BILL MURRAY ON GILDA RADNER

Bill Murray says “SNL” costar Gilda Radner used to 'wet her pants' laughing: 'She'd have to run out of the room' Radner, who died in 1989, was one of the original "Not Ready for Prime Time Players."

The Saturday Night Live family has lost many cast members over the years. Former show regular Bill Murray remembered one of them, his friend Gilda Radner, in probably the best way that a comedian can.

"Everybody liked making her laugh," Murray said of Radner.

The reason was simple.

"She would wet her pants, that's what Gilda would do," Murray said. "You could get her going, and she'd have to run out of the room. But there was sort of no limit to how much she could laugh until her bodily functions broke down."

The comedians worked together on the show in its early years. Radner was one of the original seven ensemble players starting in 1975, and she stood out for her characters such as Baba Wawa, her parody on Barbara Walters, and "Weekend Update" consumer affairs reporter Roseanne Roseannadanna. She was on the show until 1980, which overlapped with Murray's tenure from 1977 to 1980.

"To know her for as long as I knew her was, really, sort of a training camp," Murray said. "It was like a real discipline, like, I've got a possibility here to make someone laugh a lot. And she'd see it and go like, 'Uh-oh, here it comes.' And you do, and it's fun."

Murray has acknowledged that he cried at last month's star-studded SNL50 special, celebrating a half-century of the sketch comedy remembering Gilda Radner...

RECENTLY VIEWED: SNOW WHITE

Okay, if you have heard or read the news lately about Disney's Snow White, you will have known about the political problems between the stars and how bad the movie is. I went to see the film with my daughter, and it is not that bad. Disney's Snow White, or simply Snow White, is a 2025 American musical fantasy film directed by Marc Webb and written by Erin Cressida Wilson. Produced by Walt Disney Pictures and Marc Platt Productions, it is a live-action reimagining of Walt Disney's Snow White and the Seven Dwarfs. That animated film was based on the 1812 fairy tale "Snow White" by the Brothers Grimm. Starring Rachel Zegler, Andrew Burnap and Gal Gadot, the new film follows the pure-hearted Snow White (Zegler) who joins forces with seven dwarfs and a bandit named Jonathan (Burnap) to free her kingdom from her cruel stepmother (Gadot).

Plans for a remake of 1937's Snow White and the Seven Dwarfs were confirmed in October 2016, with Wilson announced as a screenwriter. Webb entered talks to direct in May 2019 and was announced as director in September 2019. Filming took place primarily in London from March to July 2022, with additional filming and pick-ups in June 2024. With an estimated production budget of $240–270 million, Snow White is one of the most expensive films ever made and Disney's fifteenth-most expensive. Before release, controversies arose about the film related to its color-blind casting, story changes, Zegler's public critiques of the original film, Zegler and Gadot's conflicting political views, and the reimagining of the Seven Dwarfs.

Politics aside, it was a pretty good film. The music was spot on, and I was surprised by Gail Gadot singing. The only weak part for me weas how the cruel stepmother was defeated at the end. My daughter is a huge Disney fan, and we have been going to all the remakes. This movie does not compare to 2017's Beauty And The Beast or 2021's Cruella, but it is definitely better than 2019's Dumbo and 2023's Little Mermaid. Don't listen to critics and check out this movie for yourself. I think you will be pleasantly surprised.

MY RATING: 8 OUT OF 10

THE HUMOR OF YOUNG FRANKENSTEIN

Mel Brook's humor has always stood out for its ability to engage with the world by revealing its ugly side. His jokes have famously turned the negative aspects of society upside down to satirically disarm them by exposing their faults and hypocrisy. Films like The Producers and Blazing Saddles are prime examples since they cover sensitive topics like prejudice and racism in a well-received way. Aside from this, however, Brook's comedy also has a penchant for the crass and risqué, which is common among some directors, and Young Frankenstein is no different. The film transforms slapstick antics like kneeing someone in the genitals into an intellectual exercise on the inner workings of the human brain while also using sexual innuendos and wordplay to explore a discourse focused on the nuances of relationships between men and women, regardless of whether they're organic or manufactured beings. As a result, bits like "Rolling Around in the Hay" and "The Mysteries of Life" are memorable and remain relevant today. However, the "Frau Blücher" bit has never been given the same regard.

In many ways, the funny exchanges between Dr. Frederick Frankenstein (Gene Wilder) and Frau Blücher (Cloris Leachman), while comical and unforgettable in their own right, can be viewed as a throwaway bit compared to the others. This is because it doesn't stand out as much among all the other hilarious scenes within the film. After all, juxtaposed against the "Sedagive" routine, Wilder's shrieking "Quiet Dignity" or the "Abby Normal" scene, a little bit of thunder and a horse neighing after hearing the housekeeper's name doesn't have the same comedic impact. However, considering who Frau Blücher is concerning the family, the character's famous scene, including her offering the good doctor a refreshment before bed, might be Young Frankenstein's most underrated and subtlest joke. One that contains a bit of unnoticed raunchiness that highlights Mel Brook's timeless comedic genius -- even almost 50 years later.

HEALTHWATCH: JOHNNY MATHIS

Johnny Mathis has announced he’s retiring from live stage performances due to “age and memory issues which have accelerated.”

The news was shared in a statement on the 89-year-old’s Facebook page Wednesday: “While there are still some exciting concerts coming up, regrettably all Johnny Mathis concerts from June 2025 onwards are now cancelled.”

“As many of you may already be aware, Johnny Mathis is approaching his 90th birthday this year,” the statement continued. “So, it’s with sincere regret that due to Mr. Mathis’ age and memory issues which have accelerated, we are announcing his retirement from touring & live concerts.”

According to Mathis’ website, the singer-songwriter has four concerts remaining on his 2025 Voice of Romance tour before he officially retires, including in Pennsylvania, Indiana, California and New Jersey, with his final show scheduled for May 18. As for the four canceled shows, “refunds will be made through the original point of purchase,” according to the post.

“Johnny Mathis & his entire staff send their heartfelt gratitude to all Mathis Fans worldwide for your continued love & support of his music! It’s truly been ‘Wonderful, Wonderful,'” the statement concluded.

Mathis, the voice behind the hits “Too Much, Too Little, Too Late,” “Gina,” “What Will My Mary Say” and “Misty,” has been touring across the world for seven decades, since releasing his self-titled debut album in 1956.

In addition to earning five Grammy nominations throughout his career, he was awarded The Recording Academy’s Lifetime Achievement Award in 2003. Mathis also has three recordings — “Chances Are,” “It’s Not for Me to Say” and “Misty” — in the Grammy Hall of Fame.

CAROLE KING AND HER FOUR HUSBANDS

What does it take to write music that touches millions, while enduring the heartbreak of four marriages? Carole King, the woman behind timeless songs, has not only shaped the world of music but also weathered the emotional storms of love and loss. Her story of marriages and relationships is as complex and layered as the music that made her a legend.

 
King’s first marriage was to lyricist Gerry Goffin, a partnership that started when she was just 17 years old. Goffin and King were an unstoppable duo in the early 1960s, crafting hit songs like “Will You Love Me Tomorrow” and “The Loco-Motion.” They became one of the most successful songwriting teams of the era. Their creative connection was undeniable, but their marriage faced many difficulties. While they had two daughters, Louise and Sherry, the relationship began to crack under the weight of Goffin’s infidelities and personal struggles. He struggled with depression and drug use, which placed an immense strain on their marriage. By 1968, their relationship ended in divorce, though their professional legacy would live on.

After her divorce from Goffin, King moved forward with her career and found love again with bassist Charles Larkey. In 1970, she married Larkey, and they had two children, Molly and Levi. This marriage marked a new chapter in her life, coinciding with her solo career taking off. During this period, King released her iconic album “Tapestry,” which earned her worldwide fame and solidified her status as a music legend. However, despite the success, her marriage with Larkey also came under strain. The pressures of balancing her booming career and family life began to take a toll. Larkey was frequently touring, and King was consumed with her work. The emotional distance grew between them, leading to the couple’s eventual separation in 1976.

King’s third marriage was to singer-songwriter Rick Evers, which turned out to be the most heartbreaking chapter in her personal life. The two married in 1977, and initially, King believed she had found a partner who understood her both creatively and emotionally. However, Evers struggled with drug addiction, and his abusive behavior soon became apparent. King has spoken about the domestic abuse she suffered during this period, which left her emotionally devastated. In 1978, Evers tragically died of a drug overdose, bringing an abrupt and sorrowful end to their tumultuous relationship. This marriage, though brief, left a lasting impact on King’s life and served as a period of intense emotional pain.

After the trauma of her third marriage, King took a step back from relationships for a few years. In 1982, she married Rick Sorenson, a rancher who brought a sense of calm and stability to her life. This relationship was less public and much more grounded, offering King a peaceful environment away from the spotlight. However, even this marriage wasn’t meant to last. By 1989, King and Sorenson had parted ways, though the reasons for the breakup were never fully disclosed. Many believe that the challenges of maintaining a relationship in the midst of King’s continued career demands and personal growth contributed to their separation.

In addition to her marriages, King also had a deep personal and professional connection with fellow musician James Taylor. The two collaborated on numerous projects in the 1970s, creating some of the era’s most iconic songs. Their friendship grew into something more, though they never married. Their close bond, rooted in mutual respect and admiration, remained intact even as their romantic relationship didn’t lead to a long-term commitment. Taylor and King have continued to speak fondly of each other, both acknowledging the special creative and emotional relationship they shared.

Today, Carole King is single and has found contentment in her life, focusing on her music and environmental activism. She is an advocate for the protection of natural habitats, especially in the Northern Rockies, and her passion for preserving the environment has become a central part of her later life. While her children, Louise, Sherry, Molly, and Levi, have all grown and pursued their own lives, King maintains a close bond with her family...

HOLLYWOOD TIDBITS: THE BROWN DERBY

In 1956, the entrance to The Brown Derby restaurant on Wilshire Blvd in Los Angeles, CA, stood as an iconic symbol of Hollywood glamour and elegance. The Brown Derby was famous not just for its distinctive hat-shaped architecture but also for being a gathering spot for celebrities, industry moguls, and socialites. As patrons approached the entrance, they were greeted by a sense of sophistication and exclusivity that defined the Golden Age of Hollywood.Located in the heart of Los Angeles, The Brown Derby on Wilshire Blvd was more than just a restaurant; it was a cultural landmark where some of the most famous figures of the time dined and socialized. The ambiance was one of luxury and refinement, with the walls adorned with caricatures of famous patrons, creating an atmosphere that was both chic and welcoming.

The restaurant was known for its exquisite cuisine, including the famous Cobb Salad, which was said to have been invented there. The Brown Derby was a place where deals were made, scripts were discussed, and the who’s who of Hollywood could be spotted enjoying a meal. This establishment epitomized the blend of fine dining and celebrity culture that Los Angeles is renowned for, leaving a lasting legacy in the city's history. It closed in 1985...

HISTORY OF A SONG: TOM DOOLEY

"Tom Dooley," made famous by The Kingston Trio, became a haunting folk ballad that resonated deeply with audiences when it was released in 1958. The song quickly climbed to No. 1 on the Billboard chart, captivating listeners not just for its melody but for the tragic story it told. Based on real events, "Tom Dooley" follows the tale of Tom Dula, a Civil War veteran from North Carolina who was condemned for the murder of his lover, Laura Foster. The chilling story of love, betrayal, and loss behind the song added a layer of melancholy to its catchy tune, leaving an emotional mark on the American music landscape.

The real-life story behind "Tom Dooley" stems from a famous murder case that took place in North Carolina during the post-Civil War era. Tom Dula, a young Confederate soldier, became romantically entangled with Laura Foster and Ann Melton, a married woman. Laura’s mysterious murder set off a wave of speculation and scandal, ultimately leading to Tom’s arrest and trial. Many believe that the case involved jealousy, betrayal, and complex emotions, elements that became the soul of the folk ballad. Tom was accused of killing Laura Foster, and although his guilt remains a matter of historical debate, he was convicted and hanged. As Tom faced his fate, he reportedly expressed love for Laura, a tragic final note that adds depth to the song’s lyrics.

In the late 1950s, The Kingston Trio, a group known for their crisp harmonies and fresh take on folk music, stumbled upon the song. When they recorded "Tom Dooley," they tapped into the raw emotional power of the story, infusing it with somber harmonies that matched the weight of Tom’s tale. The simplicity of the arrangement and the Trio’s harmonic style turned the song into an unforgettable anthem of heartbreak and regret. Its opening lines, “Hang down your head, Tom Dooley, poor boy, you’re bound to die,” struck a nerve with audiences, drawing them into the sorrow and inevitability of Tom’s demise.

The song’s instant success took even the Trio by surprise. Released during a time when folk music was regaining its place in mainstream American culture, "Tom Dooley" bridged the gap between traditional folk storytelling and the pop sensibilities of the late 1950s. Its success signaled a growing fascination with folk ballads and narratives, especially those that conveyed real, raw emotions. The song didn’t just top the charts; it became a cultural moment, defining the rise of folk music in popular culture.

As the ballad’s popularity grew, audiences became more intrigued by the tragic backstory. Folk music enthusiasts and historians alike delved into the true story of Tom Dula, fascinated by the historical details and the folklore that surrounded the case. The simplicity of the song allowed listeners to interpret it through their own perspectives, whether they saw it as a cautionary tale of passion or a reflection on the harshness of life’s circumstances. For many, "Tom Dooley" represented the kind of music that drew on painful truths, a storytelling style that resonated deeply with the American experience...

RECENTLY VIEWED: ZERO DAY

 Recently I was look on Netflix and a limited series caught my eye by the name of Zero Day. Zero Day is an American political thriller television miniseries created by Eric Newman, Noah Oppenheim, and Michael Schmidt for Netflix, directed by Lesli Linka Glatter, and featuring an ensemble cast led by Robert De Niro. It is about a former president investigating a devastating zero-day cyberattack in the US. The series was released on Netflix on February 20, 2025.

A former President of the United States is appointed to lead an investigation into a massive zero day cyberattack that causes multiple deaths and disasters nationwide.

Robert De Niro leads the cast as a former president who is suffering from memory lapses. His portrayal of this  character is pretty reserved compared to other film roles. He appears presidental, but I do not feel this is De Niro's best performance. At times it seemed he wasn't so into the performance. Maye that is just. His daughter is played by Lizzy Caplan, who I have been aware of since her appearance in the monster movie Cloverfield in 2008. She was excellent in her role, and she elevated De Niro's performance. The current president is played by Angela Bassett. While she had some good scenes with De Niro, she was pretty much wasted in this film.

The plot was actually pretty good. At times it was convoluted, but it is scary because that kind of cyber attack is realistic and could happen. How government and society is completely divided these days is also realistically portrayed in the series. 

Lizzy Caplan made the Series for me, and Robert De Niro is still great to watch. The limited series is not the best show I have seen, but it was worth my time. There are only six episodes and most of them are around 50 minutes long. It's not a long committment, so definitely give this series a watch. It makes you think...

MY RATING: 7 of 10

BING CROSBY - THE HOLLYWOOD YEARS: PART 6