Showing posts with label Raymond Massey. Show all posts
Showing posts with label Raymond Massey. Show all posts

Tuesday, October 28, 2014

ARSENIC AND OLD LACE: MY FAVORITE COMEDY

Anyone who reads my blog knows I love to make lists of my favorite things. I can make a list about anything, but that’s a whole other story. I am going to take the time now to proclaim what I feel is the best comedy film of all-time…Arsenic And Old Lace (1944).

I love movies that make me laugh, but often with classic comedies the humor does not transfer through the generations. That is not the case with this 1944 slapstick comedy. The movie is 70 years old now, but I laugh as though it came out yesterday. Sure, I laugh at the modern comedies of Steve Carell and Will Ferrell, and some of them are quite good. There is just something about this Cary Grant comedy that makes me laugh every time I have seen it. I have watched it now at least 20 times! It is not really a scary movie, but for some reason I love to watch it around Halloween.


The director Frank Capra actually filmed the movie in 1941 because of star Cary Grant's availability, but it was not released until 1944, after the original stage version had finished its run on Broadway. The lead role of Mortimer Brewster was originally intended for Bob Hope, but he could not be released from his contract with Paramount. Capra had also approached Jack Benny and Ronald Reagan before learning that Grant would accept the role. Boris Karloff played Jonathan Brewster, who "looks like Karloff," on the Broadway stage, but he was unable to do the movie as well because he was still appearing in the play during filming, and Raymond Massey took his place. The film's supporting cast also features Priscilla Lane, Jack Carson, Edward Everett Horton and Peter Lorre. Josephine Hull and Jean Adair portray the Brewster sisters, Abby and Martha, respectively. Hull and Adair, as well as John Alexander (who played Teddy Roosevelt), were reprising their roles from the 1941 stage production. Hull and Adair both received an eight-week leave of absence from the stage production that was still running, but Karloff did not as he was an investor in the stage production. He really wanted to transfer his stage role to the movie. Karloff later expressed that it was one of the regrets he had in his career.
After making the bold statement that this film was the best comedy of all-time, I better give some pretty good examples, and this film is full of it. It is just wonderful to see the transformation of Cary Grant’s character (Mortimer Brewster) throughout the film. In the first scenes, he seems to be a man who is confident and self-assured. He is getting married to his beautiful girlfriend (played cutely by Priscilla Lane). He returns home to his aunts who have helped to raise him to discover that for years the saintly aunts have been murdering people and burying them in their basement. There is no scene in Cary Grant’s career as great as the scene when he first discovers one of the victim’s bodies in living room storage chest.



Raymond Massey (as Grant’s criminally insane brother) and Peter Lorre (as his meek assistant) are supposed to be horrific criminals, but they add a lot of comedy as well. When they discover the aunts are murderers, they give huge astonished looks like Grant did. However, what is even funnier is Massey and Lorre are trying to count the total number of men they murdered, and the aunts have beat them.
John Alexander is another scene stealer as the uncle who thinks he is Teddy Roosevelt. There is some funny historic humor. When the director of  a mental hospital (Edward Everett Horton) comes to evaluate the uncle, Alexander gives him a dirty look. Cary Grant asks his uncle what is wrong and he sticks out his tongue and says “That’s Taft!” (William Taft was a protégé of Roosevelt, who later had a falling out with him). The aunts have used “Teddy” to help bury the bodies by telling him that their murder victims died because of the Yellow Fever in Panama.
I think what makes me laugh at Arsenic And Old Lace so much is that the movie shows us a family that seem normal as the movie opens, but they turn out to be genuinely crazy. Everyone’s family is like that. Everyone has a crazy uncle or a brother who is the black sheep. After Grant discovers his aunts are serial killers, and his brother is completely deranged, Cary does not even want to get married. He’s afraid he will go crazy too, and by the end of the movie it seems like he will go completely nuts. The aunts though have one more secret to tell Cary before they are taken away…literally. Cary Grant was adopted. He is not part of the Brewster family! The movie did not depend on topical humor like the war so the laughs are not dated. Basically, the jokes are about the absolute absurdity of this family. When you think the family is as crazy as it gets, it just gets crazier. I don’t think I would have laughed at the film as much if Cary Grant had not been in it. His slapstick approach to the role, his facial expressions, and his decent into insanity himself is just hilarious. There are a lot of comedies, old and new, that make me laugh, but Arsenic And Old Lace is my favorite of all-time…




Tuesday, July 5, 2011

RIP: ANNA MASSEY


Anna Massey, the award-winning British actor who played innocent victim for both Alfred Hitchcock and Michael Powell, has died from cancer at the age of 73. The news was confirmed in a brief statement from her agent: "Anna Massey CBE passed away peacefully on Sunday 3rd July, with her husband and son by her side."

The daughter of the Hollywood actor Raymond Massey, Anna Massey began her career on stage, picking up a Tony nomination for her turn in The Reluctant Debutante at the age of 18. She made her screen debut in the 1958 crime drama Gideon's Day, directed by her godfather John Ford, and co-starred with Laurence Olivier on the cult 60s thriller Bunny Lake is Missing.

Yet Massey looks set to be best remembered for her roles in two of the most controversial pictures of post-war British cinema. In 1960 she played Helen, the sweet-natured friend of a serial killer in Michael Powell's notorious Peeping Tom. In 1972, she was cast as sacrificial barmaid Babs Milligan in Hitchcock's grubby, London-set thriller Frenzy. Peeping Tom found itself reviled by contemporary critics as "perverted" and "beastly", while Frenzy remains the only Hitchcock film to receive a prohibitive X-certificate in the UK. Today, both films are widely regarded as classics.

In later years Massey acted alongside Christian Bale on The Machinist, Gwyneth Paltrow on Possession and Colin Firth in The Importance of Being Earnest. But her greatest roles arrived via the small screen, where she became a mainstay of the British costume drama. Massey's TV credits include Tess of the d'Urbervilles, Anna Karenina, The Cherry Orchard and Oliver Twist. She won a Bafta for her role as a lonely novelist in the BBC's 1986 adaptation of Hotel du Lac.


Massey is survived by her husband, Uri Andres, and her son, David, from an earlier marriage to the actor Jeremy Brett. She was made a CBE in the 2004 New Year Honours List and published her autobiography, Telling Some Tales, in 2006. The book was frank in documenting her breakup with Brett and her subsequent struggles with stage fright and anorexia. Life, she admitted, became happier when she met her second husband in the 1980s. "I don't want any dramas in my life," she told an interviewer in 2006. "If I'm in a drama, I want to be paid for it."

Massey is believed to have continued working through recent illness and made her final appearance in the 2010 TV series Moving On, scripted by Jimmy McGovern. "I think however old and blind and prune-like one may look, the spirit inside stays young and flirtacious," she once said...

Saturday, July 24, 2010

MOVIE TRAILER: POSSESSED

Easily one of Joan Crawford's best performances, POSSESSED(1947), was a great tale of insanity and murder. Also in the cast was Van Helflin and Raymond Massey. I highly recommend this film, and I am not a huge Crawford fan either...