5. A STAR IS BORN
(1954)
After Judy was fired from MGM in 1950, she never really
was a movie star again. After 1950, Garland did continue to make movies, but
she made quality and not quantity. One of her best acting of her career was
done in 1954’s A Star Is Born.
Co-starring with James Mason, Judy played a rising star who gets involved with
a fading star (Mason). Garland was nominated for an Oscar, but she
unfortunately lost. The famous song from the film was “The Man That Got Away”,
but my personal favorite number was “Lose That Long Face”. When the movie came
out Warner Brothers edited the film to death, and key scenes were lost, but I
believe it has recently been completely restored.
4. EASTER PARADE
(1948)
By the time Judy made Easter
Parade in 1948, her drug problems were really beginning to come to a head.
Her weight went up and down during the filming, and it showed in many of her
scenes. However, Judy pulled it together to make this musical classic. with
Fred Astaire as her leading man and a boatload of Irving Berlin songs. Even
though the age difference between Astaire and Garland was 23 years, they make a
great song and dance team. Evergreen Irving Berlin songs included the title
song, “I Love A Piano”, and “Shakin The Blues Away”, but Berlin also wrote some
new songs like: “A Fella With An Umbrella” and “Better Luck Next Time” – the latter
of the songs Garland sang brilliantly.
3. THE WIZARD OF
OZ (1939)
No list of Garland films would be complete without “The
Wizard Of Oz”. Judy was the second choice to play Dorothy, after MGM could not
get Shirley Temple. The film was not a success when it came out in 1939 – and it
would not be until it was shown on television in the 1950s that it would become
the classic it is viewed as today. It is hard to add more about this classic,
but it was the role that made Judy a star. Sadly, it was reported that Garland
began her drug usage while this movie was being made. I am a grown man with
children now, but when I watch the scene of Judy singing “Over The Rainbow” on
her Kansas farm…I cry like a baby every time.
2. SUMMER STOCK
(1950)
MGM ended their relationship with Garland after 1950’s Summer Stock, and it was a big mistake.
Again, Garland’s weight fluctuated greatly throughout the movie, but Garland
sounded great. She was teamed with Gene Kelly for the third and last time in
this film, and like Astaire did in Easter
Parade, Kelly helped Garland get through her scenes. Supporting the dynamic
duo of musicals were great character stars like: Phil Silvers, Eddie Bracken,
and Marjorie Main. The plot of putting on a show at a farm was corny, but the
musical numbers made the film great. This movie is one of the first Garland
musicals I ever watched on video, so I have a soft spot for the film. Seeing
Judy perform “Get Happy” makes the movie worth it alone.
1. FOR ME AND MY
GAL (1942)
Judy was going on 20 when she made For Me And My Gal, and it was billed as her first adult role. She
was done playing Dorothy and hanging out with Andy Hardy now. Garland played a
rising vaudeville star who meets up with a vaudeville ham (played by Gene Kelly
in his first movie role). The story takes place during the first World War, so
all of the songs are from that era. You would think it would make the movie
corny hearing those songs, even in 1942 when the film was made, but it adds
some great realism to the movie. For a 1942 musical, there is some real drama
in the movie showing some of the horrors of war. The main attraction is Garland
who looks and sounds great singing standards like “After You’ve Gone”, “Ballin
The Jack”, and “Oh You Beautiful Doll”. Again, the film has a special place in
my heart, because I remember my Grandfather telling me it was the first movie
he saw in the movie theater was a 13 year old boy. The ending of the movie, is
a tearjerker as well, at least to me. For me not being a huge Garland movie
fan, a lot of her movies make me cry!
I think "I Could Go in Singing" was under-rated. The title song was just awful, but the story was in many ways Judy's, and it made me feel as if I were watching her playing herself -- no, not playing, BEING herself. She was selfish, loving, pathetic, and conniving. Great little picture!
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