Fox promptly cast Dailey opposite their other big female star, Jeanne Crain, in You Were Meant for Me (1948). It was directed by Lloyd Bacon who also directed him in Give My Regards to Broadway (1948).
Dailey was reunited with Grable in When My Baby Smiles at Me (1948). It was Fox's biggest hit of the year and garnered Dailey an Academy Award nomination for Best Actor at the 21st Academy Awards.
Fox tried Dailey in a comedy, Chicken Every Sunday (1949) with Celeste Holm, then he teamed with Anne Baxter in the popular musical You're My Everything (1949).
In 1949, he showcased his singing abilities by recording four songs for Decca Records with the popular Andrews Sisters. Two of the songs were Irish novelties ("Clancy Lowered the Boom!" and "I Had a Hat (When I Came In)"). The other songs, "Take Me Out to the Ball Game" and "In the Good Old Summer Time", capitalized on the success of two MGM blockbuster films of the same names, starring Gene Kelly, Esther Williams, and Frank Sinatra (Take Me Out to the Ball Game); and Judy Garland and Van Johnson (In the Good Old Summertime). Dailey and The Andrews Sisters were an excellent match, and their vocal stylings were full of gaiety and fun.
In 1954 Dailey signed a new seven-year contract with Fox.
Dailey was scheduled to appear in the 20th Century Fox musical extravaganza There's No Business Like Show Business (1954), which featured Irving Berlin's music and also starred Monroe, Ethel Merman, Mitzi Gaynor, Johnnie Ray, and Donald O'Connor, whose wife Gwen divorced him and married Dailey around that time. Filming was delayed due to director Walter Lang's poor health. Dailey agreed to appear in Susan Slept Here and Heller in Pink Tights. But Susan ended up being made with Dick Powell and Pink Tights was postponed. Eventually There's No Business Like Show Business was made and proved to be Dailey's biggest hit in a long time. Dailey returned to Fox for one more musical, The Best Things in Life Are Free (1956) to play songwriter Ray Henderson opposite Gordon MacRae. However, after that film he ended his time with 20th Century Fox and returned to MGM as the days of the big movie musical was almost over...
I mainly know Dan Dailey from I Can Get It For You Wholesale -- I thought he did a good job in it. I'm not a big fan of musicals, but I would like to see him in more dramas, especially When Willie Comes Marching Home and The Pride of St. Louis.
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