ROBERT SHAW AND HIS JAWS SAGA

Robert Shaw wasn't that impressed with a script he received and read, and even confided to a friend, Hector Elizondo, "They want me to do a movie about this big fish. I don't know if I should do it or not." When Elizondo asked why Shaw had reservations he mentioned that he'd never heard of the director and didn't like the title, "Jaws".

However, the 1975 film, while it was the first movie to gross more than $100 million worldwide that Shaw had ever been part of, he didn't make a cent from it because of the taxes he had to pay from working in the United States, Canada and Ireland.

Shaw ad-libbed the "Here lies the body of Mary Lee" line after director Steven Spielberg prompted him to give Brody's wife (on the dock) a hard time. Asked later where he quoted it from, as it would require getting a license and release from the author to be used in the film, Shaw said that was unlikely, as it was off an old grave marker in Ireland.

Shaw sang the song "Spanish Ladies" while at the dock with Hooper and Brody, loading the boat to catch the shark. The song is a traditional British shanty, not a New England one. However, Shaw changed the lyrics from "for we have received orders, for to sail to old England..." to "for we've received orders for to sail to old Boston..." Shaw who was born and raised in England was an accomplished novelist and playwright, and may have become familiar with the tune while working as a teacher in the fishing town of Saltburn by the Sea.

Though respected as an actor, Shaw's trouble with alcohol was a frequent source of tension during filming. In later interviews, Roy Scheider described his co-star as "a perfect gentleman whenever he was sober. All he needed was one drink and then he turned into a competitive son-of-a-b!tch." 

According to Carl Gottlieb's book "The Jaws Log," Shaw was having a drink between takes, at which one point he announced, "I wish I could quit drinking." Much to the surprise and horror of the crew, Richard Dreyfuss simply grabbed Shaw's glass and tossed it into the ocean. When it came time to shoot the infamous USS Indianapolis Scene, Shaw attempted to do the monologue while intoxicated as it called for the men to be drinking late at night. Nothing in the take could be used. A remorseful Shaw called Steven Spielberg late that night and asked if he could have another try. The next day of shooting, Shaw's electrifying performance was done in one take...

HOLLYWOOD FEUDS: BILL MURRAY AND RICHARD DREYFUSS

The 1993 comedy What About Bob is now considered to be one of Bill Murray's greatest films. Thirty plus years after it came out the film is celebrated now, but the tension and drama on the set was anything but funny then. Director Frank Oz has confirmed in interviews that there was conflict on the set during the making of the film.In addition, both Murray and Dreyfuss have stated in separate interviews that they did not get along with each other during filming:

It's entertaining—everybody knows somebody like that Bob guy. [Richard Dreyfuss and I] didn't get along on the movie particularly, but it worked for the movie. I mean, I drove him nuts, and he encouraged me to drive him nuts.
— Bill Murray, March 19, 1993 interview with Entertainment Weekly

How about it? Funny movie. Terribly unpleasant experience. We didn't get along, me and Bill Murray. But I've got to give it to him: I don't like him, but he makes me laugh even now. I'm also jealous that he's a better golfer than I am. It's a funny movie. No one ever comes up to you and says, "I identify with the patient". They always say, "I have patients like that. I identify with your character". No one ever says that they're willing to identify with the other character.
— Richard Dreyfuss, October 8, 2009 interview with The A.V. Club

Oz himself also verified that there was a feud between Murray and Dreyfuss:

I was just trying to get the best out of both of them. Richard is a very structured person. And I'm not that structured. And Billy is very unstructured. So you have that opposite going also. And as a matter of fact, I just wrote Richard a letter, after all these years, because I was looking at that movie, and I realized how brilliant Richard's work was. But yes, they didn't get along. And in my perverse directorial intent, I was very pleased [laughs]. They're not supposed to get along. It's not that I was simpatico with Bill, but I leaned more towards the ideas that Bill had. But I am so grateful to Richard for his performance.
— Frank Oz, January 28, 2021 interview with Rolling Stone

In subsequent interviews, Dreyfuss reiterated what he said of his experience working with Murray, notably when he appeared at Fan Expo Canada in 2017. Dreyfuss further alleged in 2019 that at one point during the production, Murray screamed at him while intoxicated, telling him "Everyone hates you! You are tolerated!" and then threw an ashtray at him. When Murray appeared on The Howard Stern Show in 2014, Howard Stern asked him if he intended to irritate Dreyfuss. Murray responded: "I really try to make the other actor look good whenever I can (...) In this particular film, annoying Dreyfuss, which I kind of got to enjoy I gotta confess—but I didn't try to annoy him off the screen." Murray also acknowledged in 2025 that he threw a glass at the ceiling and denied throwing it at Dreyfuss. Although neither of them have crossed paths since the release of the film, Dreyfuss confirmed in a 2020 interview that he has forgiven Murray.

Producer Laura Ziskin recalled having a disagreement with Murray that resulted in his tossing her into a lake. Ziskin confirmed in 2003: "Bill also threatened to throw me across the parking lot and then broke my sunglasses and threw them across the parking lot. I was furious and outraged at the time, but having produced a dozen movies, I can safely say it is not common behavior".

In April 2022, following the suspension of the Being Mortal production, Dreyfuss's son Ben tweeted a recollection about Murray's on-set behavior towards his father and Ziskin: "Bill Murray had a meltdown during [What About Bob?] because he wanted an extra day off and Laura said no and he ripped her glasses off her face and my dad complained about his behavior and Bill Murray threw an ashtray at him." Ben also added, "Everyone walked off the production and flew back to L.A. and it only resumed after Disney hired some bodyguards to physically separate my dad and Bill Murray in between takes."

Whatever the issues making the film were, it might have made for a better movie. The actors might not have been on their best behavior, but the film is a classic!

MY FIVE FAVORITE FILMS OF ALL-TIME

I am starting a new series talking about my five favorites in a particular genre. Hopefully this will spark some interest, as well as cause spirited discussion amongst the blog readers. For this first post in the series, I wanted to go big and spotlight my five favorite films of all-time. I have watched many movies from the earliest silent films to today's overbudgeted hits. I don't really consider myself an expert as much as I do a film lover, and these favorite films of mine I can never get tired or watching. If I could only watch five movies, these are the ones I would want to watch:

5. BIG FISH (2003)
Director Tim Burton is mostly known for his overblown remakes. I enjoy his movies though. The movie Big Fish was one of his original masterpieces. The movie centered around a dying father (Albert Finney) who told tall tales to his son. Even though he told tall tales there were truth and lessons in every story he told. I think the reason why this movie touches me everytime I see it is because my father in law died the year this movie came out. It is one of the few movies that can make my wife cry.

4. ARSENIC AND OLD LACE (1944)
Because Cary Grant was so good looking, I think his acting ability was largely overlooked. He could do it all from drama to comedy, and the movie Arsenic And Old Lace is the best example of his comedy. As he discovers his loving aunts are really murderers his own life is turned upside down, and you can see the change in Cary Grant just by looking at the craziness he conveys in his eyes. Raymond Massey also gives the best performance of his long career as well.

3. WHITE HEAT (1949)
Like Cary Grant, James Cagney could play any role. However, Cagney's best role was as ruthless gangsters. There was no one more crazed and ruthless than the character of Cody Jarrett. The character had it all - a mother complex, mental illness, and a thirst to kill. The ending of the movie with Cagney screaming "top of the world, ma" is one of the best scenes ever filmed in Hollywood.

2. GOODFELLAS (1990)
It seems like Goodfellas is on television all of the time now. It is one of the movies that when it is on, I have to watch it. The film is nearly perfect especially Robert DeNiro and Ray Liotta as mobsters. Liotta plays mobster turned rat Henry Hill. I got to see what the real Henry Hill looked like, and he was no Ray Liotta but the film was great. The movie makes me wish I was more than 25% percent Italian so I could be "made" as well.

1. JAWS (1975)
Yes, this movie is my favorite film of all-time. I have seen it a total of 70 times now. When I first saw Jaws as a child, I was afraid to let my legs dangle over my bed at night for fear that a shark would come around and bite my feet. I grew to love this film, and the best part of the movie is not seeing the shark. The shark was broken so much for young director Steven Speilberg that he had to rewrite most of the film. It made for a different movie, and probably made the film as suspenseful as it was. As for the acting, you can not get much better than Roy Scheider, Robert Shaw, and Richard Dreyfuss. The film continues to remind me to never go back into the water!