THE LAST MOVIE OF JACKIE GLEASON

Rumor has it that director Garry Marshall would not go ahead with the making of "Nothing in Common" (1986) without the inclusion of Jackie Gleason. In poor health, Gleason had grown tired of filmmaking, and wished to retire from the business. After several attempts to get him on board, Marshall finally called Gleason on the phone and insisted that if he didn't do this film, that the last film he would be remembered for was the box-office bomb "Smokey and the Bandit Part 3" (1983). Gleason immediately accepted the offer on the condition that this would be his last acting role. In Marshall's 2012 memoir, "My Happy Days in Hollywood," he credits Ray Stark with asking Gleason the question about if he wanted "Smokey and the Bandit 3" being how he would be remembered.

Marshall described this picture as a humorous, poignant "exploration of how much we owe our parents.'' It is also, he agreed, a natural progression from his prior comedy, "The Flamingo Kid" (1984). That film starred Matt Dillon as a cabana boy at a 1960's beach club, awed by a flashy, flamboyant car dealer, played by Richard Crenna, at the expense of his lower-middle-class father, played by Hector Elizondo. "'The Flamingo Kid' was set in an age of comparative innocence, when notions of thrift, hard work and a good education were challenged by the values of the get-rich-quick society," said Marshall. "There's been a lot of upward mobility in the time between the stories. The family relationship in 'Nothing in Common' is more complex. It's much more of a dramatic comedy."

In a 2006 DGA interview, Marshall spoke about how an observation from Gleason in a key scene resulted in a turning point in both his and Tom Hanks' careers: "We had a hospital scene. Now Tom is a comic guy and Jackie Gleason is comical, and I come from comedy, so it was a very serious scene. So we weren't getting it and finally Jackie Gleason said, 'You know what's wrong? We're all doing hospital room jokes,' so he says, 'We must have an exorcism and free this room of all humor.' So the three of us like idiots ran around doing every bedpan, nurse, hospital joke ever done in the history of comedy and finally Jackie says, 'It's gone. It's all gone. Now we can do the serious scene.' So, now another director would say, 'Are they crazy? I knew exactly what he was saying.' And we did it and it's the one scene where Tom Hanks actually cries in the scene. Something he's never done before that, he was doing 'Bachelor Party' (1984) in his underwear, and this was a very important picture to Tom and to me because we both did a film that was a little more serious and a little more poignant and it got us into another category."

Gleason was seriously ill with colon cancer, liver cancer, thromboses hemorrhoids, diabetes and phlebitis throughout production. One evening during filming, he admitted to his daughter that he only had a short time to live. He died nearly one year after the film's release, long enough to personally view the completed film which he was said to have enjoyed very much....

TINA FEY AND MEAN GIRLS

Tina Fey read Rosalind Wiseman's "Queen Bees and Wannabes" and called "Saturday Night Live" producer Lorne Michaels to suggest it could be turned into a film. Michaels contacted Paramount Pictures, who purchased the rights to the book. As the book is nonfiction, Fey wrote the plot of "Mean Girls" (2004) from scratch, borrowing elements from her own high school experience and her impressions of Evanston Township High School, upon which the film's fictional "North Shore High School" is based.

Lindsay Lohan first read for Regina George, but the casting team felt she was closer to what they were looking for in the actress who played Cady, and since Lohan feared the "mean girl" role would harm her reputation, she agreed to play the lead. Rachel McAdams was cast as Regina because Fey felt McAdams being "kind and polite" made her perfect for such an evil-spirited character. Amanda Seyfried also read for Regina, and the producers instead suggested her for Karen due to Seyfried's "spacey and daffy sense of humor". Both Lacey Chabert and Daniel Franzese were the last actors tested for their roles. Lizzy Caplan was at first considered too pretty for the part of Janis, for which director Mark Waters felt a "Kelly Osbourne-like actress" was necessary, but Caplan was picked for being able to portray raw emotion. Fey wrote two roles based on fellow "SNL" alumni, Amy Poehler (whom Fey thought the producers would not accept because of being too young to portray a teenager's mother) and Tim Meadows, and the cast ended up with a fourth veteran of the show, Ana Gasteyer.

In an interview about the film, Fey noted, "Adults find it funny. They are the ones who are laughing. Young people watch it like a reality show. It's much too close to their real experiences so they are not exactly guffawing." Entertainment Weekly put it on its end-of-the-decade, "best-of" list, saying, "'Fetch' may never happen, but 2004's eminently quotable movie is still one of the sharpest high school satires ever. Which is pretty grool, if you ask me!" In 2006, Entertainment Weekly also named it the twelfth best high school film of all time, explaining: "There was a time when Lindsay Lohan was best known for her acting rather than her party-hopping. Showcasing Lindsay Lohan in arguably her best role to date, this Tina Fey-scripted film also boasts a breakout turn by Rachel McAdams as evil queen bee Regina George (Gretchen, stop trying to make 'fetch' happen! It's not going to happen!). While 'Mean Girls' is technically a comedy, its depiction of girl-on-girl cattiness stings incredibly true."

A 2018 Broadway musical version of the film was adapted into a film version in 2024. Fey and Meadows reprised their characters of Ms. Norbury and Mr. Duvall respectively 20 years after the original film...

PHOTOS OF THE DAY: CLASSIC HOLLYWOOD WEDDINGS

To commerate my 21st wedding anniversary today, I wanted to take a look at some classic Hollywood weddings...

Dick Powell & Joan Blondell, 1936

Frank Sinatra & Mia Farrow, 1966

Angela Lansbury & Peter Shaw, 1949

Audrey Hepburn, 1954

Judy Garland & Vincente Minnelli, 1945

Lucille Ball, 1940

ROBERT SHAW AND HIS JAWS SAGA

Robert Shaw wasn't that impressed with a script he received and read, and even confided to a friend, Hector Elizondo, "They want me to do a movie about this big fish. I don't know if I should do it or not." When Elizondo asked why Shaw had reservations he mentioned that he'd never heard of the director and didn't like the title, "Jaws".

However, the 1975 film, while it was the first movie to gross more than $100 million worldwide that Shaw had ever been part of, he didn't make a cent from it because of the taxes he had to pay from working in the United States, Canada and Ireland.

Shaw ad-libbed the "Here lies the body of Mary Lee" line after director Steven Spielberg prompted him to give Brody's wife (on the dock) a hard time. Asked later where he quoted it from, as it would require getting a license and release from the author to be used in the film, Shaw said that was unlikely, as it was off an old grave marker in Ireland.

Shaw sang the song "Spanish Ladies" while at the dock with Hooper and Brody, loading the boat to catch the shark. The song is a traditional British shanty, not a New England one. However, Shaw changed the lyrics from "for we have received orders, for to sail to old England..." to "for we've received orders for to sail to old Boston..." Shaw who was born and raised in England was an accomplished novelist and playwright, and may have become familiar with the tune while working as a teacher in the fishing town of Saltburn by the Sea.

Though respected as an actor, Shaw's trouble with alcohol was a frequent source of tension during filming. In later interviews, Roy Scheider described his co-star as "a perfect gentleman whenever he was sober. All he needed was one drink and then he turned into a competitive son-of-a-b!tch." 

According to Carl Gottlieb's book "The Jaws Log," Shaw was having a drink between takes, at which one point he announced, "I wish I could quit drinking." Much to the surprise and horror of the crew, Richard Dreyfuss simply grabbed Shaw's glass and tossed it into the ocean. When it came time to shoot the infamous USS Indianapolis Scene, Shaw attempted to do the monologue while intoxicated as it called for the men to be drinking late at night. Nothing in the take could be used. A remorseful Shaw called Steven Spielberg late that night and asked if he could have another try. The next day of shooting, Shaw's electrifying performance was done in one take...