Shemp was cast as "Knobby Walsh" and although he was only a supporting character, Shemp became the comic focus of the series, with Johnny Berkes and Lee Weber as his foils. Shemp costarred in the first seven shorts, released during 1936 and 1937; nine were produced all together, with the last two done after Shemp left Vitaphone to move to greener pastures on the West Coast.

Away from Vitaphone he attempted, unsuccessfully, to lead his own group of "stooges" in the Van Beuren musical comedy short The Knife of the Party. Otherwise, Shemp Howard's solo career was very successful. He followed his brothers' lead, moved to the West Coast in 1937, and picked up supporting actor roles at several studios, predominantly at Columbia Pictures and Universal Studios. He performed with such comic greats as W. C. Fields, with whom he played the bartender in the 1940 film The Bank Dick, and the comedy team Abbott and Costello, who would reportedly trim his scene-stealing material. He also lent comic relief to Charlie Chan and The Thin Man murder mysteries, and was in several Universal B-musicals of the early 1940s, among them Strictly in the Groove, How's About It?, Moonlight and Cactus, and San Antonio Rose, in which he is paired with Lon Chaney, Jr. as a faux Abbott and Costello. In most of these, his improvisational skills are highlighted. He was briefly teamed with comedians Billy Gilbert and Maxie Rosenbloom for three B-comedy features in 1944–45. He also played a few dramatic parts, such as his supporting role in Pittsburgh (1942) starring Marlene Dietrich and John Wayne.

From 1939 onwards, Shemp appeared frequently in Columbia's two-reel comedies, co-starring with Columbia regulars Andy Clyde, The Glove Slingers, El Brendel, and Tom Kennedy. Howard was given his own starring series in 1944; he was working for Columbia in this capacity when his brother Curly was felled by a debilitating stroke on May 6, 1946. Shemp reluctantly replaced Curly in Columbia's popular Stooge shorts, knowing that Moe and Larry would be out of work if he refused. Initially, Shemp rejoined the Stooges on a temporary basis until Curly recovered, but as Curly's condition worsened, it became apparent that Shemp's association with the Stooges would be permanent. (Prior to replacing Curly on film, Shemp had substituted for his brother in some personal appearances in the early 1940s.)

Shemp's take as the third Stooge was much different from Curly's. While he could still roll with the punches as the recipient of Moe's slapstick abuse, he was more of a laid-back dimwit versus Curly's energetic man-child persona. And unlike Curly, who had many distinct mannerisms, Shemp's most notable characteristic as a Stooge was a high-pitched "bee-bee-bee-bee-bee-bee!" sound, a sort of soft screech done by inhaling. This was rather multi-purpose, as Shemp uttered this sound when scared, sleeping (done as a form of snoring), overtly happy, or dazed.

Shemp appeared with Moe and Larry in 73 short subjects and the feature film Gold Raiders. He suffered a mild stroke in November 1952, though he recovered from it within weeks and without noticeable effect on his remaining films with the Stooges (largely remakes of earlier films that recycled footage to reduce costs).

On November 22, 1955, while returning home by taxicab from attending a boxing match (one of Shemp's favorite pastimes), Shemp died of a heart attack. Shemp was lighting a cigar after telling a joke when he suddenly slumped over on his friend Al Winston's lap. Moe Howard's autobiography states that Shemp died on November 23, 1955 and most subsequent accounts point to that date because of Moe's book. But much of Moe's book was finished posthumously by his daughter and son-in-law, and some specific details were confused as a result.

The Los Angeles county coroner death certificate states that Shemp Howard died on Tuesday November 22, 1955 at 11:35 PST; confirming that, Shemp's obituary appeared in the November 23 afternoon editions of L.A. newspapers, establishing the night of November 22 as the date of death. He was entombed at Home of Peace Cemetery in East Los Angeles, the same place his brother Curly was buried.

Even though Shemp was no Curly, the shorts he made with the other Stooges and every other film appearance was worth seeing. Shemp did not appear with the team in all of their short, but on even his solo work he was a stooge at heart and a stooge that should be regarded with comic admiration...