Friday, December 22, 2023

RECENTLY VIEWED: MAESTRO

Last night I watched the movie bio Maestro, which was the biography of conductor Leonard Berstein. I was amazed that actor Bradley Cooper, not only starred in the film but produced it, directed it, and co-wrote it. It was an amazing accomplishment in cinema. The film centers on the relationship between American composer Leonard Bernstein, played by Cooper, and his wife Felicia Montealegre, played by Carey Mulligan. The supporting cast includes Matt Bomer, Maya Hawke, and Sarah Silverman. The film was produced by Martin Scorsese, Cooper, Steven Spielberg, Kristie Macosko Krieger, Fred Berner and Amy Durning.

The movie flashes back and forth between from 1940s and 1950s; when he was an upcoming composer and conductor, and when he met his wife, to the 1970s and then even later to the 1980s. The romance between Berstein and his wife really touched me. However, the movie did not shy away from how his fame hurt their marriage as well as his bi-sexual affairs. Bradley Cooper and Carey Mulligan deserve to win an Oscar for their portrayal of these complicated characters.

The project had been in development at Paramount Pictures, with Martin Scorsese initially planning to direct the film. He stepped down as director to work on The Irishman, allowing Bradley Cooper to join the film in May 2018 as director and to star as Bernstein. Scorsese continued as producer alongside Steven Spielberg. Spielberg was also initially considering directing the film and had approached Cooper to star, but offered the director position to Cooper after a screening of A Star Is Born. In January 2020, the project was moved to Netflix, with filming expected to begin in 2021.


Although Netflix does not publicly report box office grosses, IndieWire estimated the film made about $200,000 from eight theaters in its opening weekend (and a total of $300,000 over the five-day Thanksgiving frame), which would make it the most successful debut for the company since at least 2019. The movie has mostly received great reviews. other than a little controversy in regards to Bradley Cooper using a large prosthetic nose to portray Bernstein, who was Jewish, was criticized by some as an example of "Jewface", Bernstein's children defended Cooper's use of prosthetic makeup to portray him, stating that they worked with Cooper throughout the filmmaking process and that their "dad would have been fine with it."


It is hardly noticeable, and I am amazed at how Cooper was able to become Leonard Bernstein. It is one of the closest physical portrayal of a real person on film since Robert Downey Jr played Charlie Chaplin in 1992's Chaplin bio film. The movie does a good job of having you like as well as hate Leonard Bernstein. He was severely flawed as all geniuses are, but he truly loved his wife. I have to admit by the end of the movie, to my wife's annoyance, I had a look in my eye looking at her and realizing how lucky I am. Even though I think this is a great movie, the movie is shot a little artsy for my tastes and is sometimes hard to follow, but the acting is superb. I never followed the career of Leonard Bernstein much, but I learned a lot about him just from this film. Bravo Bradley Cooper!

MY RATING: 9 out of 10



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