Saturday, April 7, 2018


When screen legend Joan Crawford died in 1977, the obits of Joan Crawford chronicled her tough, traumatic youth, her 81 movies and her driving second career as a director of the Pepsi-Cola Company. But there was no accounting for the eerie last 18 months of her 70-odd years. One of the few who knew was showbiz correspondent Doris Lilly, a close confidante and neighbor in the Manhattan apartment building where Crawford lived since 1967.

Did Joan Crawford take her own life? As an experienced reporter and Joan’s friend, Lilly said that she can only conclude that she did. She was cremated, according to her wishes, and no autopsy was performed to see if she might have taken an overdose of sleeping pills. Yet there is much evidence that she was preparing to die.

Among the many “coincidences”: Her death occurred on May 10, the 22nd anniversary of her marriage to her fourth and last husband, the late Pepsi chairman Alfred Steele—the only man, she said, she really loved. (Years after his death in 1959, she still set a place for him at the dinner table.) Starting in February, she began “cleaning out,” sending Dorsi and a few other friends household items that she said she would no longer need. Just two days prior to her death, on Mother’s Day, she told Doris she spent the day alone; none of her four adopted children came to call. The next day Joan sent her beloved pet Shih Tzu, Princess, away to be taken care of by friends in the country. In fact, Princess had not been outside the building for over a year, much less separated from her adoring mistress.

The coroner’s office said this great star died of heart failure, and in a way they were right. Her heart had been broken, and she died from a lethal dose of loneliness—and fear. Unbeknownst to even some of her closest friends, Joan had received an anonymous phone call in the winter of 1975. “I will kill you,” the caller said. “You won’t know where or when, but I will get you.” Terrified, she called in the police and the FBI. For months her 22nd-floor five-room apartment was under guard. A variety of exotic locks, latches and alarms were installed. For the last 18 months she had refused to set foot outside her apartment. To reach her, friends were given a number to call, leave a message and wait for her to call back. When she slept, it was behind bolts in her bedroom, with a pale pink night-light burning.

During those months of self-imposed exile, Doris saw a great deal of Joan Crawford. Along with her psychiatrist and perhaps a half dozen others, she was one of the few. Joan had her meals delivered in and busied herself writing thousands of notes, for which she had become famous over the years.

But what she loved most was cleaning. “There’s a little bit of Harriet Craig in all of us,” she once told friends, referring to the meticulous housecleaner she portrayed in one of her films. A visit to Joan’s apartment was like a visit to a hospital operating room. A house-boy waxed the parquet floors every other day. “I gave up carpets years ago,” she explained, “when I realized I couldn’t keep them clean all the time.” The draperies were cleaned once a month; plastic liners were installed on the window sills. Some live by the sword, but Joan Crawford lived by the mop. The maid, Frieda, was always scouring in the kitchen, and Joan would often join in. Just three weeks before her death she had strained her back scrubbing the floor.

Each and every piece of furniture—and the walls—had been treated with a vinylizing process that could not be penetrated by dirt. There were no fresh flowers or plants. In the film Harriet Craig, Harriet finally loses her crackerjack maid by demanding that the tree outside the back window be washed and waxed. Joan, too, filled her apartment with yellow wax flowers and plastic plants—ones that could be swabbed with soap and water.

Although there have been stories that this once great beauty had gone to ruin, nothing could have been further from the truth. There was a time when she carried a flask of 100-proof vodka to parties, but that was long ago. She stopped drinking completely six months before she died and quit chain-smoking cold turkey. Her figure was slim and taut, and she let her hair go salt-and-pepper gray. She didn’t wear or need makeup. Thanks to expert plastic surgery and a superb bone structure, she could have passed for 55.

Still, Joan was desperately unhappy. After the death of Alfred Steele, she played a major role as Pepsi’s spokeswoman for more than a decade. But PepsiCo’s current chairman, Donald Kendall, had frozen her out completely over the past two years. She still wanted to act, but now the scripts weren’t coming in. Last March 21 the American Film Institute honored her archrival Bette Davis with a nationally televised tribute. No one approached Joan, and it hurt. Nonetheless, Joan, an avid TV watcher, told Doris that she thought the event was a glorious tribute to a great star. For this performance alone, Joan Crawford could have earned another Oscar.

There has been a lot of renewed interest in Joan Crawford, since the docudrama of her life on FX in 2017. While Bette Davis was the bigger star, and probably was the better actress, Crawford has the sadder life. Joan knew that her daughter Christina was writing a sordid biography of her, and like many of her friends said, Joan was disguarded by the Hollywood that she built. Whether or not Joan committed suicide or not, the fact was her last years were very sad and lonely for her...


  1. Having read "Mommie Dearest" I can understand why so many people in Hollywood "discarded" (correct spelling) her. They were probably repulsed by the way she treated Christina and Christopher - although her twins Cathy and Cynthia say they were treated well. If nothing else, we must give Joan credit for making a great career after starting from poverty. Many people from better backgrounds have done far less.

    1. Thank you for giving her her just due, as Joan did rising from absolutely nothing and a horrible beginning- we don't know if all that allegation in Mommie Dearest is true or not? Just as Bette Davis's daughter wrote a nasty tell all about her... we weren't there. I only know these children we're incredibly privileged in most ways, raised and supported by two very hard-working dedicated women,that should be admired for their work ethics, as well as their incredible careers.

  2. Actors should NOT have children! They are very childlike themselves always looking for attention. It's not a good thing.

    1. There are a few that made a success out of it, Helen Hayes had a wonderful relationship with son James. Actress Barbara Rush a devoted mother to children Claudia and Christopher and a doting grandmother. Joanne Woodward and Paul did well with their children, as did Eli Wallach and Anne Jackson. It's just the movie stars with rotten relationships with their children that we seem to hear about.

    2. Well I'm thinking of Meryl Streep who raised for children and did an incredible job in spite of an incredible Stellar career and by all evidence was a great mom

  3. Joan crawford hid abuse of her 2 elder children behind the glamour and money of her status, regardless of how she earned this.
    There is evidence and a number of credible witnesses to the abuse she gave to her older children.
    No one stood up for those children.
    It's a shame the book couldn't have been done whilst she was alive to give her say but that's what dear does.